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Author: Christian Berger
Publisher: Studies in Art & Materiality
ISBN: 9789004372832
Category : Art
Languages : en
Pages : 326
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Book Description
Conceptualism and Materiality. Matters of Art and Politicsunderscores the significance of materials and materiality within Conceptual art and conceptualism more broadly. It challenges the notion of conceptualism as an idea-centered, anti-materialist enterprise, and highlights the political implications thereof.The essays focus on the importance of material considerations for artists working during the 1960s and 1970s in different parts of the world. In reconsidering conceptualism's neglected material aspects, the authors reveal the rich range of artistic inquiries into theoretical and political notions of matter and material. Their studies revise and diversify the account of this important chapter in the history of twentieth-century art -- a reassessment that carries wider implications for the study of art and materiality in general.
Author: Christian Berger
Publisher: Studies in Art & Materiality
ISBN: 9789004372832
Category : Art
Languages : en
Pages : 326
Get Book
Book Description
Conceptualism and Materiality. Matters of Art and Politicsunderscores the significance of materials and materiality within Conceptual art and conceptualism more broadly. It challenges the notion of conceptualism as an idea-centered, anti-materialist enterprise, and highlights the political implications thereof.The essays focus on the importance of material considerations for artists working during the 1960s and 1970s in different parts of the world. In reconsidering conceptualism's neglected material aspects, the authors reveal the rich range of artistic inquiries into theoretical and political notions of matter and material. Their studies revise and diversify the account of this important chapter in the history of twentieth-century art -- a reassessment that carries wider implications for the study of art and materiality in general.
Author: Christian Berger
Publisher: BRILL
ISBN: 9004404643
Category : Art
Languages : en
Pages : 346
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Book Description
Conceptualism and Materiality. Matters of Art and Politics underscores the significance of materials and materiality within Conceptual art and conceptualism more broadly. It challenges the notion of conceptualism as an idea-centered, anti-materialist enterprise, and highlights the political implications thereof.
Author: MarinR. Sullivan
Publisher: Routledge
ISBN: 1351549677
Category : Art
Languages : en
Pages : 211
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Book Description
Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama?s Narcissus Garden, Michelangelo Pistoletto?s Newspaper Sphere (Sfera di giornali), Robert Smithson?s Asphalt Rundown, and Joseph Beuys?s Arena. These works all utilized non-traditional materials, collaborative patronage models, and alternative modes of display to create a spatially and temporally dispersed arena of matter and action, with photography serving as a connective, material thread within the sculpture it reflects. While created by major artists of the postwar period, these particular projects have yet to receive substantive art historical analysis, especially from a sculptural perspective. Here, they anchor a transnational narrative in which sculpture emerged as a node, a center of transaction comprising multiple material phenomenon, including objects, images, and actors. When seen as entangled, polymorphous entities, these works suggest that the charge of sculpture in the late postwar period came from its concurrent existence as both three-dimensional phenomena and photographic image, in the interchanges among the materials that continue to activate and alter the constitution of sculpture within the contemporary sphere.
Author: Martin R. Sullivan
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: MarinR. Sullivan
Publisher: Routledge
ISBN: 1351549669
Category : Art
Languages : en
Pages : 267
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Book Description
Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama?s Narcissus Garden, Michelangelo Pistoletto?s Newspaper Sphere (Sfera di giornali), Robert Smithson?s Asphalt Rundown, and Joseph Beuys?s Arena. These works all utilized non-traditional materials, collaborative patronage models, and alternative modes of display to create a spatially and temporally dispersed arena of matter and action, with photography serving as a connective, material thread within the sculpture it reflects. While created by major artists of the postwar period, these particular projects have yet to receive substantive art historical analysis, especially from a sculptural perspective. Here, they anchor a transnational narrative in which sculpture emerged as a node, a center of transaction comprising multiple material phenomenon, including objects, images, and actors. When seen as entangled, polymorphous entities, these works suggest that the charge of sculpture in the late postwar period came from its concurrent existence as both three-dimensional phenomena and photographic image, in the interchanges among the materials that continue to activate and alter the constitution of sculpture within the contemporary sphere.
Author: Marin R. Sullivan
Publisher:
ISBN: 9781351549653
Category : Arts
Languages : en
Pages :
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Book Description
Author: Camila Maroja
Publisher: Cambridge Scholars Publishing
ISBN: 1443862886
Category : Art
Languages : en
Pages : 199
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Book Description
How should one approach the notion of the precarious in art – its meanings and its outcomes? Its presence in artistic practices may be transient, yet it instigates permanent changes in the production, discourse, and perception of art. The Permanence of the Transient: Precariousness in Art gathers essays that examine the traces and implications of precariousness in contemporary art, and lays a foundation for a thoughtful study of its emergence in related fields throughout the 20th and 21st centuries. The different perspectives represented in this volume touch on art history and theory, curatorial practice, media art, philosophy, language, and transnational studies, and highlight artists’ narratives. Together, these interdisciplinary essays locate precariousness as an undercurrent in contemporary art and a connective tissue across diverse areas of knowledge and everyday life.
Author: Nick Kaye
Publisher: Taylor & Francis
ISBN: 1317441168
Category : Performing Arts
Languages : en
Pages : 279
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Book Description
Conceptual Performance explores how the radical visual art that challenged material aesthetics in the 1960s and 1970s tested and extended the limits, character and concept of performance. Conceptual Performance sets out the history, theoretical basis, and character of this genre of work through a wide range of case studies. The volume considers how and why principal modes and agendas in Conceptual art in the 1960s and 1970s necessitated new engagements with performance, as well as expanded notions of theatricality. In doing so, this book reviews and challenges prevailing histories of Conceptual art through critical frameworks of performativity and performance. It also considers how Conceptual art adopted and redefined terms and tropes of theatre and performance: including score, document, embodiment, documentation, relic, remains, and the narrative recuperation of ephemeral work. While showing how performance has been integral to Conceptual art’s critiques of prevailing assumptions about art’s form, purpose, and meaning, this volume also considers the reach and influence of Conceptual performance into recent thinking and practice. This book will be of interest to scholars and students of theatre, performance, contemporary art, and art history.
Author: Will Schrimshaw
Publisher: Bloomsbury Publishing USA
ISBN: 1501315862
Category : Music
Languages : en
Pages : 216
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Book Description
Immersion is the new orthodoxy. Within the production, curation and critique of sound art, as well as within the broader fields of sound studies and auditory culture, the immersive is routinely celebrated as an experiential quality of sound, the value of which is inherent yet strengthened through dubious metaphysical oppositions to the visual. Yet even within the visual arts an acoustic condition grounded in Marshall McLuhan's metaphorical notion of acoustic space underwrites predispositions towards immersion. This broad conception of an acoustic condition in contemporary art identifies the envelopment of audiences and spectators who no longer perceive from a distance but immanently experience immersive artworks and environments. Immanence and Immersion takes a critical approach to the figures of immersion and interiority describing an acoustic condition in contemporary art. It is argued that a price paid for this predisposition towards immersion is often the conceptual potency and efficacy of the work undertaken, resulting in arguments that compound the marginalisation and disempowerment of practices and discourses concerned with the sonic. The variously phenomenological, correlational and mystical positions that support the predominance of the immersive are subject to critique before suggesting that a stronger distinction between the often confused concepts of immersion and the immanence might serve as a means of breaking with the figure of immersion and the circle of interiority towards attaining greater conceptual potency and epistemological efficacy within the sonic arts.
Author: Richard A. Lee
Publisher: Rowman & Littlefield
ISBN: 1783486449
Category : Philosophy
Languages : en
Pages : 154
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Book Description
Discussions of materialism have exploded in recent years. From the speculative realism/materialism of Quentin Meillassoux to the New Materialism of many modern Marxisms, the interest in a return to or rehabilitation of materialism is on the rise. What is not analyzed in many of these discussions, however, is a trenchant methodological and metaphysical problem lying at the basis of any philosophical materialism: if matter is simply that which is other than thought, then how can it be thought without drawing it away from its materiality? On the other hand, if one assumes a direct access to matter, to this other, what are the conditions of that access? Are they material conditions or cognitive (thought) conditions? Does what would present itself immediately present, at the same time, the conditions that allow it to be presented? If not, then we are closer to a theology of matter and further from a philosophical materialism. The Thought of Matter investigates this metaphysical and methodological problem through Aristotle, Marx, Adorno, Althusser, Duns Scotus, Hobbes, and Benjamin in order to show that a philosophical materialism necessarily requires the concepts and tools of thought in order to allow the otherness of matter to emerge in its own materiality.
