Conceptual Art in the Netherlands and Belgium 1965-1975 PDF Download
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Author: Carel Blotkamp
Publisher:
ISBN:
Category : Art, Belgian
Languages : en
Pages : 212
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Book Description
Author: Carel Blotkamp
Publisher:
ISBN:
Category : Art, Belgian
Languages : en
Pages : 212
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Book Description
Author: Christophe Cherix
Publisher: The Museum of Modern Art
ISBN: 9780870707537
Category : Art
Languages : en
Pages : 174
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Book Description
During the 1960s & 1970s, Amsterdam was a nexus of intense art activities, drawing artists from all over the world. 'In & Out Of Amsterdam' presents more than 120 works - including works on paper, installations, photographs & films - by artists who were part of this remarkable creative culture.
Author: M. Darsie Alexander
Publisher: Penn State Press
ISBN: 9780271025414
Category : Art
Languages : en
Pages : 204
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Book Description
Since the 1960s, an international group of artists has embraced slide projection as a dynamic alternative to the tradition of painting, blending aspects of photography, film, and installation art. Slide Show is the first in-depth examination of how slides evolved into one of the most exciting art forms of our time. Essays by leading scholars and 200 color illustrations provide visual, historical, and critical insight into this unique medium.
Author: Catherine Dossin
Publisher: Routledge
ISBN: 1317017684
Category : Art
Languages : en
Pages : 325
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Book Description
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
Author: Assoc Prof Catherine Dossin
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472411714
Category : Art
Languages : en
Pages : 329
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Book Description
This book challenges the perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. In her transnational and interdisciplinary study, Dossin analyses changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors.
Author: Mette Gieskes
Publisher: Bloomsbury Publishing
ISBN: 1350415839
Category : Art
Languages : en
Pages : 369
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Book Description
Pursuing a new and timely line of research in world art studies, Humor in Global Contemporary Art is the first edited collection to examine the role of culturally specific humor in contemporary art from a global perspective. Since the 1960s, increasing numbers of artists from around the world have applied humor as a tool for observation, critique, transformation, and debate. Exploring how humorous art produced over the past six decades is anchored in local sociopolitical contexts and translated or misconstrued when exhibited abroad, this book opens new conversations regarding the functioning of humor and the ways in which art travels across the globe. With contributions by an impressive array of internationally based scholars covering six major continental regions, the book is organized into four distinct geographical sections: Africa and the Middle East, Asia and Oceania, South and North America, and Europe. This structure highlights the cultural specificity of each region while the book as a whole offers a critical perspective on the postcolonial, globalized art network. Reflecting on present-day processes of globalization and biennialization, which confront viewers with humorous art from a variety of cultures and countries, this book will provide readers with a culturally sensitive understanding of how humor has become vital to many contemporary artists working in an unprecedentedly interconnected world.
Author: Robert Bailey
Publisher: Duke University Press
ISBN: 0822374129
Category : Art
Languages : en
Pages : 223
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Book Description
In Art & Language International Robert Bailey reconstructs the history of the conceptual art collective Art & Language, situating it in a geographical context to rethink its implications for the broader histories of contemporary art. Focusing on its international collaborations with dozens of artists and critics in and outside the collective between 1969 and 1977, Bailey positions Art & Language at the center of a historical shift from Euro-American modernism to a global contemporary art. He documents the collective’s growth and reach, from transatlantic discussions on the nature of conceptual art and the establishment of distinct working groups in New York and England to the collective’s later work in Australia, New Zealand, and Yugoslavia. Bailey also details its publications, associations with political organizations, and the internal power struggles that precipitated its breakdown. Analyzing a wide range of artworks, texts, music, and films, he reveals how Art & Language navigated between art worlds to shape the international profile of conceptual art. Above all, Bailey underscores how the group's rigorous and interdisciplinary work provides a gateway to understanding how conceptual art operates as a mode of thinking that exceeds the visual to shape the philosophical, historical, and political.
Author: Sophie Richard
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 524
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Book Description
Unconcealed describes the emergence of Conceptual art in Northern Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. A detailed account of this decade (1967-1977) is accompanied by an extensive set of previously unpublished data that charts the exhibitions and sales of Conceptual works to galleries, public institutions and private collections. The relationships, support structures and strategies of dealer galleries such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner are revealed and make fascinating reading. Unconcealed exposes the new dealing, curatorial, collecting and teaching methods formed in this decade that continue to be critical to today's art world.
Author: Renée van de Vall
Publisher: Springer Nature
ISBN: 3031423577
Category : Law
Languages : en
Pages : 393
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Book Description
This open access book investigates whether and how theoretical findings and insights in contemporary art conservation can be translated into the daily work practices of conservators or, vice versa, whether and how the problems and dilemmas encountered in conservation practice can inform broader research questions and projects. For several decades now, the conservation of contemporary art has been a dynamic field of research and reflection. Because of contemporary art’s variable constitution, its care and management calls for a fundamental rethinking of the overall research landscape of museums, heritage institutions, private-sector organizations and universities. At first, this research was primarily pursued by conservation professionals working in or with museums and other heritage organizations, but increasingly academic researchers and universities became involved, for instance through collaborative projects. This book is the result of such collaboration. It sets out to bridge the “gap” between theory and practice by investigating conservation practices as a form of reflection and reflection as a form of practice.
Author: Patrick Greaney
Publisher: U of Minnesota Press
ISBN: 1452941246
Category : Art
Languages : en
Pages : 207
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Book Description
Literature and art have always depended on imitation, and in the past few decades quotation and appropriation have become dominant aesthetic practices. But critical methods have not kept pace with this development. Patrick Greaney reopens the debate about quotation and appropriation, shifting away from naïve claims about the death of the author. In interpretations of art and literature from the 1960s to the present, Quotational Practices shows how artists and writers use quotation not to undermine authorship and originality, but to answer questions at the heart of twentieth-century philosophies of history. Greaney argues that quotation is a technique employed by art and philosophy to build ties to the past and to possible futures. By exploring quotation’s links to gender, identity, and history, he offers new approaches to works by some of the most influential modern and contemporary artists, writers, and philosophers, including Walter Benjamin, Guy Debord, Michel Foucault, Marcel Broodthaers, Glenn Ligon, Sharon Hayes, and Vanessa Place. Ultimately, Quotational Practices reveals innovative perspectives on canonical philosophical texts as well as art and literature in a wide range of genres and mediums—from concrete poetry and the artist’s book to performance, painting, and video art.
