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Author: Christopher Dyment
Publisher: Boydell & Brewer
ISBN: 1783271000
Category : Biography & Autobiography
Languages : en
Pages : 270
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Book Description
A major study sure to fascinate musicians, Brahms enthusiasts and those interested in the history of recorded music. How did Brahms conduct his four symphonies? What did he want from other conductors when they performed these works, and to which among them did he give his approval? And crucially, are there any stylistic pointers to these performances in early recordings of the symphonies made in the first half of the twentieth century? For the first time, Christopher Dyment provides a comprehensive and in-depth answer to these important issues. Drawing together thestrands of existing research with extensive new material from a wide range of sources - the views of musicians, contemporary journals, memoirs, biographies and other critical literature - Dyment presents a vivid picture of historic performance practice in Brahms's era and the half-century that followed. Here is a remarkable panorama showcasing Brahms himself conducting, together with those conductors whom he heard, among them Levi, Richter, Nikisch, Weingartner and Fritz Steinbach, and their disciples, such as Toscanini, Stokowski, Boult and Fritz Busch. Here, too, are other famed Brahms conductors of the early twentieth century, including Furtwängler and Abendroth, whose connections with the Brahms tradition are closely examined. Dyment then analyses recordings of the symphonies by these conductors and highlights aspects which the composer might well have commended. Finally, Dyment suggests the importanceof his conclusions for those contemporary conductors who are currently attempting to rediscover genuine performance traditions in their own re-creations of the symphonies. This major study is complemented with forty photographs and a frontispiece. It is sure to fascinate musicians, Brahms enthusiasts and those interested in the history of recorded music. CHRISTOPHER DYMENT is author of Felix Weingartner: Recollections and Recordings(Triad Press 1976) and Toscanini in Britain (The Boydell Press 2012). He has published many articles about historic conductors over the last forty years.
Author: Christopher Dyment
Publisher: Boydell & Brewer
ISBN: 1783271000
Category : Biography & Autobiography
Languages : en
Pages : 270
Get Book Here
Book Description
A major study sure to fascinate musicians, Brahms enthusiasts and those interested in the history of recorded music. How did Brahms conduct his four symphonies? What did he want from other conductors when they performed these works, and to which among them did he give his approval? And crucially, are there any stylistic pointers to these performances in early recordings of the symphonies made in the first half of the twentieth century? For the first time, Christopher Dyment provides a comprehensive and in-depth answer to these important issues. Drawing together thestrands of existing research with extensive new material from a wide range of sources - the views of musicians, contemporary journals, memoirs, biographies and other critical literature - Dyment presents a vivid picture of historic performance practice in Brahms's era and the half-century that followed. Here is a remarkable panorama showcasing Brahms himself conducting, together with those conductors whom he heard, among them Levi, Richter, Nikisch, Weingartner and Fritz Steinbach, and their disciples, such as Toscanini, Stokowski, Boult and Fritz Busch. Here, too, are other famed Brahms conductors of the early twentieth century, including Furtwängler and Abendroth, whose connections with the Brahms tradition are closely examined. Dyment then analyses recordings of the symphonies by these conductors and highlights aspects which the composer might well have commended. Finally, Dyment suggests the importanceof his conclusions for those contemporary conductors who are currently attempting to rediscover genuine performance traditions in their own re-creations of the symphonies. This major study is complemented with forty photographs and a frontispiece. It is sure to fascinate musicians, Brahms enthusiasts and those interested in the history of recorded music. CHRISTOPHER DYMENT is author of Felix Weingartner: Recollections and Recordings(Triad Press 1976) and Toscanini in Britain (The Boydell Press 2012). He has published many articles about historic conductors over the last forty years.
Author: Norman Del Mar
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 244
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Book Description
It might be thought presumptuous to detail every thought, beat, and gesture in conducting the standard repertoire, for the art of interpretation must always, by its very nature, be a personal one. But from his lifelong experience in conducting the Beethoven symphonies Norman Del Mar is able to lead us in a discussion of them with passion and great insight. This is an essential guide for students of these great works and a starting-point for young conductors. Del Mar offers an analysis of the music's structure, pointing out key events in the score and offering advice on how to achieve the desired effect. He also compares variant readings in the different editions. But his book further traces the development of Beethoven's style and that of the symphony over the twenty-four years of their composition, from the inspired yet simple First, so evocative of Haydn and Mozart, to the supreme peak of the `Choral', one of the greatest masterpieces of the symphonic form. Del Mar is thus able to speak to all devotees of Beethoven's symphonic output, and enhance our appreciation of these works.
Author: David Hurwitz
Publisher: Continuum
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
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Book Description
"Brahms was a famously complex character: an irascible curmudgeon, and a famously learned composer who took tremendous pride in composing tuneful, expressive melodies of great popular appeal. This accounts at least in part for the enduring esteem that his symphonies enjoy among musicians, scholars, and the listening public alike. This duality between the learned and the popular sides of Brahms' musical personality has made his music as difficult to analyze and discuss as was his singularly complex and mysterious personal life. This book attempts to aid the general listener in bridging the gap between these two seemingly irreconcilable aspects of Brahms' character, aspects that are particularly in evidence, and balanced with particular poise, in his four symphonies. First, author David Hurwitz examines Brahms' place in the German symphonic tradition, his obsessive preoccupation with his place in the grand line of classical composers stretching back to Bach, and proceeding through Haydn, Mozart, Beethoven, and Schumann. Despite his ongoing struggle to master orchestral writing, Hurwitz argues that Brahms did achieve a unique symphonic style, one found nowhere else in his (or anyone else's) works in symphonic form. Finally, each symphony is described from two perspectives: in the most helpful musical context, and then also in movement by movement descriptions of Brahms' expressive argument. Finally, a list of recommended recordings concludes a discussion that shows today's music lovers that the riches contained in these perennially attractive works do not hide beneath the surface, but in fact lie liberally scattered in plain view, just waiting to be savored." --Back cover.
Author: Michael Musgrave
Publisher: Cambridge University Press
ISBN: 9780521652735
Category : Music
Languages : en
Pages : 436
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Book Description
A great deal of evidence survives about how Brahms and his contemporaries performed his music. But much of this evidence - found in letters, autograph scores, treatises, publications, recordings, and more - has been hard to access, both for musicians and for scholars. This book brings the most important evidence together into one volume. It also includes discussions by leading Brahms scholars of the many issues raised by the evidence. The period spanned by the life of Brahms and the following generation saw a crucial transition in performance style. As a result, modern performance practices differ significantly from those of Brahms's time. By exploring the musical styles and habits of Brahms's era, this book will help musicians and scholars understand Brahms's music better and bring fresh ideas to present-day performance. The value of the book is greatly enhanced by the accompanying CD of historic recordings - including a performance by Brahms himself.
Author: Norman Del Mar
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 248
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Book Description
After two volumes of reflections on conducting the orchestral music of Beethoven, Normal Del Mar now turns to the music of Brahms. His own interpretations, over a career of half a century, have been hailed as unusually sincere and thoughtful. As before, Del Mar's insights will be of greatinterest to practicing musicians and lovers of these great works.
Author: John Ardoin
Publisher: Hal Leonard Publishing Corporation
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 396
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Book Description
The Furtwangler Record is an attempt to analyze and explain this phenomenon, a study of Furtwangler's subjective, compelling, and creative style of music-making. The introductory Part One is devoted to an overview of Furtwangler's place in the mainstream of the German school of conducting, his career and personality, and the quality of his art. Part Two, the bulk of the book, consists of detailed, illuminating commentaries on each of his recorded performances.
Author: Scott Murphy
Publisher: Boydell & Brewer
ISBN: 1580465978
Category : Music
Languages : en
Pages : 310
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Book Description
Combines fresh approaches to the life and music of the beloved nineteenth-century composer with the latest and most significant ways of thinking about rhythm, meter, and musical time.
Author: John Mauceri
Publisher: Vintage
ISBN: 0451494032
Category : Music
Languages : en
Pages : 274
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Book Description
An exuberant, uniquely accessible, beautifully illustrated look inside the enigmatic art and craft of conducting, from a celebrated conductor whose international career has spanned half a century. John Mauceri brings a lifetime of experience to bear in an unprecedented, hugely informative, consistently entertaining exploration of his profession, rich with anecdotes from decades of working alongside the greatest names of the music world. With candor and humor, Mauceri makes clear that conducting is itself a composition: of legacy and tradition, techniques handed down from master to apprentice--and more than a trace of ineffable magic. He reveals how conductors approach a piece of music (a calculated combination of personal interpretation, imagination, and insight into the composer's intent); what it takes to communicate solely through gesture, with sometimes hundreds of performers at once; and the occasionally glamorous, often challenging life of the itinerant maestro. Mauceri, who worked closely with Leonard Bernstein for eighteen years, studied with Leopold Stokowski, and was on the faculty of Yale University for fifteen years, is the perfect guide to the allure and theater, passion and drudgery, rivalries and relationships of the conducting life.
Author: John Daverio
Publisher: Oxford University Press, USA
ISBN: 0195091809
Category : Biography & Autobiography
Languages : en
Pages : 624
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Book Description
This work focuses on the work of the romantic composer Robert Schumann.
Author: Michael Musgrave
Publisher: Cambridge University Press
ISBN: 1139825305
Category : Music
Languages : en
Pages : 352
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Book Description
This Companion gives a comprehensive view of the German composer Johannes Brahms (1833–97). Twelve specially-commissioned chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. Their essays represent recent research and reflect changing attitudes towards a composer whose public image has long been out-of-date. The first part of the book contains three chapters on Brahms's early life in Hamburg and on the middle and later years in Vienna. The central section considers the musical works in all genres, while the last part of the book offers personal accounts and responses from a conductor (Roger Norrington), a composer (Hugh Wood), and an editor of Brahms's original manuscripts (Robert Pascall). The volume as a whole is an important addition to Brahms scholarship and provides indispensable information for all students and enthusiasts of Brahms's music.
