Author: Andreas Rahmatian
Publisher: Edward Elgar Publishing
ISBN: 1783478195
Category : LAW
Languages : en
Pages : 240
Book Description
Copyright specialists have often focused on the exploitation of copyright of music and on infringement, but not on the question of how copyright conceptualises music. This highly topical volume brings together specialists in music, musicology and copyright law, providing a genuinely interdisciplinary research approach. It compares and contrasts the concepts of copyright law with those of music and musical performance. Several tensions emerge between the ideas of music as a living art and of the musical work as a basis for copyright protection. The expert contributors discuss the notions of the musical work, performance, originality, authorship in music and in copyright, and co-ownership from the disciplinary perspectives of music, musicology and copyright law. The book also examines the role of the Musicians’ Union in the evolution of performers’ rights in UK copyright law, and, in an empirical study, the transaction costs theory for notice-and-takedown regimes in relation to songs uploaded on YouTube. This unique study offers an interdisciplinary perspective for academics, policymakers and legal practitioners seeking a state-of-the-art understanding of music and copyright law.
Concepts of Music and Copyright
Author: Andreas Rahmatian
Publisher: Edward Elgar Publishing
ISBN: 1783478195
Category : LAW
Languages : en
Pages : 240
Book Description
Copyright specialists have often focused on the exploitation of copyright of music and on infringement, but not on the question of how copyright conceptualises music. This highly topical volume brings together specialists in music, musicology and copyright law, providing a genuinely interdisciplinary research approach. It compares and contrasts the concepts of copyright law with those of music and musical performance. Several tensions emerge between the ideas of music as a living art and of the musical work as a basis for copyright protection. The expert contributors discuss the notions of the musical work, performance, originality, authorship in music and in copyright, and co-ownership from the disciplinary perspectives of music, musicology and copyright law. The book also examines the role of the Musicians’ Union in the evolution of performers’ rights in UK copyright law, and, in an empirical study, the transaction costs theory for notice-and-takedown regimes in relation to songs uploaded on YouTube. This unique study offers an interdisciplinary perspective for academics, policymakers and legal practitioners seeking a state-of-the-art understanding of music and copyright law.
Publisher: Edward Elgar Publishing
ISBN: 1783478195
Category : LAW
Languages : en
Pages : 240
Book Description
Copyright specialists have often focused on the exploitation of copyright of music and on infringement, but not on the question of how copyright conceptualises music. This highly topical volume brings together specialists in music, musicology and copyright law, providing a genuinely interdisciplinary research approach. It compares and contrasts the concepts of copyright law with those of music and musical performance. Several tensions emerge between the ideas of music as a living art and of the musical work as a basis for copyright protection. The expert contributors discuss the notions of the musical work, performance, originality, authorship in music and in copyright, and co-ownership from the disciplinary perspectives of music, musicology and copyright law. The book also examines the role of the Musicians’ Union in the evolution of performers’ rights in UK copyright law, and, in an empirical study, the transaction costs theory for notice-and-takedown regimes in relation to songs uploaded on YouTube. This unique study offers an interdisciplinary perspective for academics, policymakers and legal practitioners seeking a state-of-the-art understanding of music and copyright law.
Music and Copyright
Author: Lee Marshall
Publisher: Routledge
ISBN: 1136090584
Category : Music
Languages : en
Pages : 228
Book Description
"First Published in 2004, Routledge is an imprint of Taylor & Francis, an informa company."
Publisher: Routledge
ISBN: 1136090584
Category : Music
Languages : en
Pages : 228
Book Description
"First Published in 2004, Routledge is an imprint of Taylor & Francis, an informa company."
Concepts of Music and Copyright
Author: Andreas Rahmatian
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
An Introduction to the Concepts of Music
Author: Nick Peterson
Publisher:
ISBN: 9780070161078
Category : Music theory
Languages : en
Pages : 196
Book Description
This new text concentrates on common musical concepts such as pitch, texture, duration and structure in order to provide students with the musical literacy they need to study any style of music. An indispensable title for teachers of any music course, An Introduction to the Concepts of Music introduces all aspects of the concepts in a coherent manner and features dedicated chapters to help guide students through musical analysis and exam preparation. The text is supported by a free student audio CD that features listening examples from a variety of contrasting genres.
Publisher:
ISBN: 9780070161078
Category : Music theory
Languages : en
Pages : 196
Book Description
This new text concentrates on common musical concepts such as pitch, texture, duration and structure in order to provide students with the musical literacy they need to study any style of music. An indispensable title for teachers of any music course, An Introduction to the Concepts of Music introduces all aspects of the concepts in a coherent manner and features dedicated chapters to help guide students through musical analysis and exam preparation. The text is supported by a free student audio CD that features listening examples from a variety of contrasting genres.
Music Copyright Law
Author: David J. Moser
Publisher: Course Technology
ISBN: 9781435459724
Category : Copyright
Languages : en
Pages : 0
Book Description
Provides an in-depth, yet easy to understand, exploration of copyright law and how it applies to the music industry.
Publisher: Course Technology
ISBN: 9781435459724
Category : Copyright
Languages : en
Pages : 0
Book Description
Provides an in-depth, yet easy to understand, exploration of copyright law and how it applies to the music industry.
Music on the Move
Author: Danielle Fosler-Lussier
Publisher: University of Michigan Press
ISBN: 0472126784
Category : Music
Languages : en
Pages : 323
Book Description
Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding; and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. As music crosses cultural, linguistic, and political boundaries, it continually changes. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music’s travels—with or without its makers—including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Highly accessible, jargon-free, and media-rich, Music on the Move is suitable for students as well as general-interest readers.
Publisher: University of Michigan Press
ISBN: 0472126784
Category : Music
Languages : en
Pages : 323
Book Description
Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding; and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. As music crosses cultural, linguistic, and political boundaries, it continually changes. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music’s travels—with or without its makers—including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Highly accessible, jargon-free, and media-rich, Music on the Move is suitable for students as well as general-interest readers.
Music Business: The Key Concepts
Author: Richard Strasser
Publisher: Routledge
ISBN: 1135845190
Category : Music
Languages : en
Pages : 208
Book Description
Music Business: The Key Concepts is a comprehensive guide to the terminology commonly used in the music business today. It embraces definitions from a number of relevant fields, including: general business marketing e-commerce intellectual property law economics entrepreneurship In an accessible A-Z format and fully cross-referenced throughout, this book is essential reading for music business students as well as those interested in the music industry.
Publisher: Routledge
ISBN: 1135845190
Category : Music
Languages : en
Pages : 208
Book Description
Music Business: The Key Concepts is a comprehensive guide to the terminology commonly used in the music business today. It embraces definitions from a number of relevant fields, including: general business marketing e-commerce intellectual property law economics entrepreneurship In an accessible A-Z format and fully cross-referenced throughout, this book is essential reading for music business students as well as those interested in the music industry.
Copyright and the Music Marketplace
Author: United States United States Copyright Office
Publisher: Createspace Independent Publishing Platform
ISBN: 9781522852155
Category :
Languages : en
Pages : 208
Book Description
The Copyright Office has previously highlighted the outmoded rules for the licensing of musical works and sound recordings as an area in significant need of reform. Moreover, the Office has underscored the need for a comprehensive approach to copyright review and revision generally. This is especially true in the case of music licensing the problems in the music marketplace need to be evaluated as a whole, rather than as isolated or individual concerns of particular stakeholders.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781522852155
Category :
Languages : en
Pages : 208
Book Description
The Copyright Office has previously highlighted the outmoded rules for the licensing of musical works and sound recordings as an area in significant need of reform. Moreover, the Office has underscored the need for a comprehensive approach to copyright review and revision generally. This is especially true in the case of music licensing the problems in the music marketplace need to be evaluated as a whole, rather than as isolated or individual concerns of particular stakeholders.
Music Business: The Key Concepts
Author: Richard Strasser
Publisher: Routledge
ISBN: 1135845204
Category : Music
Languages : en
Pages : 209
Book Description
Music Business: The Key Concepts is a comprehensive guide to the terminology commonly used in the music business today. It embraces definitions from a number of relevant fields, including: general business marketing e-commerce intellectual property law economics entrepreneurship In an accessible A-Z format and fully cross-referenced throughout, this book is essential reading for music business students as well as those interested in the music industry.
Publisher: Routledge
ISBN: 1135845204
Category : Music
Languages : en
Pages : 209
Book Description
Music Business: The Key Concepts is a comprehensive guide to the terminology commonly used in the music business today. It embraces definitions from a number of relevant fields, including: general business marketing e-commerce intellectual property law economics entrepreneurship In an accessible A-Z format and fully cross-referenced throughout, this book is essential reading for music business students as well as those interested in the music industry.
Music Copyright Basics
Author: Joel Leach
Publisher: Alfred Music
ISBN: 9781457418129
Category : Music
Languages : en
Pages : 44
Book Description
What is copyright? This seemingly simple question often causes confusion with its complex answers. In Music Copyright Basics, professor and Expert Copyright Witness Joel Leach answers frequent questions in a straightforward, easy-to-use format. Whether you are searching for a simple answer to a common question or want a general knowledge of the copyright procedure, this book will quickly provide you with the information you want!
Publisher: Alfred Music
ISBN: 9781457418129
Category : Music
Languages : en
Pages : 44
Book Description
What is copyright? This seemingly simple question often causes confusion with its complex answers. In Music Copyright Basics, professor and Expert Copyright Witness Joel Leach answers frequent questions in a straightforward, easy-to-use format. Whether you are searching for a simple answer to a common question or want a general knowledge of the copyright procedure, this book will quickly provide you with the information you want!