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Author: Betty Rizzo
Publisher: University of Georgia Press
ISBN: 0820332186
Category : History
Languages : en
Pages : 474
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Book Description
Companions Without Vows is the first detailed study of the companionate relationship among women in eighteenth-century England--a type of relationship so prevalent that it was nearly institutionalized. Drawing extensively upon primary documents and fictional narratives, Betty Rizzo describes the socioeconomic conditions that forced women to take on or to become companions and examines a number of actual companionate relationships. Several factors fostered such relationships. Husbands and wives of the period lived largely separate social lives, yet decorum prohibited genteel women from attending engagements unaccompanied. Also, women of position insisted on having social consultants and confidantes. Filling this need were the many well-born young women without sufficient funds to live independently. Because family money and property were concentrated in the hands of eldest sons, these women frequently had to seek the protection of female benefactors for whom they performed unpaid, nonmenial tasks, such as providing a hand at cards or simply offering pleasant company. The companionate relationship between women could assume many forms, Rizzo notes. It was often analogous to marriage, with one partner dominant and the other subservient, while some women experimented in establishing partnerships that were truly egalitarian. Rizzo explores these various types of relationships both in real life and in fiction, noting that much of the period's discourse about women's relationships can be seen as a tacit commentary on marriage. Provocative and engagingly written, this authoritative work casts new light on women's attempts to deal with a patriarchal power structure and offers new insight into eighteenth-century social history.
Author: Betty Rizzo
Publisher: University of Georgia Press
ISBN: 0820332186
Category : History
Languages : en
Pages : 474
Get Book Here
Book Description
Companions Without Vows is the first detailed study of the companionate relationship among women in eighteenth-century England--a type of relationship so prevalent that it was nearly institutionalized. Drawing extensively upon primary documents and fictional narratives, Betty Rizzo describes the socioeconomic conditions that forced women to take on or to become companions and examines a number of actual companionate relationships. Several factors fostered such relationships. Husbands and wives of the period lived largely separate social lives, yet decorum prohibited genteel women from attending engagements unaccompanied. Also, women of position insisted on having social consultants and confidantes. Filling this need were the many well-born young women without sufficient funds to live independently. Because family money and property were concentrated in the hands of eldest sons, these women frequently had to seek the protection of female benefactors for whom they performed unpaid, nonmenial tasks, such as providing a hand at cards or simply offering pleasant company. The companionate relationship between women could assume many forms, Rizzo notes. It was often analogous to marriage, with one partner dominant and the other subservient, while some women experimented in establishing partnerships that were truly egalitarian. Rizzo explores these various types of relationships both in real life and in fiction, noting that much of the period's discourse about women's relationships can be seen as a tacit commentary on marriage. Provocative and engagingly written, this authoritative work casts new light on women's attempts to deal with a patriarchal power structure and offers new insight into eighteenth-century social history.
Author: Nicole Pohl
Publisher: Taylor & Francis
ISBN: 1040244149
Category : Literary Criticism
Languages : en
Pages : 495
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Book Description
Sarah Robinson Scott was a writer, translator and social reformer. While Scott’s legacy presents her as a committed Anglican philanthropist, the letters she wrote reveal her to have been a witty, even savage, commentator on eighteenth-century life.This is the first edition of Scott’s letters to be published and presents all extant copies.
Author: Jane Collier
Publisher: Broadview Press
ISBN: 1770484426
Category : Fiction
Languages : en
Pages : 219
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Book Description
Perhaps the first extended non-fiction prose satire written by an English woman, Jane Collier’s An Essay on the Art of Ingeniously Tormenting (1753) is a wickedly satirical send-up of eighteenth-century advice manuals and educational tracts. It takes the form of a mock advice manual in which the speaker instructs her readers in the arts of tormenting, offering advice on how to torment servants, humble companions and spouses, and on how to bring one’s children up to be a torment to others. The work’s satirical style, which focuses on the different kinds of power that individuals exercise over one another, follows in the footsteps of Jonathan Swift and paves the way for Jane Austen. This Broadview edition uses the first edition, the only edition published during the author’s lifetime. The appendices include excerpts from texts that influenced the essay (by Sarah Fielding, Jonathan Swift, Francis Coventry); excerpts from later texts that were influenced by it (by Maria Edgeworth, Frances Burney, Jane Austen); and relevant writings on education and conduct (by John Locke, George Savile, Dr. John Gregory).
Author: Nicole Pohl
Publisher: Taylor & Francis
ISBN: 104024937X
Category : Literary Criticism
Languages : en
Pages : 411
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Book Description
Sarah Robinson Scott was a writer, translator and social reformer. While Scott’s legacy presents her as a committed Anglican philanthropist, the letters she wrote reveal her to have been a witty, even savage, commentator on eighteenth-century life.This is the first edition of Scott’s letters to be published and presents all extant copies.
Author: Susannah Gibson
Publisher: W. W. Norton & Company
ISBN: 0393881393
Category : History
Languages : en
Pages : 232
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Book Description
A New York Times Book Review Editors' Choice An illuminating group portrait of the eighteenth-century women who dared to imagine an active life for themselves in both mind and spirit. In England in the 1700s, a woman who was an intellectual, spoke out, or wrote professionally was considered unnatural. After all, as the wisdom of the era dictated, a clever woman—if there were such a thing—would never make a good wife. But a circle of women called the Bluestockings did something extraordinary: coming together in glittering salons to discuss and debate as intellectual equals with men, they fought for women to be educated and to have a public role in society. In this intimate and revelatory history, Susannah Gibson delves into the lives of these pioneering women. Elizabeth Montagu established one of the most famous salons of the Bluestocking movement, with everyone from royalty to revolutionaries clamoring for an invitation to attend. Her younger sister, Sarah Scott, imagined a female-run society and created a women’s commune. Meanwhile, Hester Thrale, who also had a salon, saved her husband’s brewery from bankruptcy and, after being widowed, married a man she loved—Italian, Catholic, and not of her social class. Other women made a name for themselves through their publications, including Catharine Macaulay, author of an eight-volume history of England, and Frances Burney, author of the audacious novel Evelina. In elegant prose, Gibson reveals the close and complicated relationships between these women, how they supported and admired each other, and how they sometimes judged and exploited one another. Some rebelled quietly, while others defied propriety with adventurous and scandalous lives. With moving stories and keen insight, The Bluestockings uncovers how a group of remarkable women slowly built up an eviscerating critique of their male-dominated world that society was not yet ready to hear.
Author: Jane Collier
Publisher: OUP Oxford
ISBN: 0191604720
Category : Literary Collections
Languages : en
Pages : 399
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Book Description
'Now the sport begins!' An Essay on the Art of Ingeniously Tormenting is the first English book on the craft of nagging. A bitingly funny social satire, it is also an advice book, a handbook of anti-etiquette, and a comedy of manners. Collier describes methods for 'teasing and mortifying' one's intimates and acquaintances in a variety of social situations by taking advantage of their affections and goodwill. Written primarily for wives, mothers, and the mistresses of servants, The Art suggests the difficulties women experienced exerting their influence in private and public life - and the ways they got round them. In anatomizing the art of emotional abuse Collier piques readers into acknowledging their own faults, and persuades them that tormenting is a useful skill, even as she censures its effects. The Art provides a fascinating glimpse into eighteenth-century daily life, the treatment of servants and dependants and the bringing up of children, and is a thrilling precursor to the art of Jane Austen.
Author: Claudia T. Kairoff
Publisher: JHU Press
ISBN: 1421406632
Category : Literary Criticism
Languages : en
Pages : 502
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Book Description
A critical study of the prominent British poet’s work. Anna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff’s excellent critical study offers fresh readings of Anna Seward's most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward’s writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward's poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward’s work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward’s writing within a particular literary style, Kairoff argues that this allows readers to see in Seward's works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward’s writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward’s remarkable literary achievements among the most important of the late eighteenth century. “Professor Kairoff achieves her goal of providing “fresh readings, in a richer context,” which will go a long way toward reestablishing Seward’s importance. The book is a significant contribution to literary scholarship and will be widely read, cited, and admired.” —Paula R. Feldman “This lucid, stimulating study will challenge traditional notions not only of Seward but also of the interstice of Romanticism and late-century women authors.” —Choice “Kairoff effectively demonstrates the quality of Seward’s work, and articulates some of the ways in which a reappraisal of Seward might enrich our understanding of both eighteenth-century and Romantic-era literary cultures, and our conception of the writing practices of both male and female authors.” —Years Work in English Studies
Author: Eve Tavor Bannet
Publisher: Johns Hopkins University Press
ISBN: 9780801864162
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
Alongside the three revolutions we usually identify with the long eighteenth century—the French Revolution, the American Revolution, and the Glorious Revolution of 1688—Enlightenment ideology gave rise to a quieter but no less significant revolution which was largely the fruit of women's imagination and the result of women's work. In The Domestic Revolution, Eve Tavor Bannet explores how eighteenth-century women writers of novels, conduct books, and tracts addressed key social, political, and economic issues, revising public thinking about the family and refashioning women's sexual and domestic conduct. Bannet examines the works of women writers who fell into two distinct camps: "Matriarchs" such as Eliza Haywood, Maria Edgeworth, and Hannah More argued that women had a superiority of sense and virtue over men and needed to take control of the family. "Egalitarians" such as Fanny Burney, Mary Hays, and Mary Wollstonecraft sought to level hierarchies both in the family and in the state, believing that a family should be based on consensual relations between spouses and between parents and children. Bannet shows how Matriarch and Egalitarian writers, in their different ways, sought to raise women from their inferior standing relative to men in the household, in cultural representations, and in prescriptive social norms. Both groups promoted an idealized division of labor between women and men, later to be dubbed the doctrine of "separate spheres." The Domestic Revolution focuses on women's debates with each other and with male ideologues, alternating between discursive and fictional arguments to show how women translated their feminist positions into fictional exemplars. Bannet demonstrates which issues joined and separated different camps of eighteenth-century women, tracing the origins of debates that continue to shape contemporary feminist thought.
Author: Paul F. Rice
Publisher: Cambridge Scholars Publishing
ISBN: 1527590828
Category : Social Science
Languages : en
Pages : 208
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Book Description
This book highlights the experiences of castrato singers in Britain during the long eighteenth-century. These singers stood apart from traditional cultural and sexual norms of the period by nature of their altered bodies. The work investigates the fears surrounding the possibility of Catholic influence in the nation, and the ability of sensual Italian operatic music to feminize the male population and weaken the country’s leaders. The castrato as a possible romantic rival to “normal” men is also discussed, while the contributions of the castrati to cultural leadership in the areas of teaching, concert direction and social influence are examined. This book will appeal to music historians and those interested in cultural and gender studies.
Author: Charlotte Smith
Publisher: University Press of Kentucky
ISBN: 0813148235
Category : Fiction
Languages : en
Pages : 434
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Book Description
In The Young Philosopher, George Delmont embraces an agrarian life and devotes himself to the pursuit of knowledge. But it is George's love Medora Glenmorris and her mother Laura who provide the emotional core of the novel. Contrasting the pain and suffering of individuals with the idealism of the French Revolution and the hope provided by glimpses of life in America, Smith exposes philosophical enlightenment as an ineffective weapon for fighting the widespread corruption of English society. The early novels of Charlotte Smith (1749-1806) were precursors of the gothic tradition that came to dominate the Romantic period. Her later fiction, including The Young Philosopher (1798), were more political in nature and influenced both the form and substance of works by nineteenth-century novelists such as Austen and Dickens.
