Concerto to the Memory of an Angel PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Concerto to the Memory of an Angel PDF full book. Access full book title Concerto to the Memory of an Angel by Eric-Emmanuel Schmitt. Download full books in PDF and EPUB format.
Author: Eric-Emmanuel Schmitt
Publisher: Europa Editions UK
ISBN: 178770131X
Category : Fiction
Languages : en
Pages : 147
Get Book Here
Book Description
The title story is the tale of two friends with very different personalities—one competitive and aggressive, the other kind and disinterested. They are confronted with circumstances that lead to a catharsis in which both men will move beyond their predetermined roles. Another story, "The Return," introduces a father whose work takes him far from home for months at a time. Over the years, the names, faces and personalities of his wife and children have blurred in his memory, a fact that comes cruelly to light when, while on a trip, he learns that one of his daughters has died but can't recall exactly which one it is. In his confusion he begins asking himself which daughter he would miss most—a heartless question but one that will bring him to recognize his failings as a man and as a father.
Author: Eric-Emmanuel Schmitt
Publisher: Europa Editions UK
ISBN: 178770131X
Category : Fiction
Languages : en
Pages : 147
Get Book Here
Book Description
The title story is the tale of two friends with very different personalities—one competitive and aggressive, the other kind and disinterested. They are confronted with circumstances that lead to a catharsis in which both men will move beyond their predetermined roles. Another story, "The Return," introduces a father whose work takes him far from home for months at a time. Over the years, the names, faces and personalities of his wife and children have blurred in his memory, a fact that comes cruelly to light when, while on a trip, he learns that one of his daughters has died but can't recall exactly which one it is. In his confusion he begins asking himself which daughter he would miss most—a heartless question but one that will bring him to recognize his failings as a man and as a father.
Author: James L. McHard
Publisher: The Future of Modern Music
ISBN: 9780977819508
Category : Music
Languages : en
Pages : 354
Get Book Here
Book Description
Author: Michael Steinberg
Publisher: Oxford University Press
ISBN: 019802634X
Category : Music
Languages : en
Pages : 523
Get Book Here
Book Description
Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.
Author: Kenyon C. Rosenberg
Publisher: Scarecrow Press
ISBN: 9780810823228
Category : Language Arts & Disciplines
Languages : en
Pages : 398
Get Book Here
Book Description
Lists classical and operatic recordings that are specifically available in the new (and desirable) compact disc format. Individual titles are graded for their appropriateness to specific types and sizes of libraries. The main portion covers some 160 composers whose works are important in constituting a nuclear library collection of "serious" music. There are over 1,200 titles included and individually numbered (and fully cross-referenced) and graded. For numerous works, two or more performances are cited in order to provide the librarian with greater choices; monophonic works are specifically indicated. Many of the works are annotated. Annotation copyrighted by Book News, Inc., Portland, OR
Author: François Verschaeve
Publisher: Lulu.com
ISBN: 0973845414
Category : Music
Languages : en
Pages : 550
Get Book Here
Book Description
Author: Paolo Petrocelli
Publisher: Paolo Petrocelli
ISBN:
Category : Music
Languages : en
Pages : 30
Get Book Here
Book Description
Author: Valeria Tsenova
Publisher: Routledge
ISBN: 1134371586
Category : Music
Languages : en
Pages : 280
Get Book Here
Book Description
What happened to contemporary music in the Soviet Union after Stravinsky, Shostakovich and Prokofiev? This book is a valuable source of information on the composers of the generations following these three great innovators. It is a document of the hidden period of Russian music, of what happened after the denunciation of Shostakovich and Prokofiev by the Composers' Union. It contains profiles of the most interesting and innovative composers from Russia and the former Soviet republics, written by leading musicologists. Featured composers include Andrei Volkonsky, Philip Gershkovich, Sergei Slonimsky, Boris Tishchenko, Valentin Silvestrov, Leonid Grabovsky , Nikolai Karetnikov , Alemdar Karamanov, Roman Ledenyov , Vyacheslav Artyomov , Faraj Karayev , Alexander Knaifel , Vladislav Shoot Alexander Vustin, Victor Ekimovksy , Alexander Raskatov , Sergei Pavlenko, Vladimir Tarnopolsy.
Author: David Bellos
Publisher: Random House
ISBN: 1409019268
Category : Biography & Autobiography
Languages : en
Pages : 866
Get Book Here
Book Description
"It's hard to see how anyone is ever going to better this User's Manual to the life of Georges Perec" - Gilbert Adair, Sunday Times Winner of the Prix Goncourt for Biography, 1994 George Perec (1936-82) was one of the most significant European writers of the twentieth century and undoubtedly the most versatile and innovative writer of his generation. David Bellos's comprehensive biography - which also provides the first full survey of Perec's irreverent, polymathic oeuvre - explores the life of an anguished, comical and endearingly modest man, who worked quietly as an archivist in a medical research library. The French son of Jewish immigrants from Poland, he remained haunted all of his life by his father's death in the war, fighting to defend France, and his mother's in Auschwitz-Birkenau. His acclaimed novel A Void (1969) - written without using the letter "e" - has been seen as an attempt to escape from the words "père", "mere", and even "George Perec". His career made an auspicious start with Things: A Story of the Sixties (1965), which won the Prix Renaudot. He then pursued an idiosyncratic and ambitious literary itinerary through the intellectual ferment of Paris in the 1960s and 1970s.He belonged to the Ouvrior de Littérature Potentielle (OuLiPo), a radically inventive group of writers whose members included Raymond Queneau and Italo Calvino. Perec achieved international celebrity with Life A User's Manual (1978), which won the Prix Medicis and was voted Novel of the Decade by the Salon du Livre. He died in his mid-forties after a short illness, leaving a truly puzzling detective novel, 53 Days, incomplete. "Professor Bellos's book enables us at once to relish the most wilfully bizarre aspects of Perec's oeuvre and to understand the whys and wherefores of his protean nature" - Jonathan Romney, Literary Review
Author: Nigel Kennedy
Publisher: Fonthill Media
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 479
Get Book Here
Book Description
Nigel Kennedy changed the course of classical music in the late 1980s with his interpretation of Vivaldi’s ‘Four Seasons’. He was revolutionary: in his performance and presentation; in his technique and his open-minded attitude. A natural boundary-pusher and musical adventurer, Nigel Kennedy blew minds - and sales records - as he became the best-selling violinist of all time. Instead of an Introduction, Nigel opens with a tongue-in-cheek ‘Warning’: readers should beware of his politically incorrect writing style and his frank take on the BBC, record companies, the Bavarian Police and any other ‘self-appointed wielders of power.’ It sets the tone for a truly original memoir that is as playful, unconventional and carefully executed as his music. The book is structured like a musical performance, with ‘Interludes’, ‘Outros’ and an ‘Encore’ separating the regular chapters which cover Nigel’s life story, from his humble beginnings and scholarship to the newly created Yehudi Menuhin School - and then New York at The Juilliard School - to his flourishing career and break-through as a world-class superstar. ‘Interludes’ cover subjects varying from Nigel’s best and worst gigs (“It might seem strange that shit gigs stick in the mind so much more than the good ones but I suppose it makes sense…”), to run-ins with rock stars and Police forces around the world. His anecdote on the London Metropolitan Police’s handling of a noise complaint at an after-show all-star jam is particularly funny: “These guys (the Met) were cheerful, they dealt with the situation and didn’t escalate the problem when there wasn’t one. 10/10” ‘Outros’ cover Nigel’s thoughts on classical music today - fascinating reading from the perspective of a virtuoso - to Brexit, where the spelling of the word alone leaves the reader in little doubt as to which side of the fence the author sits. ‘Encores’ is a comprehensive section on Nigel’s recorded output, covering his early classical work, the Four Seasons and later albums. There are insights into his work with rock musicians including Robert Plant, the late drummer Michael Lee, Killing Joke singer Jaz Coleman, and producers Eddie Kramer (Jimmy Hendrix) and John Leckie (Stone Roses). Nigel’s writing on Gershwin, Yehudi Menuhin, Stephan Grappelli (‘my biggest inspiration’), Jimi Hendrix and the Doors is compelling. Nigel writes of his interests outside music - boxing and football - which provide inspiration and balance to his creative output (on Aston Villa - “a true blessing for me to have an outlet in which I was surrounded by normal, honest, hard-working people who did ‘proper jobs’”). There is a splendid chapter on ‘Kitchen Golf’, a not-without-risk variation of the game, conjured up with close friend and mischief-maker Gary Lineker, during a messy late night kitchen session. “My whole life has been spent breaking down barriers between people and this book is proof of that.” states Nigel in his ‘Warning’. It’s a Mission Statement borne out in ‘Uncensored’ with aplomb.
Author: Paolo Petrocelli
Publisher: Universal-Publishers
ISBN: 1599426544
Category :
Languages : en
Pages : 81
Get Book Here
Book Description
The aim of this dissertation is to present a study and an historical-musicological analysis of the Concerto for Violin and Orchestra of Sir William Walton, discussing more specifically the shape of the Concerto for Violin in England between 1900 and 1940, taking into consideration the works of Charles Villiers Stanford, Edward Elgar, Samuel Coleridge-Taylor, Frederick Delius, Ralph Vaughan Williams, Arthur Somervell, Arnold Bax and Benjamin Britten. The thesis is divided in three parts: - the first discusses the Concertos for Violin and Orchestra of the composers active in England between 1900 and 1920: Stanford*, Elgar, Coleridge-Taylor, Delius. - the second discusses the Concertos for Violin and Orchestra of the composers active in England between 1920 and 1940: Vaughan Williams, Somervell, Bax, Britten. - The third part discusses the Concerto for Violin and Orchestra of William Walton. At the beginning there is a brief digression on the shape of the Concerto for Violin and Orchestra between the XIX and XX century in Europe, aimed to provide base knowledge of the characteristics of this musical form and to initiate a comparison between the various national composing styles. Each part is introduced by means of a generic historical-musical description of England and presents, after a biographical exposition of the composers, a formal, structural, harmonic and aesthetic analysis more or less extensive of the single concerts, along with a study of the technical aspects of the performance and a reflection on the composer-performer relationship. At the end of each part a comparative compendium is presented. The first and second part are entirely developed in function of the third, that discusses exclusively and in a more detailed manner the Concerto for Violin and Orchestra of William Walton, the work that provoked the most interest in me. To conclude the introduction, in the appendix there are some unpublished quotes, gained during the research work for this dissertation, given by well-known composers, regarding some of the discussed concertos, particularly in relation to Walton's. I believe this to be a precious contribution, that enriches and completes a reflection started in the dissertation, on the purely technical aspect of music for violin of British composers in the first half of the XIX century. * Concerto in D major Op.74 (1899), last concerto for violin and orchestra of the XIX century in England.
