Author: Alison Strobel
Publisher: David C Cook
ISBN: 143470419X
Category : Fiction
Languages : en
Pages : 354
Book Description
Can a brand-new marriage withstand the weight of generations-old baggage? Newlyweds Amelia and Marcus Sheffield are recent college grads, trying to stay afloat in LA while searching for their dream jobs. Marcus hopes to become a mega-church pastor. Amelia has an esteemed music degree, and longs to play piano professionally. The Sheffields are clearly city people. But when a small town church offers Marcus a job, the couple’s dedication to their dreams and each other is tested. After a risky compromise is made, Amelia falls into a dark emotional place, where she finds skeletons she’d fought hard to deny. In desperation, she calls out to God. But why can’t she find Him? While Amelia struggles, Marcus learns news that nearly crushes him. He must lean on his faith to withstand the pressure… or risk losing his wife forever.
Composing Amelia
Author: Alison Strobel
Publisher: David C Cook
ISBN: 143470419X
Category : Fiction
Languages : en
Pages : 354
Book Description
Can a brand-new marriage withstand the weight of generations-old baggage? Newlyweds Amelia and Marcus Sheffield are recent college grads, trying to stay afloat in LA while searching for their dream jobs. Marcus hopes to become a mega-church pastor. Amelia has an esteemed music degree, and longs to play piano professionally. The Sheffields are clearly city people. But when a small town church offers Marcus a job, the couple’s dedication to their dreams and each other is tested. After a risky compromise is made, Amelia falls into a dark emotional place, where she finds skeletons she’d fought hard to deny. In desperation, she calls out to God. But why can’t she find Him? While Amelia struggles, Marcus learns news that nearly crushes him. He must lean on his faith to withstand the pressure… or risk losing his wife forever.
Publisher: David C Cook
ISBN: 143470419X
Category : Fiction
Languages : en
Pages : 354
Book Description
Can a brand-new marriage withstand the weight of generations-old baggage? Newlyweds Amelia and Marcus Sheffield are recent college grads, trying to stay afloat in LA while searching for their dream jobs. Marcus hopes to become a mega-church pastor. Amelia has an esteemed music degree, and longs to play piano professionally. The Sheffields are clearly city people. But when a small town church offers Marcus a job, the couple’s dedication to their dreams and each other is tested. After a risky compromise is made, Amelia falls into a dark emotional place, where she finds skeletons she’d fought hard to deny. In desperation, she calls out to God. But why can’t she find Him? While Amelia struggles, Marcus learns news that nearly crushes him. He must lean on his faith to withstand the pressure… or risk losing his wife forever.
Amelia Bedelia
Author: Peggy Parish
Publisher: Harper Collins
ISBN: 0694012963
Category : Juvenile Fiction
Languages : en
Pages : 74
Book Description
Amelia Bedelia, the housekeeper with a literal mind, merrily upsets the household when she "dresses" the chicken and "trims" the steak with ribbons and lace.
Publisher: Harper Collins
ISBN: 0694012963
Category : Juvenile Fiction
Languages : en
Pages : 74
Book Description
Amelia Bedelia, the housekeeper with a literal mind, merrily upsets the household when she "dresses" the chicken and "trims" the steak with ribbons and lace.
Loco Motrix
Author: Amelia Rosselli
Publisher: University of Chicago Press
ISBN: 0226728838
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
A musician, musicologist, and self-defined “poet of research,” Amelia Rosselli (1930–96) was one of the most important poets to emerge from Europe in the aftermath of World War II. Following a childhood and adolescence spent in exile from Fascist Italy between France, England, and the United States, Rosselli was driven to express the hopes and devastations of the postwar epoch through her demanding and defamiliarizing lines. Rosselli’s trilingual body of work synthesizes a hybrid literary heritage stretching from Dante and the troubadours through Ezra Pound and John Berryman, in which playful inventions across Italian, English, and French coexist with unadorned social critique. In a period dominated by the confessional mode, Rosselli aspired to compose stanzas characterized by a new objectivity and collective orientation, “where the I is the public, where the I is things, where the I is the things that happen.” Having chosen Italy as an “ideal fatherland,” Rosselli wrote searching and often discomposing verse that redefined the domain of Italian poetics and, in the process, irrevocably changed the Italian language. This collection, the first to bring together a generous selection of her poems and prose in English and in translation, is enhanced by an extensive critical introduction and notes by translator Jennifer Scappettone. Equipping readers with the context for better apprehending Rosselli’s experimental approach to language, Locomotrix seeks to introduce English-language readers to the extraordinary career of this crucial, if still eclipsed, voice of the twentieth century.
Publisher: University of Chicago Press
ISBN: 0226728838
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
A musician, musicologist, and self-defined “poet of research,” Amelia Rosselli (1930–96) was one of the most important poets to emerge from Europe in the aftermath of World War II. Following a childhood and adolescence spent in exile from Fascist Italy between France, England, and the United States, Rosselli was driven to express the hopes and devastations of the postwar epoch through her demanding and defamiliarizing lines. Rosselli’s trilingual body of work synthesizes a hybrid literary heritage stretching from Dante and the troubadours through Ezra Pound and John Berryman, in which playful inventions across Italian, English, and French coexist with unadorned social critique. In a period dominated by the confessional mode, Rosselli aspired to compose stanzas characterized by a new objectivity and collective orientation, “where the I is the public, where the I is things, where the I is the things that happen.” Having chosen Italy as an “ideal fatherland,” Rosselli wrote searching and often discomposing verse that redefined the domain of Italian poetics and, in the process, irrevocably changed the Italian language. This collection, the first to bring together a generous selection of her poems and prose in English and in translation, is enhanced by an extensive critical introduction and notes by translator Jennifer Scappettone. Equipping readers with the context for better apprehending Rosselli’s experimental approach to language, Locomotrix seeks to introduce English-language readers to the extraordinary career of this crucial, if still eclipsed, voice of the twentieth century.
(Re)Considering What We Know
Author: Linda Adler-Kassner
Publisher: University Press of Colorado
ISBN: 1607329328
Category : Language Arts & Disciplines
Languages : en
Pages : 355
Book Description
Naming What We Know: Threshold Concepts of Writing Studies, published in 2015, contributed to a discussion about the relevance of identifying key concepts and ideas of writing studies. (Re)Considering What We Know continues that conversation while simultaneously raising questions about the ideas around threshold concepts. Contributions introduce new concepts, investigate threshold concepts as a framework, and explore their use within and beyond writing. Part 1 raises questions about the ideologies of consensus that are associated with naming threshold concepts of a discipline. Contributions challenge the idea of consensus and seek to expand both the threshold concepts framework and the concepts themselves. Part 2 focuses on threshold concepts in action and practice, demonstrating the innovative ways threshold concepts and a threshold concepts framework have been used in writing courses and programs. Part 3 shows how a threshold concepts framework can help us engage in conversations beyond writing studies. (Re)Considering What We Know raises new questions and offers new ideas that can help to advance the discussion and use of threshold concepts in the field of writing studies. It will be of great interest to scholars and graduate students in writing studies, especially those who have previously engaged with Naming What We Know. Contributors: Marianne Ahokas, Jonathan Alexander, Chris M. Anson, Ian G. Anson, Sarah Ben-Zvi, Jami Blaauw-Hara, Mark Blaauw-Hara, Maggie Black, Dominic Borowiak, Chris Castillo, Chen Chen, Sandra Descourtis, Norbert Elliot, Heidi Estrem, Alison Farrell, Matthew Fogarty, Joanne Baird Giordano, James Hammond, Holly Hassel, Lauren Heap, Jennifer Heinert, Doug Hesse, Jonathan Isaac, Katie Kalish, Páraic Kerrigan, Ann Meejung Kim, Kassia Krzus-Shaw, Saul Lopez, Jennifer Helane Maher, Aishah Mahmood, Aimee Mapes, Kerry Marsden, Susan Miller-Cochran, Deborah Mutnick, Rebecca Nowacek, Sarah O’Brien, Ọlá Ọládipọ̀, Peggy O’Neill, Cassandra Phillips, Mya Poe, Patricia Ratanapraphart, Jacqueline Rhodes, Samitha Senanayake, Susan E. Shadle, Dawn Shepherd, Katherine Stein, Patrick Sullivan, Brenna Swift, Carrie Strand Tebeau, Matt Thul, Nikhil Tiwari, Lisa Tremain, Lisa Velarde, Kate Vieira, Gordon Blaine West, Anne-Marie Womack, Kathleen Blake Yancey, Xiaopei Yang, Madylan Yarc
Publisher: University Press of Colorado
ISBN: 1607329328
Category : Language Arts & Disciplines
Languages : en
Pages : 355
Book Description
Naming What We Know: Threshold Concepts of Writing Studies, published in 2015, contributed to a discussion about the relevance of identifying key concepts and ideas of writing studies. (Re)Considering What We Know continues that conversation while simultaneously raising questions about the ideas around threshold concepts. Contributions introduce new concepts, investigate threshold concepts as a framework, and explore their use within and beyond writing. Part 1 raises questions about the ideologies of consensus that are associated with naming threshold concepts of a discipline. Contributions challenge the idea of consensus and seek to expand both the threshold concepts framework and the concepts themselves. Part 2 focuses on threshold concepts in action and practice, demonstrating the innovative ways threshold concepts and a threshold concepts framework have been used in writing courses and programs. Part 3 shows how a threshold concepts framework can help us engage in conversations beyond writing studies. (Re)Considering What We Know raises new questions and offers new ideas that can help to advance the discussion and use of threshold concepts in the field of writing studies. It will be of great interest to scholars and graduate students in writing studies, especially those who have previously engaged with Naming What We Know. Contributors: Marianne Ahokas, Jonathan Alexander, Chris M. Anson, Ian G. Anson, Sarah Ben-Zvi, Jami Blaauw-Hara, Mark Blaauw-Hara, Maggie Black, Dominic Borowiak, Chris Castillo, Chen Chen, Sandra Descourtis, Norbert Elliot, Heidi Estrem, Alison Farrell, Matthew Fogarty, Joanne Baird Giordano, James Hammond, Holly Hassel, Lauren Heap, Jennifer Heinert, Doug Hesse, Jonathan Isaac, Katie Kalish, Páraic Kerrigan, Ann Meejung Kim, Kassia Krzus-Shaw, Saul Lopez, Jennifer Helane Maher, Aishah Mahmood, Aimee Mapes, Kerry Marsden, Susan Miller-Cochran, Deborah Mutnick, Rebecca Nowacek, Sarah O’Brien, Ọlá Ọládipọ̀, Peggy O’Neill, Cassandra Phillips, Mya Poe, Patricia Ratanapraphart, Jacqueline Rhodes, Samitha Senanayake, Susan E. Shadle, Dawn Shepherd, Katherine Stein, Patrick Sullivan, Brenna Swift, Carrie Strand Tebeau, Matt Thul, Nikhil Tiwari, Lisa Tremain, Lisa Velarde, Kate Vieira, Gordon Blaine West, Anne-Marie Womack, Kathleen Blake Yancey, Xiaopei Yang, Madylan Yarc
The Duke In My Bed
Author: Amelia Grey
Publisher: St. Martin's Paperbacks
ISBN: 1466839864
Category : Fiction
Languages : en
Pages : 320
Book Description
From bestselling author Amelia Grey comes The Duke in My Bed, a wickedly romantic tale of one reckless bachelor, five unwed sisters, and a wildly unconventional game of love... HERE COMES THE GROOM As a notorious member of the Heirs' Club, Bray Drakestone can't resist a challenge from one of his well-heeled colleagues-especially when it involves money and horses. But the friendly wager takes an unexpected and deadly turn. Bray is forced to agree to marry one of his challenger's five sisters-sight unseen. Now gamblers all over London are placing bets on whether Bray will actually go through with it... THERE GOES THE BRIDE Miss Louisa Prim, the eldest sister, doesn't care a whit what the reckless rogue at the Heirs' Club promised her brother-she has no intention of marrying the future Duke of Drakestone. Bray, however, sees her rejection as another challenge. He bets that the fiery Miss Prim will not only agree to marry him, she will propose to him! With four sisters behind her, Louisa knows she can't lose. But why does her opponent have to be a divinely handsome scoundrel? And so sweetly, irresistibly seductive... "Amelia Grey lights up the pages with humor and passion."-RT Book Reviews
Publisher: St. Martin's Paperbacks
ISBN: 1466839864
Category : Fiction
Languages : en
Pages : 320
Book Description
From bestselling author Amelia Grey comes The Duke in My Bed, a wickedly romantic tale of one reckless bachelor, five unwed sisters, and a wildly unconventional game of love... HERE COMES THE GROOM As a notorious member of the Heirs' Club, Bray Drakestone can't resist a challenge from one of his well-heeled colleagues-especially when it involves money and horses. But the friendly wager takes an unexpected and deadly turn. Bray is forced to agree to marry one of his challenger's five sisters-sight unseen. Now gamblers all over London are placing bets on whether Bray will actually go through with it... THERE GOES THE BRIDE Miss Louisa Prim, the eldest sister, doesn't care a whit what the reckless rogue at the Heirs' Club promised her brother-she has no intention of marrying the future Duke of Drakestone. Bray, however, sees her rejection as another challenge. He bets that the fiery Miss Prim will not only agree to marry him, she will propose to him! With four sisters behind her, Louisa knows she can't lose. But why does her opponent have to be a divinely handsome scoundrel? And so sweetly, irresistibly seductive... "Amelia Grey lights up the pages with humor and passion."-RT Book Reviews
Amelia Bedelia Goes Back to School
Author: Herman Parish
Publisher: Greenwillow Books
ISBN: 9780060518738
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
Would you like to have Amelia Bedelia in your classroom? Just ask Miss Wilson. But don't give Amelia Bedelia any problems. Or ask her to take her seat. Or tell her to paint anything. Amelia Bedelia is ready to learn, but it's the class that getsa lesson -- in reading, writing, and ridiculousness! Pull back the flaps to peek at Amelia Bedelia's school day.?p
Publisher: Greenwillow Books
ISBN: 9780060518738
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
Would you like to have Amelia Bedelia in your classroom? Just ask Miss Wilson. But don't give Amelia Bedelia any problems. Or ask her to take her seat. Or tell her to paint anything. Amelia Bedelia is ready to learn, but it's the class that getsa lesson -- in reading, writing, and ridiculousness! Pull back the flaps to peek at Amelia Bedelia's school day.?p
Amelia Bedelia's First Vote
Author: Herman Parish
Publisher: Harper Collins
ISBN: 0062094092
Category : Juvenile Fiction
Languages : en
Pages : 32
Book Description
Amelia Bedelia is sure she will love everything about school election day. The fun choices Having a voice Running for office Working together Voting Amelia Bedelia can’t wait. What could be better? Hooray for school! Hooray for elections! Hooray for voting! Amelia Bedelia has been making readers laugh since 1963, when the first Amelia Bedelia book was published. Now, for the first time, you can meet the young Amelia Bedelia. Come join the fun!
Publisher: Harper Collins
ISBN: 0062094092
Category : Juvenile Fiction
Languages : en
Pages : 32
Book Description
Amelia Bedelia is sure she will love everything about school election day. The fun choices Having a voice Running for office Working together Voting Amelia Bedelia can’t wait. What could be better? Hooray for school! Hooray for elections! Hooray for voting! Amelia Bedelia has been making readers laugh since 1963, when the first Amelia Bedelia book was published. Now, for the first time, you can meet the young Amelia Bedelia. Come join the fun!
Still Life
Author: Christa Parrish
Publisher: HarperChristian + ORM
ISBN: 1401689043
Category : Fiction
Languages : en
Pages : 353
Book Description
Ada escaped her family’s self-enclosed world to elope with a mysterious stranger. Five months later, she’s a widow in a strange new world. Ada was born into a fringe religious sect named for her father, The Prophet. But her lifelong habit of absolute obedience was shattered when she fled the family compound to elope with photographer Julian Goetz. Katherine Walker’s marriage was a sham. She and Will rarely spoke without yelling—and never touched. Her affair brings her both escape and guilt. When a tragic plane crash takes Julian from Ada and exacerbates Katherine’s sense of shame, both women become desperately unsure of where they belong in the world—until the devotion of an artistic young boy conspires to bring them together. From award-winning novelist Christa Parrish, Still Life is a cunningly complex work that captures themes of abusive religion, supernatural love, and merciful escape. It will resonate with anyone who has ever felt called to a drastic change—or tried to hear the small whisper of God’s voice.
Publisher: HarperChristian + ORM
ISBN: 1401689043
Category : Fiction
Languages : en
Pages : 353
Book Description
Ada escaped her family’s self-enclosed world to elope with a mysterious stranger. Five months later, she’s a widow in a strange new world. Ada was born into a fringe religious sect named for her father, The Prophet. But her lifelong habit of absolute obedience was shattered when she fled the family compound to elope with photographer Julian Goetz. Katherine Walker’s marriage was a sham. She and Will rarely spoke without yelling—and never touched. Her affair brings her both escape and guilt. When a tragic plane crash takes Julian from Ada and exacerbates Katherine’s sense of shame, both women become desperately unsure of where they belong in the world—until the devotion of an artistic young boy conspires to bring them together. From award-winning novelist Christa Parrish, Still Life is a cunningly complex work that captures themes of abusive religion, supernatural love, and merciful escape. It will resonate with anyone who has ever felt called to a drastic change—or tried to hear the small whisper of God’s voice.
Works
Author: Henry Fielding
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
Book Description
Writing Permitted in Designated Areas Only
Author: Linda Brodkey
Publisher: U of Minnesota Press
ISBN: 0816628076
Category : Language Arts & Disciplines
Languages : en
Pages : 335
Book Description
In the early 1990s, Linda Brodkey landed on the front page of the New York Times and in the columns of George Will and other conservative pundits. The furor was over the "Writing about Difference" syllabus she helped create at the University of Texas, an effort that came to be more casualty in the debate over multiculturalism in the academy. Writing Permitted in Designated Areas Only is made up of Brodkey's dispatches from the front lines of the culture wars. Comprising specific examples of student work in addition to Brodkey's own essays, Writing Permitted in Designated Areas Only ranges from personal essay ("Writing on the Bias") to hard-hitting polemic ("Writing Permitted in Designated Areas Only"). Touching on many of the major issues in the teaching of writing today. Brodkey explores alternatives to the standard methods for teaching composition. The result is a passionate plea for the loosing of writing to achieve its full power and potential; to unharness writing - and its teachers - from the institutional structures that stifle both creativity and independent thought.
Publisher: U of Minnesota Press
ISBN: 0816628076
Category : Language Arts & Disciplines
Languages : en
Pages : 335
Book Description
In the early 1990s, Linda Brodkey landed on the front page of the New York Times and in the columns of George Will and other conservative pundits. The furor was over the "Writing about Difference" syllabus she helped create at the University of Texas, an effort that came to be more casualty in the debate over multiculturalism in the academy. Writing Permitted in Designated Areas Only is made up of Brodkey's dispatches from the front lines of the culture wars. Comprising specific examples of student work in addition to Brodkey's own essays, Writing Permitted in Designated Areas Only ranges from personal essay ("Writing on the Bias") to hard-hitting polemic ("Writing Permitted in Designated Areas Only"). Touching on many of the major issues in the teaching of writing today. Brodkey explores alternatives to the standard methods for teaching composition. The result is a passionate plea for the loosing of writing to achieve its full power and potential; to unharness writing - and its teachers - from the institutional structures that stifle both creativity and independent thought.