Compendium of Chords for the Cello PDF Download
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Author: Benjamin Whitcomb
Publisher: AuthorHouse
ISBN: 1546230688
Category : Music
Languages : en
Pages : 141
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Book Description
There are many resources for practicing scales and arpeggios on the cello, but extremely few for practicing chords. Understanding chords on the cello can be a very useful skill for cellists for a variety of reasons, the most obvious of which is that chords appear a significant number of times in the cello repertoire. In addition, understanding chords: helps you to think harmonically, helps you to better analyze music, improves your ability to sight read and to play arpeggios and double stops, helps the fingers of your left hand to work better together as a team, and facilitates composition and improvisation.
Author: Benjamin Whitcomb
Publisher: AuthorHouse
ISBN: 1546230688
Category : Music
Languages : en
Pages : 141
Get Book Here
Book Description
There are many resources for practicing scales and arpeggios on the cello, but extremely few for practicing chords. Understanding chords on the cello can be a very useful skill for cellists for a variety of reasons, the most obvious of which is that chords appear a significant number of times in the cello repertoire. In addition, understanding chords: helps you to think harmonically, helps you to better analyze music, improves your ability to sight read and to play arpeggios and double stops, helps the fingers of your left hand to work better together as a team, and facilitates composition and improvisation.
Author: Benjamin Whitcomb
Publisher: AuthorHouse
ISBN: 154623070X
Category : Music
Languages : en
Pages : 125
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Book Description
There are many resources for practicing scales and arpeggios on the viola, but extremely few for practicing chords. Understanding chords on the viola can be a very useful skill for violists for a variety of reasons; the most obvious of which is that chords appear a significant number of times in the viola repertoire. In addition, understanding chords: helps you to think harmonically, helps you to better analyze music, improves your ability to sight read and to play arpeggios and double stops, helps the fingers of your left hand to work better together as a team, and facilitates composition and improvisation.
Author: Benjamin Whitcomb
Publisher: AuthorHouse
ISBN: 1546230726
Category : Music
Languages : en
Pages : 125
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Book Description
There are many resources for practicing scales and arpeggios on the violin, but extremely few for practicing chords. Understanding chords on the violin can be a very useful skill for violinists for a variety of reasons, the most obvious of which is that chords appear a significant number of times in the violin repertoire. In addition, understanding chords: helps you to think harmonically, helps you to better analyze music, improves your ability to sight read and to play arpeggios and double stops, helps the fingers of your left hand to work better together as a team, and facilitates composition and improvisation.
Author: Dijana Ihas
Publisher: Taylor & Francis
ISBN: 1000970507
Category : Music
Languages : en
Pages : 572
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Book Description
Teaching Violin, Viola, Cello, and Double Bass summarizes three centuries of string pedagogy treatises to create a comprehensive resource on methods and approaches to teaching all four bowed string instruments. Co-written by three performance and pedagogy experts, each specializing in different string instruments, this book is applicable to all levels of instruction. Essays on historical pedagogues are clearly structured to allow for easy comprehension of their philosophies, pedagogical practices, and unique contributions. This book concludes with a section on application through comparative analysis of the historical methods and approaches. With coverage from the eighteenth century to the present, this book will be invaluable for teachers and students of string pedagogy and general readers who wish to learn more about string pedagogy’s rich history, diverse content, and modern developments.
Author: William Phemister
Publisher: Rowman & Littlefield
ISBN: 1538112345
Category : Music
Languages : en
Pages : 321
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Book Description
The second edition of William Phemister’s The American Piano Concerto Compendium reveals to professional and amateurs pianists alike a vast collection of available compositions by American composers. Analysis expands outside mainstream concerto styles to include those considered experimental or popular derivatives. The range of music flows from Pulitzer Prize winners like Samuel Barber, Gail Kubik, and John LaMontaine, to lesser-known multi-ethnic composers such as Tania León and Samuel Zyman, to old standards like Edward MacDowell and the first piano concerto written by an American-born composer, Otis B. Boise (1875), to the cutting-edge avant-garde of Milton Babbitt and Elliott Carter, just to name a few. These all contribute to the varied narrative that animates American piano music. With forty percent more works described, documented, and reviewed than were listed in the 1985 first edition from the College Music Society, this second edition is a valuable resource not only for pianists and conductors, but also for orchestras, teachers, students, music historians and critics, collectors, and concert attendees.
Author: Michael Talbot
Publisher: Boydell Press
ISBN: 184383670X
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades.
Author: Benjamin Whitcomb
Publisher: AuthorHouse
ISBN: 1546251014
Category : Music
Languages : en
Pages : 440
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Book Description
There are few works in the cello repertoire as significant as the etudes by David Popper. They are practiced, studied, and learned by cellists all over the world as a sort of rite of passage to the advanced cello techniques. This has been the case since their publication, and there is no sign that this is going to change in the foreseeable future. Auditions for such things as youth orchestras, festivals, competitions, or university admissions frequently require the performance of one or more Popper etudes. Learning these etudes is a wonderful way to prepare yourself for the advanced cello repertoire. However, tackling them on your own can be a daunting task. Several authors have published their ideas and suggestions for practicing these etudes whether as articles, books, or videos. What makes this guide different is that it shows you step-by-step exactly how you can effectively practice all the difficult spots in each etude such that you will surely learn and master each one at a faster rate than you would without these suggestions and exercises.
Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 0253056748
Category : Music
Languages : en
Pages : 853
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Book Description
In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.
Author: American String Teachers Association
Publisher:
ISBN:
Category : Orchestral music
Languages : en
Pages : 88
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Book Description
Author: Kacey Link
Publisher: Oxford University Press
ISBN: 0199348227
Category : Music
Languages : en
Pages : 385
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Book Description
Tracing Tangueros offers an inside view of Argentine tango music in the context of the growth and development of the art form's instrumental and stylistic innovations. Rather than perpetuating the glamorous worldwide conceptions that often only reflect the tango that left Argentina nearly 100 years ago, authors Kacey Link and Kristin Wendland trace tango's historical and stylistic musical trajectory in Argentina, beginning with the guardia nueva's crystallization of the genre in the 1920s, moving through tango's Golden Age (1932-1955), and culminating with the "Music of Buenos Aires" today. Through the transmission, discussion, examination, and analysis of primary sources currently unavailable outside of Argentina, including scores, manuals of style, archival audio/video recordings, and live video footage of performances and demonstrations, Link and Wendland frame and define Argentine tango music as a distinct expression possessing its own musical legacy and characteristic musical elements. Beginning by establishing a broad framework of the tango art form, the book proceeds to move through twelve in-depth profiles of representative tangueros (tango musicians) within the genre's historical and stylistic trajectory. Through this focused examination of tangueros and their music, Link and Wendland show how the dynamic Argentine tango grows from one tanguero linked to another, and how the composition techniques and performance practices of each generation are informed by that of the past.
