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Author: Stanley Corngold
Publisher: Stanford University Press
ISBN: 9780804729406
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Complex Pleasure deals with questions of literary feeling in eight major German writersLessing, Kant, Hölderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. On the basis of close readings of these authors Stanley Corngold makes vivid the following ideas: that where there is literature there is complex pleasure; that this pleasure is complex because it involves the impression of a disclosure; that this thought is foremost in the minds of a number of canonical writers; that important literary works in the German traditionfiction, poetry, critiquecan be illuminated through their treatment of literary feeling; and, finally, that the conceptual terms for these forms of feeling continually vary. The types of feeling treated in Complex Pleasure include wit (the startling perception of likeness) and the disinterested pleasure of aesthetic judgment; Hölderlins swift conceptual grasp, in which the tempo of the process of thought is stressed; artistic imagination, mood, sadistic enjoyment, rapturous distraction, homonymic dissonance, and courage as a mode of literary experience. At the same time, through the deftness, range, and surprise of its execution, the book itself conveys complex pleasure. The reader will also find fascinating, hitherto untranslated material by Nietzsche (On Moods) and Kafka (important sections from his journals and from his unfinished novel The Boy Who Sank Out of Sight).
Author: Stanley Corngold
Publisher: Stanford University Press
ISBN: 9780804729406
Category : Literary Criticism
Languages : en
Pages : 268
Get Book Here
Book Description
Complex Pleasure deals with questions of literary feeling in eight major German writersLessing, Kant, Hölderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. On the basis of close readings of these authors Stanley Corngold makes vivid the following ideas: that where there is literature there is complex pleasure; that this pleasure is complex because it involves the impression of a disclosure; that this thought is foremost in the minds of a number of canonical writers; that important literary works in the German traditionfiction, poetry, critiquecan be illuminated through their treatment of literary feeling; and, finally, that the conceptual terms for these forms of feeling continually vary. The types of feeling treated in Complex Pleasure include wit (the startling perception of likeness) and the disinterested pleasure of aesthetic judgment; Hölderlins swift conceptual grasp, in which the tempo of the process of thought is stressed; artistic imagination, mood, sadistic enjoyment, rapturous distraction, homonymic dissonance, and courage as a mode of literary experience. At the same time, through the deftness, range, and surprise of its execution, the book itself conveys complex pleasure. The reader will also find fascinating, hitherto untranslated material by Nietzsche (On Moods) and Kafka (important sections from his journals and from his unfinished novel The Boy Who Sank Out of Sight).
Author: James A. Russell
Publisher: Psychology Press
ISBN: 9781841699363
Category : Psychology
Languages : en
Pages : 208
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Book Description
Like 'mind' and 'consciousness', 'pleasure' was all but tabooed in psychology for much of the 20th Century. Like those concepts too, pleasure is difficult to define or to assess scientifically. Still, evidence has steadily accumulated that pleasure is involved in all aspects of psychology. The simplest sensory experience is tinged with pleasure or displeasure. Some (although not all) planning for the future involves maximizing pleasure. Pleasantness is the first factor of mood, which is known to influence various cognitive processes. In some theories, pleasure or displeasure lie at the heart of emotion. Articles in this Special Issue take up such issues as these as well as the neurophysiological substrate of pleasure, its role in planned behaviour, nonconscious pleasure, the lay concept of pleasure, and whether smiles and laughter are signs of pleasure.
Author: Lisa Shapiro
Publisher: Oxford University Press
ISBN: 0190882492
Category : Philosophy
Languages : en
Pages : 317
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Book Description
For many, the word 'pleasure' conjures associations with hedonism, indulgence, and escape from the life of the mind. However little we talk about it, though, pleasure also plays an integral role in cognitive life, in both our sensory perception of the world and our intellectual understanding. This previously important but now neglected philosophical understanding of pleasure is the focus of the essays in this volume, which challenges received views that pleasure is principally motivating of action, unanalyzable, and caused, rather than responsive to reason. Like other books in the Oxford Philosophical Concepts series, it traces the development of the focal idea from ancient times through the 20th century. The essays highlight points of departure for new lines of inquiry rather than attempting to provide a full picture of how the idea of pleasure has been explored in philosophy. The volume begins by showing how Plato, Aristotle, early Islamic philosophers, and philosophers in the Medieval Latin tradition, such as Aquinas, honed in on the challenge of unifying the variety of pleasures so that they fall under one concept. In the early modern period, philosophers shifted from understanding the logic of pleasure to treating pleasure as a mental state. As the studies of Malebranche, Berkeley and Kant show, the central problem becomes understanding the relation of pleasure to other sensory experiences, and the role of pleasure in human cognition and knowledge. Short interdisciplinary reflections interspersed between essays focus on art of 16th and 17th century textbooks and the difficult music of composers like Bach, which demonstrate translation of these concerns to cultural production in the period. As the essay on Mill shows, the 19th century development of scientific psychology narrowed the definition of pleasure, and so its philosophical focus. Contemporary accounts of pleasure, however, in both philosophy and psychology, are now recognizing the limitations of this narrow focus, and are once again recognizing the complexity of pleasure and its role in human life.
Author: Jeremy Bentham
Publisher:
ISBN:
Category : Crime
Languages : en
Pages : 430
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Book Description
Author: Karin A. Wurst
Publisher: Wayne State University Press
ISBN: 9780814331316
Category : Games & Activities
Languages : en
Pages : 520
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Book Description
Traces how the German middle class created a unique form of domestic culture that fused consumption with high culture in fashionable forms of entertainment. Entertainment, defined as occasions for creating pleasure, added an important dimension to the lifestyle and self-definition of the German middle class around the turn of the nineteenth century. Modern forms of culture and consumption appearing around this time not only enhanced pleasure in physical sensations but also enabled imaginary sensations in the absence of actual stimuli. Desiring, rather than having, became an important mode of cultural consumption, linking products and practices with self-image, serving to express social identity in an increasingly more anonymous society--a society where the modern freedom of choice brought with it a loss of tradition and the stability attached to it. Fabricating Pleasure traces the creation of this unique form of domestic culture, showing how the bourgeoisie of late-eighteenth- and early-nineteenth-century Germany fused consumption with high culture. Author Karin Wurst illuminates the sociohistorical context and the emergence of the modern middle class, its differentiation, and its conception of culture. In her thoughtful analysis, Wurst reconstructs the roles of Empfindsamkeit (sensibility) and the new love paradigm, examining the change in mentality they fostered through the reconceptualization of pleasure and entertainment. The book also discusses the relationship between print culture (using Bertuch's Journal des Luxus und der Moden as its prime example) and an increase in social mobility. From art and music to fashion and travel, Wurst places these popular forms of entertainment and pleasurable diversion in their social and historical contexts and also shows how they have remarkable bearing on present-day debates on cultural literacy.
Author: Sir Frank Kermode
Publisher: Oxford University Press
ISBN: 0195346823
Category : Literary Criticism
Languages : en
Pages : 109
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Book Description
The question of the canon has been the subject of debate in academic circles for over fifteen years. Pleasure and Change contains two lectures on this important subject by the distinguished literary critic Sir Frank Kermode. In essays that were originally delivered as Tanner Lectures at Berkeley in November of 2001, Kermode reinterprets the question of canon formation in light of two related and central notions: pleasure and change. He asks how aesthetic pleasure informs what we find valuable, and how this perception changes over time. Kermode also explores the role of chance, observing the connections between canon formation and unintentional and sometimes even random circumstance. Geoffrey Hartmann (Yale University), John Guillory (New York University), and Carey Perloff (director of the American Conservatory Theatre) offer incisive comments on these essays, to which Kermode responds in a lively rejoinder. The volume begins with a helpful introduction by Robert Alter. The result is a stimulating and accessible discussion of a highly significant cultural debate.
Author: Saint John Henry Newman
Publisher:
ISBN:
Category : Faith
Languages : en
Pages : 536
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Book Description
Author: John Henry Newman
Publisher:
ISBN:
Category : Faith
Languages : en
Pages : 506
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Book Description
Author: Rowan Boyson
Publisher: Cambridge University Press
ISBN: 1107023300
Category : History
Languages : en
Pages : 257
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Book Description
The surprising idea of pleasure as communal provides a new way of understanding Wordsworth's poetry and the Enlightenment's critical legacy.
Author: Grant Hildebrand
Publisher: Univ of California Press
ISBN: 9780520215054
Category : Architecture
Languages : en
Pages : 208
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Book Description
This engaging study discusses ways in which architectural forms emulate some archetypal settings that humans have found appealing--and useful for survival--from ancient times to the present. 119 photos. 6 line figures.
