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Author: Phil Rose
Publisher: Rowman & Littlefield
ISBN: 1611477611
Category : Social Science
Languages : en
Pages : 279
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Book Description
Beyond its elucidation and critique of traditional ‘notation-centric’ musicology, this book's primary emphasis is on the negotiation and construction of meaning within the extended musical multimedia works of the classic British group Pink Floyd. Encompassing the concept albums that the group released from 1973 to 1983, during Roger Waters’ final period with the band, chapters are devoted to Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979) and The Final Cut (1983), along with Waters’ third solo album Amused to Death (1993). This book's analysis of album covers, lyrics, music and film makes use of techniques of literary and film criticism, while employing the combined lenses of musical hermeneutics and discourse analysis, so as to illustrate how sonic and musical information contribute to listeners’ interpretations of the discerning messages of these monumental musical artifacts. Ultimately, it demonstrates how their words, sounds, and images work together in order to communicate one fundamental concern, which—to paraphrase the music journalist Karl Dallas—is to affirm human values against everything in life that should conspire against them.
Author: Phil Rose
Publisher: Rowman & Littlefield
ISBN: 1611477611
Category : Social Science
Languages : en
Pages : 279
Get Book Here
Book Description
Beyond its elucidation and critique of traditional ‘notation-centric’ musicology, this book's primary emphasis is on the negotiation and construction of meaning within the extended musical multimedia works of the classic British group Pink Floyd. Encompassing the concept albums that the group released from 1973 to 1983, during Roger Waters’ final period with the band, chapters are devoted to Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979) and The Final Cut (1983), along with Waters’ third solo album Amused to Death (1993). This book's analysis of album covers, lyrics, music and film makes use of techniques of literary and film criticism, while employing the combined lenses of musical hermeneutics and discourse analysis, so as to illustrate how sonic and musical information contribute to listeners’ interpretations of the discerning messages of these monumental musical artifacts. Ultimately, it demonstrates how their words, sounds, and images work together in order to communicate one fundamental concern, which—to paraphrase the music journalist Karl Dallas—is to affirm human values against everything in life that should conspire against them.
Author: Marianne Tatom Letts
Publisher: Indiana University Press
ISBN: 0253004918
Category : Music
Languages : en
Pages : 256
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Book Description
How the British rock band Radiohead subverts the idea of the concept album in order to articulate themes of alienation and anti-capitalism is the focus of Marianne Tatom Letts's analysis of Kid A and Amnesiac. These experimental albums marked a departure from the band's standard guitar-driven base layered with complex production effects. Considering the albums in the context of the band's earlier releases, Letts explores the motivations behind this change. She places the two albums within the concept-album/progressive-rock tradition and shows how both resist that tradition. Unlike most critics of Radiohead, who focus on the band's lyrics, videos, sociological importance, or audience reception, Letts focuses on the music itself. She investigates Radiohead's ambivalence toward its own success, as manifested in the vanishing subject of Kid A on these two albums.
Author: Roy Shuker
Publisher: Psychology Press
ISBN: 9780415347709
Category : Music
Languages : en
Pages : 352
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Book Description
With 'Key Concepts in Popular Music', Roy Shuker presents a comprehensive A-Z glossary of the main terms and concepts used in the study of popular music.
Author: Nathan Brackett
Publisher: Simon and Schuster
ISBN: 0743201698
Category : POPULAR MUSIC--DISCOGRAPHY.
Languages : en
Pages : 948
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Book Description
Publisher Description
Author: Eric Wolfson
Publisher: Bloomsbury Publishing USA
ISBN: 1501391828
Category : Music
Languages : en
Pages : 265
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Book Description
The concept album is one of popular music's most celebrated-and misunderstood-achievements. This book examines the untold history of the rock concept album, from The Beatles to Beyoncé. The roots of the concept album are nearly as old as the long-playing record itself, as recording artists began using the format to transcend a mere collection of songs into a listening experience that takes the listener on a journey through its unifying mood, theme, narrative, or underlying idea. Along the way, artists as varied as the Moody Blues, Jimi Hendrix, Joni Mitchell, Pink Floyd, Parliament, Donna Summer, Iron Maiden, Radiohead, The Notorious B.I.G., Green Day, Janelle Monáe, and Kendrick Lamar created albums that form an extended conversation of art and music. Limits were pushed as the format grew over the subsequent eras. Seminal albums like the Beatles' Sgt. Pepper's Lonely Hearts Club Band, the Who's Tommy, Marvin Gaye's What's Going On, stand alongside modern classics like Liz Phair's Exile in Guyville, Kendrick Lamar's good kid, "m.A.A.d city," and Beyoncé's Lemonade. Mixing iconic albums with some newer and lesser-known works makes for a book that ventures into the many sides of a history that has yet to be told-until now.
Author: Mark Blake
Publisher: Da Capo Press, Incorporated
ISBN: 1568583834
Category : Music
Languages : en
Pages : 426
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Book Description
Mark Blake draws on his own interviews with band members as well as the group's friends, road crew, musical contemporaries, former housemates, and university colleagues to produce a history of one of the biggest rock bands of all time. We follow Pink Floyd from the early psychedelic nights at UFO, to the stadium-rock and concept-album zenith of the seventies, to the acrimonious schisms of the late '80s and '90s.
Author: Brett Milano
Publisher: Macmillan
ISBN: 9780312304270
Category : Antiques & Collectibles
Languages : en
Pages : 162
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Book Description
Publisher Description
Author: Jonathan Coulton
Publisher: Image Comics
ISBN: 1534305750
Category : Comics & Graphic Novels
Languages : en
Pages : 132
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Book Description
From musician, singer-songwriter, and internet superstar JONATHAN COULTON comes the graphic novel accompaniment (in square-bound, 10" x 10" format) to his new concept album, SOLID STATE. Two guys, connected by a name and hundreds of years, somehow stand at the end of man's beginning, and the beginning of man's end. But...it's funny? Also kind of a nightmare. But mostly funny? A funny science FACTion nightmare about the end of everything, but how that's all kind of okay. Teaming up with MATT FRACTION, the writer of SEX CRIMINALS, CASANOVA, and ODY-C; and the award-winning Spanish artist of Universe! ALBERT MONTEYS, COULTON's SOLID STATE is a tech mashup where 2001: A Space Odyssey meets Office Space and getting all we ever wanted might just be a terrible idea.
Author: Eilon Paz
Publisher: Ten Speed Press
ISBN: 1607748703
Category : Music
Languages : en
Pages : 577
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Book Description
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
Author: Martin Popoff
Publisher: Voyageur Press (MN)
ISBN: 0760352208
Category : Music
Languages : en
Pages : 195
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Book Description
"...Treats fans to an unparalleled look back at the trio's twenty studio albums through the minds and ears of twenty musicians, Rush authorities, and fellow journalists." -back cover.
