Concerto in Classical Style PDF Download
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Author: Martha Mier
Publisher: Alfred Music
ISBN: 1457417626
Category : Music
Languages : en
Pages : 26
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Book Description
This intermediate level concerto in three movements for solo piano with piano accompaniment is beautifully composed in the classical style. The opening theme is strong and memorable and all technical passages are well within reach of intermediate pupils. Younger pianists will gain the rewarding experience of playing a concerto and they will be prepared to learn the great concerti of master composers. Note: two copies are needed for performance.
Author: Martha Mier
Publisher: Alfred Music
ISBN: 1457417626
Category : Music
Languages : en
Pages : 26
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Book Description
This intermediate level concerto in three movements for solo piano with piano accompaniment is beautifully composed in the classical style. The opening theme is strong and memorable and all technical passages are well within reach of intermediate pupils. Younger pianists will gain the rewarding experience of playing a concerto and they will be prepared to learn the great concerti of master composers. Note: two copies are needed for performance.
Author: Charles Rosen
Publisher: W. W. Norton & Company
ISBN: 9780393040203
Category : Music
Languages : en
Pages : 564
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Book Description
Presents a detailed analysis of the musical styles and forms developed by Mozart, Haydn, and Beethoven.
Author: Abraham Veinus
Publisher: Courier Corporation
ISBN: 0486211789
Category : Music
Languages : en
Pages : 337
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Book Description
The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.
Author: Simon McVeigh
Publisher: Boydell Press
ISBN: 9781843830924
Category : History
Languages : en
Pages : 390
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Book Description
The composition of the solo concerto studied as an evolving debate (rather than a static technique), and for its stylistic features.
Author: Catherine Rollin
Publisher: Alfred Music
ISBN: 1457441713
Category : Music
Languages : en
Pages : 34
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Book Description
Playing concertos is one of the most fulfilling experiences a student has during the early years of piano study, and playing ensemble music is indispensable to acquiring overall musicianship. This concerto in the classical style at the intermediate level is a perfect choice for piano students; particularly those who are excited about playing concertos by Mozart and Haydn in the future. Note: two copies are needed for performance.
Author: Joseph Horowitz
Publisher: National Geographic Books
ISBN: 0393881245
Category : Music
Languages : en
Pages : 0
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Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Author: Leon Plantinga
Publisher: W. W. Norton & Company
ISBN: 9780393046915
Category : Music
Languages : en
Pages : 424
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Book Description
Accompanied by a booklet of music examples (108 p.: ill.; 21 cm.).
Author: Michael Thomas Roeder
Publisher: Hal Leonard Corporation
ISBN: 0931340616
Category : Concerto
Languages : en
Pages : 487
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Book Description
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Author: Michael Steinberg
Publisher: Oxford University Press
ISBN: 019802634X
Category : Music
Languages : en
Pages : 523
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Book Description
Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.
Author: N. Alan Clark
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316
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Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
