Author: Jonathan Impett
Publisher: Leuven University Press
ISBN: 9462702586
Category : Music
Languages : en
Pages : 377
Book Description
The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture. Musicians are increasingly called on to share their experience in writing. However, cultural imperatives to account for composition as knowledge production and to make claims for its uniqueness inhibit the development of discourse in both expert and public spheres. Internet pioneer Philip Agre observed a discourse deficit in artificial intelligence research and proposed a critical technical practice, a single disciplinary field with “one foot planted in the craft work of design and the other foot planted in the reflexive work of critique. … A critical technical practice rethinks its own premises, re-evaluates its own methods, and reconsiders its own concepts as a routine part of its daily work.” This volume considers the potential for critical technical practice in the evolving situation of composition across a wide range of current practices. In seeking to tell more honest, useful stories of composition, it hopes to contribute to a new discourse around the creation of music.
Sound Work
Author: Jonathan Impett
Publisher: Leuven University Press
ISBN: 9462702586
Category : Music
Languages : en
Pages : 377
Book Description
The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture. Musicians are increasingly called on to share their experience in writing. However, cultural imperatives to account for composition as knowledge production and to make claims for its uniqueness inhibit the development of discourse in both expert and public spheres. Internet pioneer Philip Agre observed a discourse deficit in artificial intelligence research and proposed a critical technical practice, a single disciplinary field with “one foot planted in the craft work of design and the other foot planted in the reflexive work of critique. … A critical technical practice rethinks its own premises, re-evaluates its own methods, and reconsiders its own concepts as a routine part of its daily work.” This volume considers the potential for critical technical practice in the evolving situation of composition across a wide range of current practices. In seeking to tell more honest, useful stories of composition, it hopes to contribute to a new discourse around the creation of music.
Publisher: Leuven University Press
ISBN: 9462702586
Category : Music
Languages : en
Pages : 377
Book Description
The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture. Musicians are increasingly called on to share their experience in writing. However, cultural imperatives to account for composition as knowledge production and to make claims for its uniqueness inhibit the development of discourse in both expert and public spheres. Internet pioneer Philip Agre observed a discourse deficit in artificial intelligence research and proposed a critical technical practice, a single disciplinary field with “one foot planted in the craft work of design and the other foot planted in the reflexive work of critique. … A critical technical practice rethinks its own premises, re-evaluates its own methods, and reconsiders its own concepts as a routine part of its daily work.” This volume considers the potential for critical technical practice in the evolving situation of composition across a wide range of current practices. In seeking to tell more honest, useful stories of composition, it hopes to contribute to a new discourse around the creation of music.
A Conductor's Guide to Choral-Orchestral Works
Author: Jonathan D. Green
Publisher: Rowman & Littlefield
ISBN: 0810847205
Category : Choral conducting
Languages : en
Pages : 324
Book Description
Surveys large choral-orchestral works written between 1900 and 1972 that contain some English text. Green examines eighty-nine works by forty-nine composers, from Elgar's Dream of Gerontius to Bernstein's Mass.
Publisher: Rowman & Littlefield
ISBN: 0810847205
Category : Choral conducting
Languages : en
Pages : 324
Book Description
Surveys large choral-orchestral works written between 1900 and 1972 that contain some English text. Green examines eighty-nine works by forty-nine composers, from Elgar's Dream of Gerontius to Bernstein's Mass.
Concert Life in Nineteenth-Century New Orleans
Author: John H. Baron
Publisher: LSU Press
ISBN: 0807150835
Category : Music
Languages : en
Pages : 744
Book Description
During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.
Publisher: LSU Press
ISBN: 0807150835
Category : Music
Languages : en
Pages : 744
Book Description
During the nineteenth century, New Orleans thrived as the epicenter of classical music in America, outshining New York, Boston, and San Francisco before the Civil War and rivaling them thereafter. While other cities offered few if any operatic productions, New Orleans gained renown for its glorious opera seasons. Resident composers, performers, publishers, teachers, instrument makers, and dealers fed the public's voracious cultural appetite. Tourists came from across the United States to experience the city's thriving musical scene. Until now, no study has offered a thorough history of this exciting and momentous era in American musical performance history. John H. Baron's Concert Life in Nineteenth-Century New Orleans impressively fills that gap. Baron's exhaustively researched work details all aspects of New Orleans's nineteenth-century musical renditions, including the development of orchestras; the surrounding social, political, and economic conditions; and the individuals who collectively made the city a premier destination for world-class musicians. Baron includes a wide-ranging chronological discussion of nearly every documented concert that took place in the Crescent City in the 1800s, establishing Concert Life in Nineteenth-Century New Orleans as an indispensable reference volume.
Off the Planet
Author: Philip Hayward
Publisher: Indiana University Press
ISBN: 9780861966448
Category : Music
Languages : en
Pages : 226
Book Description
Explores the use of sound and music in Science Fiction films.
Publisher: Indiana University Press
ISBN: 9780861966448
Category : Music
Languages : en
Pages : 226
Book Description
Explores the use of sound and music in Science Fiction films.
New York Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Annals of the Metropolitan Opera
Author: Gerald Fitzgerald
Publisher: Springer
ISBN: 1349119768
Category : Music
Languages : en
Pages : 1343
Book Description
Publisher: Springer
ISBN: 1349119768
Category : Music
Languages : en
Pages : 1343
Book Description
William Grant Still
Author: Catherine Parsons Smith
Publisher: Univ of California Press
ISBN: 0520215435
Category : Biography & Autobiography
Languages : en
Pages : 387
Book Description
"A tough mixture of courage and diplomacy, the material presented here could hardly be richer."—Susan McClary, author of Feminine Endings
Publisher: Univ of California Press
ISBN: 0520215435
Category : Biography & Autobiography
Languages : en
Pages : 387
Book Description
"A tough mixture of courage and diplomacy, the material presented here could hardly be richer."—Susan McClary, author of Feminine Endings
Annual Review of Jazz Studies 14
Author: Evan Spring
Publisher: Scarecrow Press
ISBN: 0810869209
Category : Music
Languages : en
Pages : 232
Book Description
The Annual Review of Jazz Studies provides a forum for the ever-expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, and previously unpublished photographs.
Publisher: Scarecrow Press
ISBN: 0810869209
Category : Music
Languages : en
Pages : 232
Book Description
The Annual Review of Jazz Studies provides a forum for the ever-expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, and previously unpublished photographs.
American Masses and Requiems
Author: David P. DeVenney
Publisher: Scarecrow Press
ISBN: 9780914913146
Category : Music
Languages : en
Pages : 244
Book Description
Giving brief, essential information on some 700 works, this guide illustrates the scope of Mass and Requiem compositions of the United States from the early nineteenth century to the present day.
Publisher: Scarecrow Press
ISBN: 9780914913146
Category : Music
Languages : en
Pages : 244
Book Description
Giving brief, essential information on some 700 works, this guide illustrates the scope of Mass and Requiem compositions of the United States from the early nineteenth century to the present day.
Curating Contemporary Music Festivals
Author: Brandon Farnsworth
Publisher: transcript Verlag
ISBN: 3839452430
Category : Business & Economics
Languages : en
Pages : 327
Book Description
Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
Publisher: transcript Verlag
ISBN: 3839452430
Category : Business & Economics
Languages : en
Pages : 327
Book Description
Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.