Compte-Rendu de la distribution des prix aux lauréats du concours universitaire et du concours général de l'enseignement moyen du 1er et du 2e degré en 1855 PDF Download
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Author: J.-J. Thonissen
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Pages : 14
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Author: Andrew Brown
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Category : Literature
Languages : en
Pages : 334
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This book focuses on some of the ways Barthes discusses the nature of his own writing. The first two chapters examine the key but ambiguous term of `derive' (`drift'), a word which raises questions about how exactly Barthes's writing develops across three decades, about the `scientific'legitimacy of his concepts, and about his own frequently fraught relation to the scientific discourses around him, especially psychoanalysis. Two typical discursive manoeuvres that structure his writing, `naming' and `framing', are then shown to generate particular aesthetic effects which causecomplications for some of his theoretical stances. Barthes's fascination for the idea that all writing is a kind of scribble, closer to the visual arts than to speech, is investigated in depth, and his latent animus against speech as such is made manifest. The final chapter suggests that, forBarthes, `the real' can leave its mark on writing only as a disturbing, indeed traumatic trace.
Author: David Quint
Publisher: Princeton University Press
ISBN: 0691222959
Category : Literary Criticism
Languages : en
Pages : 444
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Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.
Author: Roland Barthes
Publisher: Yale University Press
ISBN: 0300116047
Category : Sports & Recreation
Languages : en
Pages : 96
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Book Description
In this elegant paperback gift edition, one of the major figures of 20th-century French literature and thought offers a poetic meditation on professional sport.
