The Making of Samuel Beckett's Stirrings Still / Soubresauts and Comment Dire / What Is the Word PDF Download
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Author: Dirk van Hulle
Publisher: ASP / VUBPRESS / UPA
ISBN: 9054879122
Category : Drama
Languages : en
Pages : 153
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Book Description
This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp), the Beckett International Foundation (University of Reading) and the Harry Ransom Humanities Research Center (University of Texas at Austin), with the support of the Estate of Samuel Beckett. The BDMP (www.beckettarchive.org) digitally reunites the dispersed manuscripts of Samuel Beckett's works and facilitates their examination. The project consists of two parts: a digital archive of Beckett's a manuscripts, with facsimiles and transcriptions, organized in modules; b a series of print volumes, analyzing the genesis of Beckett's works. This first volume of the BDMP studies Beckett's last works: "Stirrings still / Soubresauts and Comment dire/what is the word". It examines the notes, manuscripts, typescripts and other writing traces and reconstructs the dynamics of the composition process on the basis of this material.
Author: Dirk van Hulle
Publisher: ASP / VUBPRESS / UPA
ISBN: 9054879122
Category : Drama
Languages : en
Pages : 153
Get Book Here
Book Description
This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp), the Beckett International Foundation (University of Reading) and the Harry Ransom Humanities Research Center (University of Texas at Austin), with the support of the Estate of Samuel Beckett. The BDMP (www.beckettarchive.org) digitally reunites the dispersed manuscripts of Samuel Beckett's works and facilitates their examination. The project consists of two parts: a digital archive of Beckett's a manuscripts, with facsimiles and transcriptions, organized in modules; b a series of print volumes, analyzing the genesis of Beckett's works. This first volume of the BDMP studies Beckett's last works: "Stirrings still / Soubresauts and Comment dire/what is the word". It examines the notes, manuscripts, typescripts and other writing traces and reconstructs the dynamics of the composition process on the basis of this material.
Author: Samuel Beckett
Publisher: Faber & Faber Plays
ISBN:
Category : Fiction
Languages : en
Pages : 180
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Book Description
Plays.
Author: Wieland Schwanebeck
Publisher: Narr Francke Attempto Verlag
ISBN: 3823395335
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
This book introduces readers to the genre of comedy, both on the stage and on the screen. It chronicles the history of comedy, starting with Ancient Greece, before summarising key chapters in Anglophone literary history, such as Shakespearean comedy, Restoration comedy, and Theatre of the Absurd. The book features an overview of key comic techniques (including slapstick, puns, and wit), as well as concise summaries of major theoretical debates (including the superiority theory and the Freudian account of laughter). The book works with many examples from the history of Anglophone comedy, including Oscar Wilde, Monty Python, and classic sitcoms. It addresses current research into cringe humour and the controversial topic of diversity in the field of comedy, and it connects classical tropes of comedy (like the fool or the marriage plot) to present-day examples. The book thus serves as an up-to-date study guide for everyone interested in comedy and its various subgenres.
Author: Balazs Rapcsak
Publisher: Manchester University Press
ISBN: 1526145820
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
Beckett and media provides the first sustained examination of the relationship between Beckett and media technologies. The book analyses the rich variety of technical objects, semiotic arrangements, communication processes and forms of data processing that Beckett’s work so uniquely engages with, as well as those that – in historically changing configurations – determine the continuing performance, the audience reception, and the scholarly study of this work. Beckett and media draws on a variety of innovative theoretical approaches, such as media archaeology, in order to discuss Beckett’s intermedial oeuvre. As such, the book engages with Beckett as a media artist and examines the way his engagement with media technologies continues to speak to our cultural situation.
Author: Shane Weller
Publisher: Cambridge University Press
ISBN: 1108475027
Category : Fiction
Languages : en
Pages : 293
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Book Description
Proposes that a distinct strain of literary modernism emerged in Europe in response to historical catastrophe.
Author: Pawel Wojtas
Publisher: Edinburgh University Press
ISBN: 1399522604
Category :
Languages : en
Pages : 427
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Book Description
This study offers a detailed analysis of the fiction of J. M. Coetzee, including the novels of the South African and Australian periods, to demonstrate the development of Coetzee's engagement with the complexities of non-normative embodiment. In this illuminating monograph, Pawel Wojtas demonstrates the extent to which Coetzee's multifaceted depictions of disability offer a sustained critique of the ableist implications of political violence and neoliberal inclusionism alike. Exploring a wide range of notions, such as ocularnormativism, mute speech, eco-disability, disability Gothic, dismodernism, autogerontography, and bibliotherapy, Wojtas shows how Coetzee's 'disabled textuality' provokes a sustained meditation on various forms of cultural denigration of disability experience.
Author: Pierre Legrand
Publisher: Taylor & Francis
ISBN: 1000646076
Category : Law
Languages : en
Pages : 242
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Book Description
This book’s essays seek to cleanse comparative law of some of the epistemic detritus it has been collecting and that has been cluttering its theory and practice to the point where this flotsam has effectively stultified ‘good’ comparison. While a critique would pursue adjustments to the prevailing model, this text’s negative critique seeks a much more radical refurbishment as it utters an emphatic ‘no’ to the governing epistemology: it pursues, in effect, a deposition and a disposition of the leading epistemic configuration and the various assumptions regarding the acquisition of knowledge about foreign law that inform it. Negative comparative law thus operates at a primordial level inasmuch as it concerns the matter of justice: it aims to do justice to foreign law as foreignness finds itself appropriated and travestied by comparatists for ideological purposes. In the process, negative critique purports significantly to enhance comparative law’s institutional, intellectual, and ethical respectability. This book will benefit all law teachers and postgraduate law students interested in the workings of law on the international scene, whether specialists in comparative law, public international law, private international law, transnational law, or foreign relations law – in particular, individuals bringing to bear a critical inclination to their subject-matter.
Author: Pierre Legrand
Publisher: Taylor & Francis
ISBN: 1003822274
Category : Law
Languages : en
Pages : 347
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Book Description
This book’s essays aim subversively and resolutely to replace the hegemonic discursive frame governing comparative law. Beyond harnessing negative critique to resist the orthodoxy’s self-assured cognitive assumptions, at once unexamined and indefensible, the argument mobilizes negativity as an empowering idea, a resource towards the displacement of the brand of comparative law that has been fostering a closing of the comparing mind. To answer the demands of the moment and herald foreign law research as a creditable intellectual development, one requires to engage in a culturalist theorization and practice of comparative law at radical variance from the prevailing positivist model. The negative turn, then, is a call to comparative action – a comparactive motion – in support of the robustly indisciplined thinking that must thoroughly inform research into foreign law. In photography, the negative has been employed productively to generate a positive print. In comparative law, negation wants to affirm edifying epistemic yields. This book will benefit all law teachers and postgraduate law students interested in the workings of law on the international scene, whether specialists in comparative law, public international law, private international law, transnational law, or foreign relations law – in particular, individuals bringing to bear a critical inclination to their subject-matter.
Author: Michael Y. Bennett
Publisher: Taylor & Francis
ISBN: 1040001610
Category : Literary Criticism
Languages : en
Pages : 803
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Book Description
The Routledge Companion to Absurdist Literature is the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor and the contributors are world leaders in this ever-exciting genre that includes some of the most important and influential writers of the twentieth century, including Samuel Beckett, Harold Pinter, Edward Albee, Eugene Ionesco, Jean Genet, and Albert Camus. Ever puzzling and always refusing to be pinned down, this book does not attempt to define absurdist literature, but attempts to examine its major and minor players. As such, the field is indirectly defined by examining its constituent writers. Not only investigating the so-called “Theatre of the Absurd,” this volume wades deeply into absurdist fiction and absurdist poetry, expanding much of our previous sense of what constitutes absurdist literature. Furthermore, long overdue, approximately one-third of the book is devoted to marginalized writers: black, Latin/x, female, LGBTQ+, and non-Western voices.
Author: Thomas Giddens
Publisher: Univ. Press of Mississippi
ISBN: 1496829034
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Contributions by Paul Fisher Davies, Lisa DeTora, Yasemin J. Erden, Adam Gearey, Thomas Giddens, Peter Goodrich, Maggie Gray, Matthew J. A. Green, Vladislav Maksimov, Timothy D. Peters, Christopher Pizzino, Nicola Streeten, and Lydia Wysocki Recent decades have seen comics studies blossom, but within the ecosystems of this growth, dominant assumptions have taken root—assumptions around the particular methods used to approach the comics form, the ways we should read comics, how its “system” works, and the disciplinary relationships that surround this evolving area of study. But other perspectives have also begun to flourish. These approaches question the reliance on structural linguistics and the tools of English and cultural studies in the examination and understanding of comics. In this edited collection, scholars from a variety of disciplines examine comics by addressing materiality and form as well as the wider economic and political contexts of comics’ creation and reception. Through this lens, influenced by poststructuralist theories, contributors explore and elaborate other possibilities for working with comics as a critical resource, consolidating the emergence of these alternative modes of engagement in a single text. This opens comics studies to a wider array of resources, perspectives, and modes of engagement. Included in this volume are essays on a range of comics and illustrations as well as considerations of such popular comics as Deadpool, Daredevil, and V for Vendetta, and analyses of comics production, medical illustrations, and original comics. Some contributions even unfold in the form of comics panels.
