Author: Ben Fowkes
Publisher: BRILL
ISBN: 9004515259
Category : Political Science
Languages : en
Pages : 504
Book Description
How did the revolutionary Left view cultural modernists? Their uneasy relationship is illustrated in this book with quotations ranging from Alexander’s ‘Dada is merely an impertinence’ through Trotsky’s ‘There cannot be a proletarian culture’ to Averbakh’s ‘Tear off the masks!’ and Becher’s ‘There can only be one kind of genuine art: fighting art.’
Communism and the Avant-Garde in Weimar Germany
Author: Ben Fowkes
Publisher: BRILL
ISBN: 9004515259
Category : Political Science
Languages : en
Pages : 504
Book Description
How did the revolutionary Left view cultural modernists? Their uneasy relationship is illustrated in this book with quotations ranging from Alexander’s ‘Dada is merely an impertinence’ through Trotsky’s ‘There cannot be a proletarian culture’ to Averbakh’s ‘Tear off the masks!’ and Becher’s ‘There can only be one kind of genuine art: fighting art.’
Publisher: BRILL
ISBN: 9004515259
Category : Political Science
Languages : en
Pages : 504
Book Description
How did the revolutionary Left view cultural modernists? Their uneasy relationship is illustrated in this book with quotations ranging from Alexander’s ‘Dada is merely an impertinence’ through Trotsky’s ‘There cannot be a proletarian culture’ to Averbakh’s ‘Tear off the masks!’ and Becher’s ‘There can only be one kind of genuine art: fighting art.’
Communism and the Avant-Garde in Weimar Germany
Author: Ben Fowkes
Publisher: Historical Materialism Book
ISBN: 9789004515246
Category : Political Science
Languages : en
Pages : 0
Book Description
How did the revolutionary Left view cultural modernists? Their uneasy relationship is illustrated in this book with quotations ranging from Alexander's 'Dada is merely an impertinence' through Trotsky's 'There cannot be a proletarian culture' to Averbakh's 'Tear off the masks!' and Becher's 'There can only be one kind of genuine art: fighting art.'
Publisher: Historical Materialism Book
ISBN: 9789004515246
Category : Political Science
Languages : en
Pages : 0
Book Description
How did the revolutionary Left view cultural modernists? Their uneasy relationship is illustrated in this book with quotations ranging from Alexander's 'Dada is merely an impertinence' through Trotsky's 'There cannot be a proletarian culture' to Averbakh's 'Tear off the masks!' and Becher's 'There can only be one kind of genuine art: fighting art.'
Weimar Communism as Mass Movement 1918-1933
Author: Norman Laporte
Publisher: Studies in Twentieth Century C
ISBN: 9781910448984
Category : History
Languages : en
Pages : 0
Book Description
25 years after the archives were opened in Berlin and Moscow, the German Communist Party is the subject of new studies. This book makes this scholarship available in English for the first time.
Publisher: Studies in Twentieth Century C
ISBN: 9781910448984
Category : History
Languages : en
Pages : 0
Book Description
25 years after the archives were opened in Berlin and Moscow, the German Communist Party is the subject of new studies. This book makes this scholarship available in English for the first time.
Weimar Radicals
Author: Timothy Scott Brown
Publisher: Berghahn Books
ISBN: 1845459083
Category : History
Languages : en
Pages : 226
Book Description
Exploring the gray zone of infiltration and subversion in which the Nazi and Communist parties sought to influence and undermine each other, this book offers a fresh perspective on the relationship between two defining ideologies of the twentieth century. The struggle between Fascism and Communism is situated within a broader conversation among right- and left-wing publicists, across the Youth Movement and in the “National Bolshevik” scene, thus revealing the existence of a discourse on revolutionary legitimacy fought according to a set of common assumptions about the qualities of the ideal revolutionary. Highlighting the importance of a masculine-militarist politics of youth revolt operative in both Marxist and anti-Marxist guises, Weimar Radicals forces us to re-think the fateful relationship between the two great ideological competitors of the Weimar Republic, while offering a challenging new interpretation of the distinctive radicalism of the interwar era.
Publisher: Berghahn Books
ISBN: 1845459083
Category : History
Languages : en
Pages : 226
Book Description
Exploring the gray zone of infiltration and subversion in which the Nazi and Communist parties sought to influence and undermine each other, this book offers a fresh perspective on the relationship between two defining ideologies of the twentieth century. The struggle between Fascism and Communism is situated within a broader conversation among right- and left-wing publicists, across the Youth Movement and in the “National Bolshevik” scene, thus revealing the existence of a discourse on revolutionary legitimacy fought according to a set of common assumptions about the qualities of the ideal revolutionary. Highlighting the importance of a masculine-militarist politics of youth revolt operative in both Marxist and anti-Marxist guises, Weimar Radicals forces us to re-think the fateful relationship between the two great ideological competitors of the Weimar Republic, while offering a challenging new interpretation of the distinctive radicalism of the interwar era.
Weimar Germany
Author: Eric D. Weitz
Publisher: Princeton University Press
ISBN: 0691183058
Category : History
Languages : en
Pages : 496
Book Description
"Weimar Centennial edition with a new preface by the author."--Title page.
Publisher: Princeton University Press
ISBN: 0691183058
Category : History
Languages : en
Pages : 496
Book Description
"Weimar Centennial edition with a new preface by the author."--Title page.
Travellers of the World Revolution
Author: Brigitte Studer
Publisher: Verso Books
ISBN: 1839768045
Category : History
Languages : en
Pages : 513
Book Description
Hope, Struggle and Defeat: The Communist International and the Global Fight for Freedom The Communist International was the first organised attempt to bring about worldwide revolution and left a lasting mark on 20th-century history. The book offers a new and fascinating account of this transnational organisation founded in 1919 by Lenin and Trotsky and dissolved by Stalin in 1943, telling the story through the eyes of the activists who became its “professional revolutionaries.” Studer follows such figures as Willi Münzenberg, Mikhail Borodin, M.N. Roy and Evelyn Trent, Tina Modotti, Agnes Smedley and many others less well-known as they are despatched to the successive political hotspots of the 1920s and ’30s, from revolutionary Berlin to Baku, from Shanghai to Spain, from Nazi Germany to Stalin’s Moscow. It traces their journeys from revolutionary hope to accommodation, defeat or death, looking at questions of motivation and commitment, agency and negotiation, of life and love, conflict and frustration. In doing so, it reveals a forgotten Comintern, the expression of a multi-dimensional revolutionary moment, which attracted not only working-class but feminist, anti-racist, anti-colonial and anti-imperialist activists, highlighting the role of women in the Comintern and the centrality of anti-colonialism to the Communist project. The book concludes with a reflection on the ultimate demise of a historically unique undertaking.
Publisher: Verso Books
ISBN: 1839768045
Category : History
Languages : en
Pages : 513
Book Description
Hope, Struggle and Defeat: The Communist International and the Global Fight for Freedom The Communist International was the first organised attempt to bring about worldwide revolution and left a lasting mark on 20th-century history. The book offers a new and fascinating account of this transnational organisation founded in 1919 by Lenin and Trotsky and dissolved by Stalin in 1943, telling the story through the eyes of the activists who became its “professional revolutionaries.” Studer follows such figures as Willi Münzenberg, Mikhail Borodin, M.N. Roy and Evelyn Trent, Tina Modotti, Agnes Smedley and many others less well-known as they are despatched to the successive political hotspots of the 1920s and ’30s, from revolutionary Berlin to Baku, from Shanghai to Spain, from Nazi Germany to Stalin’s Moscow. It traces their journeys from revolutionary hope to accommodation, defeat or death, looking at questions of motivation and commitment, agency and negotiation, of life and love, conflict and frustration. In doing so, it reveals a forgotten Comintern, the expression of a multi-dimensional revolutionary moment, which attracted not only working-class but feminist, anti-racist, anti-colonial and anti-imperialist activists, highlighting the role of women in the Comintern and the centrality of anti-colonialism to the Communist project. The book concludes with a reflection on the ultimate demise of a historically unique undertaking.
Between the Avant-garde and the Everyday
Author: Timothy Brown
Publisher: Berghahn Books
ISBN: 0857450794
Category : History
Languages : en
Pages : 307
Book Description
The wave of anti-authoritarian political activity associated with the term “1968” can by no means be confined under the rubric of “protest,” understood narrowly in terms of street marches and other reactions to state initiatives. Indeed, the actions generated in response to “1968” frequently involved attempts to elaborate resistance within the realm of culture generally, and in the arts in particular. This blurring of the boundary between art and politics was a characteristic development of the political activism of the postwar period. This volume brings together a group of essays concerned with the multifaceted link between culture and politics, highlighting lesser-known case studies and opening new perspectives on the development of anti-authoritarian politics in Europe from the 1950s to the fall of Communism and beyond.
Publisher: Berghahn Books
ISBN: 0857450794
Category : History
Languages : en
Pages : 307
Book Description
The wave of anti-authoritarian political activity associated with the term “1968” can by no means be confined under the rubric of “protest,” understood narrowly in terms of street marches and other reactions to state initiatives. Indeed, the actions generated in response to “1968” frequently involved attempts to elaborate resistance within the realm of culture generally, and in the arts in particular. This blurring of the boundary between art and politics was a characteristic development of the political activism of the postwar period. This volume brings together a group of essays concerned with the multifaceted link between culture and politics, highlighting lesser-known case studies and opening new perspectives on the development of anti-authoritarian politics in Europe from the 1950s to the fall of Communism and beyond.
Weimar
Author: Michael H. Kater
Publisher: Yale University Press
ISBN: 0300170564
Category : History
Languages : en
Pages : 497
Book Description
Historian Michael H. Kater chronicles the rise and fall of one of Germany’s most iconic cities in this fascinating and surprisingly provocative history of Weimar. Weimar was a center of the arts during the Enlightenment and hence the cradle of German culture in modern times. Goethe and Schiller made their reputations here, as did Franz Liszt and the young Richard Strauss. In the early twentieth century, the Bauhaus school was founded in Weimar. But from the 1880s on, the city also nurtured a powerful right-wing reactionary movement, and fifty years later, a repressive National Socialist regime dimmed Weimar’s creative lights, transforming the onetime artists’ utopia into the capital of its first Nazified province and constructing the Buchenwald death camp on its doorstep. Kater’s richly detailed volume offers the first complete history of Weimar in any language, from its meteoric eighteenth-century rise up from obscurity through its glory days of unbridled creative expression to its dark descent back into artistic insignificance under Nazi rule and, later, Soviet occupation and beyond.
Publisher: Yale University Press
ISBN: 0300170564
Category : History
Languages : en
Pages : 497
Book Description
Historian Michael H. Kater chronicles the rise and fall of one of Germany’s most iconic cities in this fascinating and surprisingly provocative history of Weimar. Weimar was a center of the arts during the Enlightenment and hence the cradle of German culture in modern times. Goethe and Schiller made their reputations here, as did Franz Liszt and the young Richard Strauss. In the early twentieth century, the Bauhaus school was founded in Weimar. But from the 1880s on, the city also nurtured a powerful right-wing reactionary movement, and fifty years later, a repressive National Socialist regime dimmed Weimar’s creative lights, transforming the onetime artists’ utopia into the capital of its first Nazified province and constructing the Buchenwald death camp on its doorstep. Kater’s richly detailed volume offers the first complete history of Weimar in any language, from its meteoric eighteenth-century rise up from obscurity through its glory days of unbridled creative expression to its dark descent back into artistic insignificance under Nazi rule and, later, Soviet occupation and beyond.
John Heartfield and the Agitated Image
Author: Andrés Mario Zervigón
Publisher: University of Chicago Press
ISBN: 0226981789
Category : Art
Languages : en
Pages : 330
Book Description
Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up mass media photos with his iconic scissors and then reassembled the fragments into compositions that utterly transformed the meaning of the originals. In John Heartfield and the Agitated Image, Andrés Mario Zervigón explores this crucial period in the life and work of a brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and imperial propaganda made him a de facto prosecutor of Germany’s visual culture. Zervigón charts the evolution of Heartfield’s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic. Appearing on everything from campaign posters to book covers, the photomonteur’s notorious pictures challenged well-worn assumption and correspondingly walked a dangerous tightrope over the political, social, and cultural cauldron that was interwar Germany. Zervigón explains how Heartfield’s engagement with montage arose from a broadly-shared dissatisfaction with photography’s capacity to represent the modern world. The result was likely the most important combination of avant-garde art and politics in the twentieth century. A rare look at Heartfield’s early and middle years as an artist and designer, this book provides a new understanding of photography’s role at this critical juncture in history.
Publisher: University of Chicago Press
ISBN: 0226981789
Category : Art
Languages : en
Pages : 330
Book Description
Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up mass media photos with his iconic scissors and then reassembled the fragments into compositions that utterly transformed the meaning of the originals. In John Heartfield and the Agitated Image, Andrés Mario Zervigón explores this crucial period in the life and work of a brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and imperial propaganda made him a de facto prosecutor of Germany’s visual culture. Zervigón charts the evolution of Heartfield’s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic. Appearing on everything from campaign posters to book covers, the photomonteur’s notorious pictures challenged well-worn assumption and correspondingly walked a dangerous tightrope over the political, social, and cultural cauldron that was interwar Germany. Zervigón explains how Heartfield’s engagement with montage arose from a broadly-shared dissatisfaction with photography’s capacity to represent the modern world. The result was likely the most important combination of avant-garde art and politics in the twentieth century. A rare look at Heartfield’s early and middle years as an artist and designer, this book provides a new understanding of photography’s role at this critical juncture in history.
Weimar Culture Revisited
Author: J. Williams
Publisher: Palgrave Macmillan
ISBN: 9781137347183
Category : History
Languages : en
Pages : 0
Book Description
Weimar Culture Revisited is the first book to offer an accessible cross-section of new cultural history approaches to the Weimar Republic. This collection uses an interdisciplinary approach and focuses on the everyday workings of Weimar culture to explain the impact and meaning of culture for German's everyday lives during this fateful era.
Publisher: Palgrave Macmillan
ISBN: 9781137347183
Category : History
Languages : en
Pages : 0
Book Description
Weimar Culture Revisited is the first book to offer an accessible cross-section of new cultural history approaches to the Weimar Republic. This collection uses an interdisciplinary approach and focuses on the everyday workings of Weimar culture to explain the impact and meaning of culture for German's everyday lives during this fateful era.