Author: Susan Miller
Publisher: Dramatists Play Service, Inc.
ISBN: 0822238780
Category : Performing Arts
Languages : en
Pages : 72
Book Description
Four women meet once a year for a ritual photo shoot, chronicling their changing (and aging) selves as they navigate love, careers, children, and the complications of history. But when these private photographs threaten to go public, relationships are tested, forcing the women to confront who they are and how they’ll deal with whatever lies ahead. 20TH CENTURY BLUES is a sharply funny and evocative play by Obie Award and Susan Smith Blackburn Prize-winner Susan Miller that questions our place in the world and with one another.
20th Century Blues
Author: Susan Miller
Publisher: Dramatists Play Service, Inc.
ISBN: 0822238780
Category : Performing Arts
Languages : en
Pages : 72
Book Description
Four women meet once a year for a ritual photo shoot, chronicling their changing (and aging) selves as they navigate love, careers, children, and the complications of history. But when these private photographs threaten to go public, relationships are tested, forcing the women to confront who they are and how they’ll deal with whatever lies ahead. 20TH CENTURY BLUES is a sharply funny and evocative play by Obie Award and Susan Smith Blackburn Prize-winner Susan Miller that questions our place in the world and with one another.
Publisher: Dramatists Play Service, Inc.
ISBN: 0822238780
Category : Performing Arts
Languages : en
Pages : 72
Book Description
Four women meet once a year for a ritual photo shoot, chronicling their changing (and aging) selves as they navigate love, careers, children, and the complications of history. But when these private photographs threaten to go public, relationships are tested, forcing the women to confront who they are and how they’ll deal with whatever lies ahead. 20TH CENTURY BLUES is a sharply funny and evocative play by Obie Award and Susan Smith Blackburn Prize-winner Susan Miller that questions our place in the world and with one another.
Those Twentieth Century Blues
Author: Michael Tippett
Publisher: Trafalgar Square
ISBN: 9780712660594
Category : Biography & Autobiography
Languages : en
Pages : 290
Book Description
The autobiography of Britain's greatest living composer is as idiosyncratic as the man himself, revealing his insatiable curiosity about people and places, ideas and sensations, and music of every kind. Vigorous, brave, funny, candid about his sexual and emotional life, Sir Michael has written a remarkable, memorable book.
Publisher: Trafalgar Square
ISBN: 9780712660594
Category : Biography & Autobiography
Languages : en
Pages : 290
Book Description
The autobiography of Britain's greatest living composer is as idiosyncratic as the man himself, revealing his insatiable curiosity about people and places, ideas and sensations, and music of every kind. Vigorous, brave, funny, candid about his sexual and emotional life, Sir Michael has written a remarkable, memorable book.
The Original Blues
Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Popular Songs of the Twentieth Century
Author:
Publisher: Paragon House Publishers
ISBN:
Category : Music
Languages : en
Pages : 540
Book Description
Presents Top 20 music charts for the period and data on each song. Numerical chart ratings are approximate, based on sources that largely contained only prose or qualitative information about the songs of the day. Section I is an index of charted songs, and Section II contains month-by-month song charts. Section III breaks monthly charts into semi-monthly intervals and shows the chart activity of songs from a more detailed viewpoint. Section IV contains complete details for every song mentioned, with information on title, rank for the year, publisher at the time of popularity, publication date, and the month, year, and rank when peak popularity was attained, plus writers of the song and artists connected with the song, and shows or movies in which the song was featured. Annotation copyrighted by Book News Inc., Portland, OR
Publisher: Paragon House Publishers
ISBN:
Category : Music
Languages : en
Pages : 540
Book Description
Presents Top 20 music charts for the period and data on each song. Numerical chart ratings are approximate, based on sources that largely contained only prose or qualitative information about the songs of the day. Section I is an index of charted songs, and Section II contains month-by-month song charts. Section III breaks monthly charts into semi-monthly intervals and shows the chart activity of songs from a more detailed viewpoint. Section IV contains complete details for every song mentioned, with information on title, rank for the year, publisher at the time of popularity, publication date, and the month, year, and rank when peak popularity was attained, plus writers of the song and artists connected with the song, and shows or movies in which the song was featured. Annotation copyrighted by Book News Inc., Portland, OR
Modern British Drama: The Twentieth Century
Author: Christopher Innes
Publisher: Cambridge University Press
ISBN: 9780521016759
Category : Drama
Languages : en
Pages : 604
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521016759
Category : Drama
Languages : en
Pages : 604
Book Description
Publisher Description
The Faber Companion to 20th-century Popular Music
Author: Phil Hardy
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 1258
Book Description
The Faber Companion to 20th Century Popular Music has established itself as the classic reference work in this area. From ABBA to ZZ Top, through Noel Coward, The Skatalites and The Stone Roses, this book covers the major players in the vast history of popular music in the twentieth century. With over 2,500 entries and covering bebop to western swing by way of psychedelic rock, Hardy's companion maps out a cultural history of the century that is both entertaining and informative.
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 1258
Book Description
The Faber Companion to 20th Century Popular Music has established itself as the classic reference work in this area. From ABBA to ZZ Top, through Noel Coward, The Skatalites and The Stone Roses, this book covers the major players in the vast history of popular music in the twentieth century. With over 2,500 entries and covering bebop to western swing by way of psychedelic rock, Hardy's companion maps out a cultural history of the century that is both entertaining and informative.
Encyclopedia of Music in the 20th Century
Author: Lol Henderson
Publisher: Routledge
ISBN: 1135929467
Category : Reference
Languages : en
Pages : 801
Book Description
The Encyclopedia of Music in the 20th Century is an alphabetically arranged encyclopedia of all aspects of music in various parts of the world during the 20th century. It covers the major musical styles--concert music, jazz, pop, rock, etc., and such key genres as opera, orchestral music, be-bop, blues, country, etc. Articles on individuals provide biographical information on their life and works, and explore the contribution each has made in the field. Illustrated and fully cross-referenced, the Encyclopedia of Music in the 20th Century also provides Suggested Listening and Further Reading information. A good first point of reference for students, librarians, and music scholars--as well as for the general reader.
Publisher: Routledge
ISBN: 1135929467
Category : Reference
Languages : en
Pages : 801
Book Description
The Encyclopedia of Music in the 20th Century is an alphabetically arranged encyclopedia of all aspects of music in various parts of the world during the 20th century. It covers the major musical styles--concert music, jazz, pop, rock, etc., and such key genres as opera, orchestral music, be-bop, blues, country, etc. Articles on individuals provide biographical information on their life and works, and explore the contribution each has made in the field. Illustrated and fully cross-referenced, the Encyclopedia of Music in the 20th Century also provides Suggested Listening and Further Reading information. A good first point of reference for students, librarians, and music scholars--as well as for the general reader.
Twentieth Century Drifter
Author: Diane Diekman
Publisher: University of Illinois Press
ISBN: 0252094204
Category : Music
Languages : en
Pages : 322
Book Description
Twentieth Century Drifter: The Life of Marty Robbins is the first biography of this legendary country music artist and NASCAR driver who scored sixteen number-one hits and two Grammy awards. Yet even with fame and fortune, Marty Robbins always yearned for more. Drawing from personal interviews and in-depth research, biographer Diane Diekman explains how Robbins saw himself as a drifter, a man always searching for self-fulfillment and inner peace. Born Martin David Robinson to a hardworking mother and an abusive alcoholic father, he never fully escaped the insecurities burned into him by a poverty-stricken nomadic childhood in the Arizona desert. In 1947 he got his first gig as a singer and guitar player. Too nervous to talk, the shy young man walked onstage singing. Soon he changed his name to Marty Robbins, cultivated his magnetic stage presence, and established himself as an entertainer, songwriter, and successful NASCAR driver. For fans of Robbins, NASCAR, and classic country music, Twentieth Century Drifter: The Life of Marty Robbins is a revealing portrait of this well-loved, restless entertainer, a private man who kept those who loved him at a distance.
Publisher: University of Illinois Press
ISBN: 0252094204
Category : Music
Languages : en
Pages : 322
Book Description
Twentieth Century Drifter: The Life of Marty Robbins is the first biography of this legendary country music artist and NASCAR driver who scored sixteen number-one hits and two Grammy awards. Yet even with fame and fortune, Marty Robbins always yearned for more. Drawing from personal interviews and in-depth research, biographer Diane Diekman explains how Robbins saw himself as a drifter, a man always searching for self-fulfillment and inner peace. Born Martin David Robinson to a hardworking mother and an abusive alcoholic father, he never fully escaped the insecurities burned into him by a poverty-stricken nomadic childhood in the Arizona desert. In 1947 he got his first gig as a singer and guitar player. Too nervous to talk, the shy young man walked onstage singing. Soon he changed his name to Marty Robbins, cultivated his magnetic stage presence, and established himself as an entertainer, songwriter, and successful NASCAR driver. For fans of Robbins, NASCAR, and classic country music, Twentieth Century Drifter: The Life of Marty Robbins is a revealing portrait of this well-loved, restless entertainer, a private man who kept those who loved him at a distance.
Dying in the City of the Blues
Author: Keith Wailoo
Publisher: UNC Press Books
ISBN: 1469617412
Category : Medical
Languages : en
Pages : 352
Book Description
This groundbreaking book chronicles the history of sickle cell anemia in the United States, tracing its transformation from an "invisible" malady to a powerful, yet contested, cultural symbol of African American pain and suffering. Set in Memphis, home of one of the nation's first sickle cell clinics, Dying in the City of the Blues reveals how the recognition, treatment, social understanding, and symbolism of the disease evolved in the twentieth century, shaped by the politics of race, region, health care, and biomedicine. Using medical journals, patients' accounts, black newspapers, blues lyrics, and many other sources, Keith Wailoo follows the disease and its sufferers from the early days of obscurity before sickle cell's "discovery" by Western medicine; through its rise to clinical, scientific, and social prominence in the 1950s; to its politicization in the 1970s and 1980s. Looking forward, he considers the consequences of managed care on the politics of disease in the twenty-first century. A rich and multilayered narrative, Dying in the City of the Blues offers valuable new insight into the African American experience, the impact of race relations and ideologies on health care, and the politics of science, medicine, and disease.
Publisher: UNC Press Books
ISBN: 1469617412
Category : Medical
Languages : en
Pages : 352
Book Description
This groundbreaking book chronicles the history of sickle cell anemia in the United States, tracing its transformation from an "invisible" malady to a powerful, yet contested, cultural symbol of African American pain and suffering. Set in Memphis, home of one of the nation's first sickle cell clinics, Dying in the City of the Blues reveals how the recognition, treatment, social understanding, and symbolism of the disease evolved in the twentieth century, shaped by the politics of race, region, health care, and biomedicine. Using medical journals, patients' accounts, black newspapers, blues lyrics, and many other sources, Keith Wailoo follows the disease and its sufferers from the early days of obscurity before sickle cell's "discovery" by Western medicine; through its rise to clinical, scientific, and social prominence in the 1950s; to its politicization in the 1970s and 1980s. Looking forward, he considers the consequences of managed care on the politics of disease in the twenty-first century. A rich and multilayered narrative, Dying in the City of the Blues offers valuable new insight into the African American experience, the impact of race relations and ideologies on health care, and the politics of science, medicine, and disease.
The New Werner Twentieth Century Edition of the Encyclopaedia Britannica
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 954
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 954
Book Description