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Author: Gardner Read
Publisher: Greenwood
ISBN: 0313285128
Category : Music
Languages : en
Pages : 0
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Book Description
An important characteristic of contemporary art music has been the use of conventional instruments in unconventional ways, achieving effects undreamed of or thought impossible in the early twentieth century. This compendium codifies these techniques, explains their production and effects, cites representative scores, and provides numerous example from an international selection of composers. Part One considers techniques and procedures that apply to all instruments; Part Two takes up idiomatic techniques with specific instruments in all orchestral categories. This monumental survey is essential for any music library or serious musician. An important characteristic of contemporary art music has been the use of conventional instruments in unconventional ways, achieving effects undreamed of or thought impossible in the early twentieth century. Yet many of these techniques remain poorly understood with respect to both the physical procedures involved and the results in sound output. This compendium codifies these techniques, explains their production in terms of idiomatic peculiarity and limitations, and cites representative scores in which the new devices form an integral part of the composer's sonoric concepts. Citations and numerous printed examples are taken from an international selection of works by the most advanced and significant composers. Part One considers techniques and procedures that, with only slight modification, apply to all instruments: extended ranges, muting, glissandi, harmonics, percussive effects, microtones, amplification, and extramusical devices. Part Two is devoted to idiomatic techniques with specific instruments in the categories of woodwinds and brasses, percussion, harp and other plucked instruments, keyboard instruments, and strings. While demonstrating recent and radical innovations, references are made to historical beginnings of such devices in our classical music heritage. An earlier version of this volume, Contemporary Instrumental Techniques (1976), was widely acclaimed by musicians and educators, recognized as a significant achievement in cataloging and organization and as an invaluable reference tool. Now extensively expanded, with additional techniques, new and revised explanations, and hundreds of recent citations and examples, this monumental survey is essential for any music library or serious musician. An indispensable guide for composers and orchestrators, it will also be valuable as a sourcebook for performers and teachers and as a textbook for courses in composition.
Author: Gardner Read
Publisher: Greenwood
ISBN: 0313285128
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
An important characteristic of contemporary art music has been the use of conventional instruments in unconventional ways, achieving effects undreamed of or thought impossible in the early twentieth century. This compendium codifies these techniques, explains their production and effects, cites representative scores, and provides numerous example from an international selection of composers. Part One considers techniques and procedures that apply to all instruments; Part Two takes up idiomatic techniques with specific instruments in all orchestral categories. This monumental survey is essential for any music library or serious musician. An important characteristic of contemporary art music has been the use of conventional instruments in unconventional ways, achieving effects undreamed of or thought impossible in the early twentieth century. Yet many of these techniques remain poorly understood with respect to both the physical procedures involved and the results in sound output. This compendium codifies these techniques, explains their production in terms of idiomatic peculiarity and limitations, and cites representative scores in which the new devices form an integral part of the composer's sonoric concepts. Citations and numerous printed examples are taken from an international selection of works by the most advanced and significant composers. Part One considers techniques and procedures that, with only slight modification, apply to all instruments: extended ranges, muting, glissandi, harmonics, percussive effects, microtones, amplification, and extramusical devices. Part Two is devoted to idiomatic techniques with specific instruments in the categories of woodwinds and brasses, percussion, harp and other plucked instruments, keyboard instruments, and strings. While demonstrating recent and radical innovations, references are made to historical beginnings of such devices in our classical music heritage. An earlier version of this volume, Contemporary Instrumental Techniques (1976), was widely acclaimed by musicians and educators, recognized as a significant achievement in cataloging and organization and as an invaluable reference tool. Now extensively expanded, with additional techniques, new and revised explanations, and hundreds of recent citations and examples, this monumental survey is essential for any music library or serious musician. An indispensable guide for composers and orchestrators, it will also be valuable as a sourcebook for performers and teachers and as a textbook for courses in composition.
Author: Russ Girsberger
Publisher: Hal Leonard Corporation
ISBN: 1574631802
Category : Music
Languages : en
Pages : 358
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Book Description
(Meredith Music Resource). This sourcebook was created to aid directors and teachers in finding the information they need and expand their general knowledge. The resources were selected from hundreds of published and on-line sources found in journals, magazines, music company catalogs and publications, numerous websites, doctoral dissertations, graduate theses, encyclopedias, various databases, and a great many books. Information was also solicited from outstanding college/university/school wind band directors and instrumental teachers. The information is arranged in four sections: Section 1 General Resources About Music Section 2 Specific Resources Section 3 Use of Literature Section 4 Library Staffing and Management
Author: Gardner Read
Publisher: Simon & Schuster Books For Young Readers
ISBN:
Category : Music
Languages : en
Pages : 280
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Book Description
Author: Kent Kennan
Publisher: Taylor & Francis
ISBN: 1000874095
Category : Music
Languages : en
Pages : 411
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Book Description
The Technique of Orchestration, Seventh Edition, is the definitive textbook on the study of orchestration, offering a concise, straight-to-the-point approach that prepares students to score their own compositions with confidence. Updated to reflect developments in instruments and orchestral best practices, this seventh edition features: Copious musical examples spanning the history of the orchestra Detailed descriptions of instruments and their distinctive characteristics Explanations of how to score chords and transcribe piano idioms Discussions on specialized ensembles and scoring techniques New musical examples have been added throughout and listening lists have been revised to include more music by women and composers of color, representing a diverse musical catalogue. Supported by an accompanying workbook of scores and scoring exercises (available separately), as well as a robust listening program keyed to the textbook, The Technique of Orchestration, Seventh Edition, is an accessible, essential, all-in-one resource for the student of orchestration.
Author: Gardner Read
Publisher: Bloomsbury Publishing USA
ISBN: 0313370788
Category : Music
Languages : en
Pages : 298
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Book Description
This text provides the first comprehensive examination of pictographic notation. Pictographic musical notation represents the relevant instruments themselves rendered visually rather than verbally. Used most extensively in contemporary publications between the 1950s and 1980s, its popularity has waned in recent years. This expertly researched work displays the resourcefulness and inventiveness of 20th century orchestrators. Providing a detailed examination of pictographic score notation, this unique book passes over 60 years of contemporary composition and score publications. Divided into three sections, this work describes instrumental pictographs, stage diagrams, and pictographic performance directives. In addition to the thoroughly researched information and extensive technique illustrations, commentary on individual examples and frequent cross-referencing of related examples, differentiate this work from other journal articles and notation texts.
Author: Nancy Toff
Publisher: Oxford University Press
ISBN: 0199913366
Category : Music
Languages : en
Pages : 559
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Book Description
Teachers and flutists at all levels have praised Nancy Toff'sThe Flute Book, a unique one-stop guide to the flute and its music. Organized into four main parts--The Instrument, Performance, The Music, and Repertoire Catalog--the book begins with a description of the instrument and its making, offers information on choosing and caring for a flute, sketches a history of the flute, and discusses differences between members of the flute family. In the Performance section, readers learn about breathing, tone, vibrato, articulation, technique, style, performing, and recording. In the extensive analysis of flute literature that follows, Toff places individual pieces in historical context. The book ends with a comprehensive catalog of solo and chamber repertoire, and includes appendices with fingering charts as well as lists of current flute manufacturers, repair shops, sources for flute music and books, and flute clubs and related organizations worldwide. In this Third Edition, Toff has updated the book to reflect technology's advancements--like new digital recording technology and recordings' more prevalent online availability--over the last decade. She has also accounted for new scholarship on baroque literature; recent developments such as the contrabass flute, quarter-tone flute, and various manufacturing refinements and experiments; consumers' purchase prices for flutes; and a thoroughly updated repertoire catalog and appendices.
Author: Francis Rouessac
Publisher: Wiley
ISBN: 9780471981374
Category : Science
Languages : en
Pages : 0
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Book Description
Chemical Analysis is an essential introduction to a wide range of analytical techniques and instruments. Assuming little in the way of prior knowledge, this text carefully guides the reader through the more widely used and important techniques, whilst avoiding excessive technical detail. Covering both instrumental techniques and the situations in which they are used, the text always strives to maintain a balance between breadth and depth of coverage. Carefully structured, this book clearly differentiates between separation and spectral methods, and includes a section on more specialised techniques. Chemical Analysis * Provides a through introduction to a wide range of the most important and widely used instrumental techniques. * Maintains a careful balance between depth and breadth of coverage. * Includes many examples, problems and their solutions. Chemical Analysis will be invaluable to those studying or using instrumental techniques throughout the sciences, medicine and engineering.
Author: Satinder Ahuja
Publisher: Elsevier
ISBN: 0080467229
Category : Science
Languages : en
Pages : 897
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Book Description
Modern Instrumental Analysis covers the fundamentals of instrumentation and provides a thorough review of the applications of this technique in the laboratory. It will serve as an educational tool as well as a first reference book for the practicing instrumental analyst. The text covers five major sections: 1. Overview, Sampling, Evaluation of Physical Properties, and Thermal Analysis 2. Spectroscopic Methods 3. Chromatographic Methods 4. Electrophoretic and Electrochemical Methods 5. Combination Methods, Unique Detectors, and Problem Solving Each section has a group of chapters covering important aspects of the titled subject, and each chapter includes applications that illustrate the use of the methods. The chapters also include an appropriate set of review questions. * Covers the fundamentals of instrumentation as well as key applications * Each chapter includes review questions that reinforce concepts * Serves as a quick reference and comprehensive guidebook for practitioners and students alike
Author: James E. Perone
Publisher: Bloomsbury Publishing USA
ISBN: 0313387893
Category : Music
Languages : en
Pages : 200
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Book Description
Presenting detailed bibliographic information on all aspects of orchestration, instrumentation, and musical arranging with the broadest possible historical and stylistic palette, this work includes over 1,200 citations. The sources range from treatises, dissertations, and textbooks to journal articles and are cross-referenced and indexed. This is the only comprehensive bibliographic reference guide of its kind on the subject of orchestration. It will be of value to the music theory teacher, undergraduate and graduate students of orchestration, and the researcher. The book contains chapters devoted to book-length treatises; a general bibliography of journal articles and books partially related to orchestration; a chronological list of orchestration treatises; a list of jazz-arranging treatises; a list of band-related treatises; a list of treatises dealing with specific instruments or instrumental families; and an index. This is the first in a series of music theory reference books the author is developing.
Author: Hobart Hurd Willard
Publisher: Van Nostrand Reinhold Company
ISBN:
Category : Science
Languages : en
Pages : 898
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Book Description
The Fifth Edition continues to survey modern instrumental methods of chemical analysis. Most of the chapters have been extensively revised and some have been completely rewritten.
