Comprehending Cinema PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Comprehending Cinema PDF full book. Access full book title Comprehending Cinema by Professor of Cinema and Media Studies Scott MacDonald. Download full books in PDF and EPUB format.
Author: Professor of Cinema and Media Studies Scott MacDonald
Publisher: Oxford University Press
ISBN: 0197758711
Category : Art
Languages : en
Pages : 571
Get Book Here
Book Description
Comprehending Cinema is a collection of in-depth interviews and panoramic essays that model a generalist approach to modern audiovisual media, prioritizing remarkable cinematic accomplishments that can get lost within our overwhelming modern mediascape. It offers a reading adventure dedicated to opening the door to exciting new kinds of film experience.
Author: Professor of Cinema and Media Studies Scott MacDonald
Publisher: Oxford University Press
ISBN: 0197758711
Category : Art
Languages : en
Pages : 571
Get Book Here
Book Description
Comprehending Cinema is a collection of in-depth interviews and panoramic essays that model a generalist approach to modern audiovisual media, prioritizing remarkable cinematic accomplishments that can get lost within our overwhelming modern mediascape. It offers a reading adventure dedicated to opening the door to exciting new kinds of film experience.
Author: Per Persson
Publisher: Cambridge University Press
ISBN: 052181328X
Category : Performing Arts
Languages : en
Pages : 297
Get Book Here
Book Description
Table of contents
Author: Ronald Bergan
Publisher: Rizzoli Publications
ISBN: 0789322145
Category : Performing Arts
Languages : en
Pages : 162
Get Book Here
Book Description
The perfect small-format, one-stop resource to appreciating and understanding films from Hollywood to Bollywood. Following the success of Isms: Understanding Art and Isms: Understanding Architectural Styles, this guide sorts the great classic films and directors according to the significant movements that have shaped the development of cinema. Beginning with the early silent era, it spans the entire range of movie history up to the present wave of indie films and the growing fascination with international cinema. Each spread is devoted to a distinct movement and explains when it first emerged, the principal directors, themes, and representative films, and is illustrated with film stills, posters, and photos. Important international cinematic breakthroughs are also highlighted, as well as the careers of international auteurs like Kurosawa, Fellini, and Almodóvar. From prewar Expressionism to twenty-first-century Dystopianism, Film Isms… offers an engaging, new way of understanding movie history.
Author: Martin Thiele
Publisher: GRIN Verlag
ISBN: 3640335104
Category : Performing Arts
Languages : en
Pages : 53
Get Book Here
Book Description
Seminar paper from the year 2009 in the subject Film Science, grade: 1,3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abstract: Because the times in film production change, a change in reception is also necessary. In Frampton's theory, film is no longer a photographic reproduction of a past performance. This is not simply be-cause nowadays there are countless assumed realistic film images which were never shot as they are presented later. Frampton concedes that film uses material of the real world but finally - and hence his theory is one of reception - this material becomes its own world with its own processes and even its own thoughts. To draw a consistent picture of his theory he developed a kind of unique language to speak about film.
Author: John Reich
Publisher: Open SUNY Textbooks
ISBN: 9781942341475
Category :
Languages : en
Pages :
Get Book Here
Book Description
Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.
Author: Sarah Thomas
Publisher: University of Toronto Press
ISBN: 1487531095
Category : Performing Arts
Languages : en
Pages : 255
Get Book Here
Book Description
Although children have proliferated in Spain’s cinema since its inception, nowhere are they privileged and complicated in quite the same way as in the films of the 1970s and early 1980s, a period of radical political and cultural change for the nation as it emerged from almost four decades of repressive dictatorship under the rule of General Francisco Franco. In Inhabiting the In-Between: Childhood and Cinema in Spain’s Long Transition, Sarah Thomas analyses the cinematic child within this complex historical conjuncture of a nation looking back on decades of authoritarian rule and forward to an uncertain future. Examining films from several genres by four key directors of the Transition – Carlos Saura, Antonio Mercero, Víctor Erice, and Jaime de Armiñán – Thomas explores how the child is represented as both subject and object, and self and other, and consistently cast in a position between categories or binary poles. She demonstrates how the cinematic child that materializes in this period is a fundamentally shifting, oscillating, ambivalent figure that points toward the impossibility of fully comprehending the historical past and the figure of the other, while inviting an ethical engagement with each.
Author: Berys Gaut
Publisher: Cambridge University Press
ISBN: 0521822440
Category : Performing Arts
Languages : en
Pages : 339
Get Book Here
Book Description
A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.
Author: Daniel Frampton
Publisher: Columbia University Press
ISBN: 1904764851
Category : Performing Arts
Languages : en
Pages : 266
Get Book Here
Book Description
'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.
Author: Graeme Harper
Publisher: Bloomsbury Publishing USA
ISBN: 1501305441
Category : Social Science
Languages : en
Pages : 1257
Get Book Here
Book Description
Sound and Music in Film and Visual Media: A Critical Overview is a comprehensive work defining and encapsulating concepts, issues and applications in and around the use of sound in film and the cinema, media/broadcast and new media. Over thirty definitive full-length essays, which are linked by highlighted text and reference material, bring together original research by many of the world's top scholars in this emerging field. Complete with an extensive bibliography, Sound and Music in Film and Visual Media provides the most comprehensive and wide-ranging consideration of this subject yet produced.
Author: Warren Buckland
Publisher: Cambridge University Press
ISBN: 1139429957
Category : Performing Arts
Languages : en
Pages : 182
Get Book Here
Book Description
In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies.
