Complete Songs and Poems of Robert Tannahill PDF Download
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Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3368825224
Category : Fiction
Languages : en
Pages : 178
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Book Description
Reprint of the original, first published in 1874.
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3368825224
Category : Fiction
Languages : en
Pages : 178
Get Book Here
Book Description
Reprint of the original, first published in 1874.
Author: Robert Tannahill
Publisher:
ISBN:
Category :
Languages : en
Pages : 188
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Book Description
Author: Robert Tannahill
Publisher:
ISBN:
Category : Scottish poetry
Languages : en
Pages : 192
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Book Description
Author: David Semple
Publisher: BoD – Books on Demand
ISBN: 336884900X
Category : Fiction
Languages : en
Pages : 402
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Book Description
Reprint of the original, first published in 1874.
Author: Robert Tannahill
Publisher:
ISBN:
Category :
Languages : en
Pages : 272
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Book Description
Author: Burns Federation
Publisher:
ISBN:
Category :
Languages : en
Pages : 578
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Book Description
Author: Robert Chambers
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 880
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Book Description
Author: Robert Chambers
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 880
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 864
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Book Description
Author: George S. Christian
Publisher: Rutgers University Press
ISBN: 168448183X
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Beside the Bard argues that Scottish poetry in the age of Burns reclaims not a single past, dominated and overwritten by the unitary national language of an elite ruling class, but a past that conceptualizes the Scottish nation in terms of local self-identification, linguistic multiplicity, cultural and religious difference, and transnational political and cultural affiliations. This fluid conception of the nation may accommodate a post-Union British self-identification, but it also recognizes the instrumental and historically contingent nature of “Britishness.” Whether male or female, loyalist or radical, literati or autodidacts, poets such as Alexander Wilson, Carolina Olyphant, Robert Tannahill, and John Lapraik, among others, adamantly refuse to imagine a single nation, British or otherwise, instead preferring an open, polyvocal field, on which they can stage new national and personal formations and fight new revolutions. In this sense, “Scotland” is a revolutionary category, always subject to creative destruction and reformation. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
