Author: Christine Ammer
Publisher: Infobase Publishing
ISBN: 1438130090
Category : Music
Languages : en
Pages : 513
Book Description
"The Facts On File Dictionary of Music provides in-depth explanations and examples of more than 3
The Facts on File Dictionary of Music
Author: Christine Ammer
Publisher: Infobase Publishing
ISBN: 1438130090
Category : Music
Languages : en
Pages : 513
Book Description
"The Facts On File Dictionary of Music provides in-depth explanations and examples of more than 3
Publisher: Infobase Publishing
ISBN: 1438130090
Category : Music
Languages : en
Pages : 513
Book Description
"The Facts On File Dictionary of Music provides in-depth explanations and examples of more than 3
In Her Own Words
Author: Jennifer Kelly
Publisher: University of Illinois Press
ISBN: 0252094832
Category : Biography & Autobiography
Languages : en
Pages : 490
Book Description
This collection of new interviews with twenty-five accomplished female composers substantially advances our knowledge of the work, experiences, compositional approaches, and musical intentions of a diverse group of creative individuals. With personal anecdotes and sometimes surprising intimacy and humor, these wide-ranging conversations represent the diversity of women composing music in the United States from the mid-twentieth century into the twenty-first. The composers work in a variety of genres including classical, jazz, multimedia, or collaborative forms for the stage, film, and video games. Their interviews illuminate questions about the status of women composers in America, the role of women in musical performance and education, the creative process and inspiration, the experiences and qualities that contemporary composers bring to their craft, and balancing creative and personal lives. Candidly sharing their experiences, advice, and views, these vibrant, thoughtful, and creative women open new perspectives on the prospects and possibilities of making music in a changing world.
Publisher: University of Illinois Press
ISBN: 0252094832
Category : Biography & Autobiography
Languages : en
Pages : 490
Book Description
This collection of new interviews with twenty-five accomplished female composers substantially advances our knowledge of the work, experiences, compositional approaches, and musical intentions of a diverse group of creative individuals. With personal anecdotes and sometimes surprising intimacy and humor, these wide-ranging conversations represent the diversity of women composing music in the United States from the mid-twentieth century into the twenty-first. The composers work in a variety of genres including classical, jazz, multimedia, or collaborative forms for the stage, film, and video games. Their interviews illuminate questions about the status of women composers in America, the role of women in musical performance and education, the creative process and inspiration, the experiences and qualities that contemporary composers bring to their craft, and balancing creative and personal lives. Candidly sharing their experiences, advice, and views, these vibrant, thoughtful, and creative women open new perspectives on the prospects and possibilities of making music in a changing world.
Mozart
Author: Otto Erich Deutsch
Publisher: Stanford University Press
ISBN: 9780804702331
Category : Music
Languages : en
Pages : 698
Book Description
A Stanford University Press classic.
Publisher: Stanford University Press
ISBN: 9780804702331
Category : Music
Languages : en
Pages : 698
Book Description
A Stanford University Press classic.
Chamber Music
Author: Mark A. Radice
Publisher: University of Michigan Press
ISBN: 0472028111
Category : Music
Languages : en
Pages : 384
Book Description
Intended for the music student, the professional musician, and the music lover, Chamber Music: An Essential History covers repertoire from the Renaissance to the present, crossing genres to include string quartets, piano trios, clarinet quintets, and other groupings. Mark A. Radice gives a thorough overview and history of this long-established and beloved genre, typically performed by groups of a size to fit into spaces such as homes or churches and tending originally toward the string and wind instruments rather than percussion. Radice begins with chamber music's earliest expressions in the seventeenth century, discusses its most common elements in terms of instruments and compositional style, and then investigates how those elements play out across several centuries of composers- among them Mozart, Bach, Haydn, and Brahms- and national interpretations of chamber music. While Chamber Music: An Essential History is intended largely as a textbook, it will also find an audience as a companion volume for musicologists and fans of classical music, who may be interested in the background to a familiar and important genre.
Publisher: University of Michigan Press
ISBN: 0472028111
Category : Music
Languages : en
Pages : 384
Book Description
Intended for the music student, the professional musician, and the music lover, Chamber Music: An Essential History covers repertoire from the Renaissance to the present, crossing genres to include string quartets, piano trios, clarinet quintets, and other groupings. Mark A. Radice gives a thorough overview and history of this long-established and beloved genre, typically performed by groups of a size to fit into spaces such as homes or churches and tending originally toward the string and wind instruments rather than percussion. Radice begins with chamber music's earliest expressions in the seventeenth century, discusses its most common elements in terms of instruments and compositional style, and then investigates how those elements play out across several centuries of composers- among them Mozart, Bach, Haydn, and Brahms- and national interpretations of chamber music. While Chamber Music: An Essential History is intended largely as a textbook, it will also find an audience as a companion volume for musicologists and fans of classical music, who may be interested in the background to a familiar and important genre.
A Player's Guide to Chamber Music
Author: Paul Jeffery
Publisher: The Crowood Press
ISBN: 0719825075
Category : Music
Languages : en
Pages : 291
Book Description
Chamber music includes some of the world's greatest music. It is widely played in homes, without an audience, by players who are mostly amateurs, and much of the repertoire is playable even by those of quite moderate ability. A Player's Guide to Chamber Music gives advice on what music is available and helps the player to identify what is suitable. It covers chamber music from the seventeenth to the later twentieth century and all instrumental combinations including strings, piano, wind instruments, duet sonatas and baroque ensembles. All the significant composers and musical aspects of playing are covered along with works suitable for inexperienced players. Illustrated with 63 black & white illustrations.
Publisher: The Crowood Press
ISBN: 0719825075
Category : Music
Languages : en
Pages : 291
Book Description
Chamber music includes some of the world's greatest music. It is widely played in homes, without an audience, by players who are mostly amateurs, and much of the repertoire is playable even by those of quite moderate ability. A Player's Guide to Chamber Music gives advice on what music is available and helps the player to identify what is suitable. It covers chamber music from the seventeenth to the later twentieth century and all instrumental combinations including strings, piano, wind instruments, duet sonatas and baroque ensembles. All the significant composers and musical aspects of playing are covered along with works suitable for inexperienced players. Illustrated with 63 black & white illustrations.
Trio for flute, violoncello, and piano
Author: Johann Ladislaus Dussek
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 88
Book Description
George Rochberg
Author: Joan DeVee Dixon
Publisher: Pendragon Press
ISBN: 9780945193128
Category : Juvenile Nonfiction
Languages : en
Pages : 738
Book Description
This is the first and only scholarly book to date on George Rochberg (b. 1918), the pre-eminent post-WWII American composer and essayist. It was compiled with his assistance and gathers into one volume previously scattered and hard-to-find material by and about the composer. Included are traditional types of scholarly information on Rochberg, e.g., his WORKS (date of composition, publisher, timing, commission, premiere, instrumentation, program notes by the composer, etc.), DISCOGRAPHY, BIOGRAPHY (a chronological listing of his compositions and the major events of his life), AUTOGRAPH MANUSCRIPTS & DOCUMENTS (housed in public collections/libraries), TEXTS (used in the works with voice), and BIBLIOGRAPHY (books, articles, and reviews by and a bout Rochberg). This is an essential guide for any performer, scholar, critic, or student of George Rochberg's music.
Publisher: Pendragon Press
ISBN: 9780945193128
Category : Juvenile Nonfiction
Languages : en
Pages : 738
Book Description
This is the first and only scholarly book to date on George Rochberg (b. 1918), the pre-eminent post-WWII American composer and essayist. It was compiled with his assistance and gathers into one volume previously scattered and hard-to-find material by and about the composer. Included are traditional types of scholarly information on Rochberg, e.g., his WORKS (date of composition, publisher, timing, commission, premiere, instrumentation, program notes by the composer, etc.), DISCOGRAPHY, BIOGRAPHY (a chronological listing of his compositions and the major events of his life), AUTOGRAPH MANUSCRIPTS & DOCUMENTS (housed in public collections/libraries), TEXTS (used in the works with voice), and BIBLIOGRAPHY (books, articles, and reviews by and a bout Rochberg). This is an essential guide for any performer, scholar, critic, or student of George Rochberg's music.
The Piano in Chamber Ensemble, Third Edition
Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 0253056756
Category : Music
Languages : en
Pages : 606
Book Description
In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.
Publisher: Indiana University Press
ISBN: 0253056756
Category : Music
Languages : en
Pages : 606
Book Description
In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.
Contemporary Orchestration
Author: R.J. Miller
Publisher: Routledge
ISBN: 1317806247
Category : Music
Languages : en
Pages : 786
Book Description
Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians teaches students how to orchestrate for a wide variety of instruments, ensembles, and genres, while preparing them for various real-world professional settings ranging from the concert hall to the recording studio. Unlike most orchestration texts, it includes coverage of contemporary instruments and ensembles alongside traditional orchestra and chamber ensembles. Features Practical considerations: Practical suggestions for choosing a work to orchestrate, and what to avoid when writing for each instrument. Pedagogical features In the Profession: Professional courtesies, considerations and expectations. Building the Score: Step-by-step construction of an orchestration. Scoring Examples: Multiple scoring examples for each instrument. Exercises: Analyzing, problem solving, and creating orchestration solutions. Critical Thinking: Alternate approaches and solutions.
Publisher: Routledge
ISBN: 1317806247
Category : Music
Languages : en
Pages : 786
Book Description
Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians teaches students how to orchestrate for a wide variety of instruments, ensembles, and genres, while preparing them for various real-world professional settings ranging from the concert hall to the recording studio. Unlike most orchestration texts, it includes coverage of contemporary instruments and ensembles alongside traditional orchestra and chamber ensembles. Features Practical considerations: Practical suggestions for choosing a work to orchestrate, and what to avoid when writing for each instrument. Pedagogical features In the Profession: Professional courtesies, considerations and expectations. Building the Score: Step-by-step construction of an orchestration. Scoring Examples: Multiple scoring examples for each instrument. Exercises: Analyzing, problem solving, and creating orchestration solutions. Critical Thinking: Alternate approaches and solutions.
Bidu
Author: Denis Daniel
Publisher: Page Publishing Inc
ISBN: 1662402856
Category : Biography & Autobiography
Languages : en
Pages : 325
Book Description
Bidú Sayao was a renowned, world-famous opera singer in the midtwentieth century. In his meticulously researched biography Bidú Sayao: Passion and Determination, Denis Allan Daniel provides a fascinating insight into this Brazilian operatic star with never-before-revealed details about her life. It is stated that "she was not pleased with any biography about her and therefore decided to write her autobiography but this never materialized." This book admirably supplies the definitive biography of this diminutive diva. The first chapter explains her family background in Rio de Janeiro and how and why she began having singing lessons. Chapter two deals with the exact date and place of Bidú's birth. Painstaking research eventually discovered a birth certificate to end any conjecture. The third chapter details her travels abroad, designed to perfect her singing voice and to gain the experience required of singing in operas. Chapter four concerns her early reviews and triumphs abroad. In 1936, she signs a contract with the Metropolitan Opera. However, when returning to Brazil, she is booed at the Theatro Municipal in Rio de Janeiro. Brazilians, at the time, liked their stars to remain in Brazil and not become "Americanized." The fifth chapter illustrates the influence of Toscanini and how he supported her in gaining roles at the Met and how she won over the severe New York critics. Chapter six provides detailed accounts of some of these reviews. In Jussi Bjorling, the Swedish tenor, she found her perfect partner for several roles at the Met. The seventh chapter includes more reviews of this highly successful period. Returning to her private life, chapter eight provides an insight on her two marriages, both with older men, who "resembled my father, helped me with my career and protected me." The ninth chapter deals with her resentments, grief, and disillusions. In Brazil, she was often unfairly describes as being unpatriotic. The actions taken by the authorities that so upset her are recorded in detail. Chapter ten concerns her postcareer struggles. In the span of three years, in the 1960s, she lost her second husband and her mother. "I almost died with her. I think I did die a little. It was horrible. The worst time in my life. I had money but no happiness. I began to have heart problems, irregular heartbeats, palpitations and cold sweats." An interesting anecdote about the power of redemption closes the chapter. The eleventh chapter is about her love for Brazil and her pride of being Brazilian. She once said, "I am a Brazilian from the bottom of my heart and it deeply offends me to hear that I am antipatriotic." The next chapter covers her vanity, distinctions, and honors. Bidú used whatever vanity she had for the benefit of her art. She felt and acted as a true star should feel and act. The distinctions and honors that she was awarded are listed chronologically. Chapter thirteen concerns her American citizenship even though she always maintained her Brazilian citizenship. The next chapter discusses her relationship with Villa-Lobos, whose Bachianas No. 5 was definitively performed by Bidú. This became the greatest world success of both of their careers. It became the best-selling record in the United States of America for two consecutive years. The fifteenth chapter relates her successful return to Rio to appear as the star of the Beija-Flor samba school parade, at the age of ninety-two! Her death two years later is described in the next chapter with a full description of her last will and testament. It ends with quotations by Bidú about her life and opera. In conclusion, the author explains how she had to overcome enormous obstacles and the basic limitation of a fine light soprano voice and that her exceptional human and professional qualities, as a leading star of the opera world, should never be forgotten. As one critic wrote, "This was a voice such as one doesn't often hear in this world. Pure and effortless it ranged from a silver trickle to a golden torrent. Sometimes her voice soared to almost unbelievable heights and hung there--hung there like a skylark pouring its heart out in the sky." Finally, the addenda provide extensive details of reviews of Bidú's performances abroad, at the Theatro Municipal of Rio de Janeiro, operas sang by Bidú at the Met, at the San Francisco Opera, a bibliography, a comprehensive discography, and finally, a list of compositions by Villa-Lobos. This book, a labor of love by the author, is undoubtedly now the definitive biography of Bidú Sayao. Her life has finally been given the due attention it has always deserved.
Publisher: Page Publishing Inc
ISBN: 1662402856
Category : Biography & Autobiography
Languages : en
Pages : 325
Book Description
Bidú Sayao was a renowned, world-famous opera singer in the midtwentieth century. In his meticulously researched biography Bidú Sayao: Passion and Determination, Denis Allan Daniel provides a fascinating insight into this Brazilian operatic star with never-before-revealed details about her life. It is stated that "she was not pleased with any biography about her and therefore decided to write her autobiography but this never materialized." This book admirably supplies the definitive biography of this diminutive diva. The first chapter explains her family background in Rio de Janeiro and how and why she began having singing lessons. Chapter two deals with the exact date and place of Bidú's birth. Painstaking research eventually discovered a birth certificate to end any conjecture. The third chapter details her travels abroad, designed to perfect her singing voice and to gain the experience required of singing in operas. Chapter four concerns her early reviews and triumphs abroad. In 1936, she signs a contract with the Metropolitan Opera. However, when returning to Brazil, she is booed at the Theatro Municipal in Rio de Janeiro. Brazilians, at the time, liked their stars to remain in Brazil and not become "Americanized." The fifth chapter illustrates the influence of Toscanini and how he supported her in gaining roles at the Met and how she won over the severe New York critics. Chapter six provides detailed accounts of some of these reviews. In Jussi Bjorling, the Swedish tenor, she found her perfect partner for several roles at the Met. The seventh chapter includes more reviews of this highly successful period. Returning to her private life, chapter eight provides an insight on her two marriages, both with older men, who "resembled my father, helped me with my career and protected me." The ninth chapter deals with her resentments, grief, and disillusions. In Brazil, she was often unfairly describes as being unpatriotic. The actions taken by the authorities that so upset her are recorded in detail. Chapter ten concerns her postcareer struggles. In the span of three years, in the 1960s, she lost her second husband and her mother. "I almost died with her. I think I did die a little. It was horrible. The worst time in my life. I had money but no happiness. I began to have heart problems, irregular heartbeats, palpitations and cold sweats." An interesting anecdote about the power of redemption closes the chapter. The eleventh chapter is about her love for Brazil and her pride of being Brazilian. She once said, "I am a Brazilian from the bottom of my heart and it deeply offends me to hear that I am antipatriotic." The next chapter covers her vanity, distinctions, and honors. Bidú used whatever vanity she had for the benefit of her art. She felt and acted as a true star should feel and act. The distinctions and honors that she was awarded are listed chronologically. Chapter thirteen concerns her American citizenship even though she always maintained her Brazilian citizenship. The next chapter discusses her relationship with Villa-Lobos, whose Bachianas No. 5 was definitively performed by Bidú. This became the greatest world success of both of their careers. It became the best-selling record in the United States of America for two consecutive years. The fifteenth chapter relates her successful return to Rio to appear as the star of the Beija-Flor samba school parade, at the age of ninety-two! Her death two years later is described in the next chapter with a full description of her last will and testament. It ends with quotations by Bidú about her life and opera. In conclusion, the author explains how she had to overcome enormous obstacles and the basic limitation of a fine light soprano voice and that her exceptional human and professional qualities, as a leading star of the opera world, should never be forgotten. As one critic wrote, "This was a voice such as one doesn't often hear in this world. Pure and effortless it ranged from a silver trickle to a golden torrent. Sometimes her voice soared to almost unbelievable heights and hung there--hung there like a skylark pouring its heart out in the sky." Finally, the addenda provide extensive details of reviews of Bidú's performances abroad, at the Theatro Municipal of Rio de Janeiro, operas sang by Bidú at the Met, at the San Francisco Opera, a bibliography, a comprehensive discography, and finally, a list of compositions by Villa-Lobos. This book, a labor of love by the author, is undoubtedly now the definitive biography of Bidú Sayao. Her life has finally been given the due attention it has always deserved.