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Author: David J. Cowling
Publisher:
ISBN: 9789042924758
Category : Christianity
Languages : en
Pages : 0
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Book Description
This is the second of three volumes from the project 'Authority and Persuasion: the Role of Commonplaces in Western Europe (c.1450-c.1800)'. The project was launched by the universities of Copenhagen, Durham and Groningen and involved scholars from a range of disciplines who researched the use of commonplaces as a means of persuasion in the early modern world. Commonplaces as a technical term refers to the loci communes collected in late medieval and early modern commonplace books. In the project, however, the notion of commonplace was broadened to include means of persuasion in all kinds of texts as well as the visual arts, theatre, music and other media. This broader notion embraces metaphors, proverbs, figures, and expressions that enjoyed both a history of use in a given society or language community and a wide currency in that society. This is the second volume from the Commonplace Culture series. It analyses the use of commonplaces to bolster power, or sometimes to question it. The volume focuses on the seventeenth century. In the latter part of this period, the status and cognitive scope of the printed commonplace book declined; yet, a sthe essays in this volume demonstrate, the cognitive practices evidenced in commonplace books continued to enjoy good health. The 'commonplaces' analysed by contributors to this volume constitute cultural objects which gained persuasive potential from the exploitation of material bearing the authority of the past, yet they are not commonplaces stricto sensu. The essays in the volume examine not only written texts but also theatre, music, processions, ballets, and royal entries. In particular, the notion of the commonplace is taken into the visual domain, indicating that in the seventeenth century the visual was central to those diverse practices which sought to shore up God-given power through the pre-existing authority of commonplace material. The first volume concerns 'Reformation, Counter-Reformation and Revolt', and the third volume deals with 'Legitimation of Authority'.
Author: David J. Cowling
Publisher:
ISBN: 9789042924758
Category : Christianity
Languages : en
Pages : 0
Get Book Here
Book Description
This is the second of three volumes from the project 'Authority and Persuasion: the Role of Commonplaces in Western Europe (c.1450-c.1800)'. The project was launched by the universities of Copenhagen, Durham and Groningen and involved scholars from a range of disciplines who researched the use of commonplaces as a means of persuasion in the early modern world. Commonplaces as a technical term refers to the loci communes collected in late medieval and early modern commonplace books. In the project, however, the notion of commonplace was broadened to include means of persuasion in all kinds of texts as well as the visual arts, theatre, music and other media. This broader notion embraces metaphors, proverbs, figures, and expressions that enjoyed both a history of use in a given society or language community and a wide currency in that society. This is the second volume from the Commonplace Culture series. It analyses the use of commonplaces to bolster power, or sometimes to question it. The volume focuses on the seventeenth century. In the latter part of this period, the status and cognitive scope of the printed commonplace book declined; yet, a sthe essays in this volume demonstrate, the cognitive practices evidenced in commonplace books continued to enjoy good health. The 'commonplaces' analysed by contributors to this volume constitute cultural objects which gained persuasive potential from the exploitation of material bearing the authority of the past, yet they are not commonplaces stricto sensu. The essays in the volume examine not only written texts but also theatre, music, processions, ballets, and royal entries. In particular, the notion of the commonplace is taken into the visual domain, indicating that in the seventeenth century the visual was central to those diverse practices which sought to shore up God-given power through the pre-existing authority of commonplace material. The first volume concerns 'Reformation, Counter-Reformation and Revolt', and the third volume deals with 'Legitimation of Authority'.
Author:
Publisher:
ISBN:
Category : Church history
Languages : en
Pages :
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Book Description
Author: David J. Cowling
Publisher:
ISBN: 9789042924765
Category : Christianity
Languages : en
Pages : 0
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Book Description
This is the third of three volumes from the project 'Authority and Persuasion: the Role of Commonplaces in Western Europe (c.1450-c.1800)'. The project was launched by the universities of Copenhagen, Durham and Groningen and involved scholars from a range of disciplines who researched the use of commonplaces as a means of persuasion in the early modern world. Commonplace as a technical term refers to the loci communes collected in late medieval and early modern commonplace books. In the project, however, the notion of commonplace was broadened to include means of persuasion in all kinds of texts as well as the visual arts, theatre, music and other media. This broader notion embraces metaphors, proverbs, figures, and expressions that enjoyed both a history of use in a given society or language community and a wide currency in that society. This third volume, subtitled 'Legitimation of Authority', focuses on the eighteenth century, an era in which many new political groups appeared, challenging and confronting existing rulers and elites, who in turn were forced to find alternative ways of legitimating their authority. Although the traditional commonplace books went out of fashion, the ten contributions in this volume demonstrate that practices of quotation as well as persuasive uses of stock material did not disappear. As in the previous two volumes, the authors represented in the present one have studied the use of generalised commonplaces in different sources and genres and in various media, such as political rituals and symbols, news sources, reference books, literature and also theatre and music. The first volume concerns 'Reformation, Counter-Reformation and Revolt, and the second volume deals with 'Consolidation of God-given Power'.
Author: David J. Cowling
Publisher:
ISBN: 9789042924741
Category : Christianity
Languages : en
Pages : 0
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Book Description
This is the first of three volumes from the project 'Authority and Persuasion: the Role of Commonplaces in Western Europe (c.1450-c.1800)'. The project was launched by the universities of Copenhagen, Durham and Groningen and involved scholars from a range of disciplines who researched the use of commonplaces as a means of persuasion in the early modern world. Commonplace as a technical term refers to the loci communes collected in late medieval and early modern commonplace books. In the project, however, the notion of commonplace was broadened to include means of persuasion in all kinds of texts as well as the visual arts, theatre, music and other media. This broader notion embraces metaphors, proverbs, figures, and expressions that enjoyed both a history of use in a given society or language community and a wide currency in that society. This first volume, subtitles 'Reformation, Counter-Reformation and Revolt', focuses on the role of argument from commonplaces, whether linguistic, textual, visual, performative, or musical, during a period of rapid and far-reaching ideological and social change characterised by theological controversies and political turmoil. Progressing from a strict to a more flexible definition of the commonplace, the thirteen contributions to this volume explore the role of the commonplace in the early modern classroom, its place in contemporary polemic and controversy as well as its relationship with (disputed) authority, and trace its presence across a variety of media in the visual, theatrical, and spatial arts. The second volume concerns 'Consolidation of God-given Power', and the third volume deals with 'Legitimation of Authority'.
Author: J.R. Mulryne
Publisher: Routledge
ISBN: 1317178920
Category : History
Languages : en
Pages : 343
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Book Description
This fourth volume in the European Festival Studies, 1450–1700 series breaks with precedent in stemming from a joint conference (Venice, 2013) between the Society for European Festivals Research and the PALATIUM project supported by the European Science Foundation. The volume draws on up-to-date research by a Europe-wide group of academic scholars and museum and gallery curators to provide a unique, intellectually-stimulating and beautifully-illustrated account of temporary architecture created for festivals of the sixteenth and seventeenth centuries, together with permanent architecture pressed into service for festival occasions across major European locations including Italian, French, Austrian, Scottish and German. Appealing and vigorous in style, the essays look towards classical sources while evoking political and practical circumstances and intellectual concerns – from re-shaping and re-conceptualizing early sixteenth-century Rome, through providing for the well-being and political allegiance of Medici-era Florentines and exploring the teasing aesthetics of performance at Versailles to accommodating players and spectators in seventeenth-century Paris and at royal and ducal events for the Habsburg, French and English crowns. The volume is unique in its field in the diversity of its topics and the range of its scholarship and fascinating in its account of the intellectual and political life of Early Modern Europe.
Author: Craig Kallendorf
Publisher: Routledge
ISBN: 1000460908
Category : History
Languages : en
Pages : 220
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Book Description
The Virgilian Tradition II brings together thirteen essays by historian Craig Kallendorf. The essays present a distinctive approach to the reception of the canonical classical author Virgil, that is focused around the early printed books through which that author was read and interpreted within early modern culture. Using the prefaces, dedicatory letters, and commentaries that accompanied the early modern editions of Virgil’s Eclogues, Georgics, Aeneid, and Appendix Virgiliana, they demonstrate how this paratextual material was used by early readers to develop a more nuanced interpretation of Virgil’s writings than twentieth-century scholars believed they were capable of. The approach developed throughout this volume shows how the emerging field of book history can enrich our understanding of the reception of Greek and Latin authors. This book will appeal to scholars and students of early modern history, as well as those interested in book history and cultural history. (CS 1103).
Author: Veronica Strang
Publisher: Routledge
ISBN: 1317131614
Category : Science
Languages : en
Pages : 504
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Book Description
What is a lighthouse? What does it mean? What does it do? This book shows how exchanging knowledge across disciplinary boundaries can transform our thinking. Adopting an unconventional structure, this book involves the reader in a multivocal conversation between scholars, poets and artists. Seen through their individual perspectives, lighthouses appear as signals of safety, beacons of enlightenment, phallic territorial markers, and memorials of historical relationships with the sea. However, the interdisciplinary conversation also reveals underlying and sometimes unexpected connections. It elucidates the human and non-human evolutionary adaptations that use light for signalling and warning; the visual languages created by regularity and synchronicity in pulses of light; how lighthouses have generated a whole ‘family’ of related material objects and technologies; and the way that light flows between social and material worlds.
Author: Craig Kallendorf
Publisher:
ISBN: 0198727801
Category : History
Languages : en
Pages : 220
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Book Description
The Protean Virgil argues that when we try to understand how and why different readers have responded differently to the same text over time, we should take into account the physical form in which they read the text as well as the text itself. Using Virgil's poetry as a case study in book history, the volume shows that a succession of material forms - manuscript, printed book, illustrated edition, and computer file - undermines the drive toward textual and interpretive stability. This stability is the traditional goal of classical scholarship, which seeks to recover what Virgil wrote and how he intended it to be understood. The manuscript form served to embed Virgil's poetry into Christian culture, which attempted to anchor the content into a compatible theological truth. Readers of early printed material proceeded differently, breaking Virgil's text into memorable moral and stylistic fragments, and collecting those fragments into commonplace books. Furthermore, early illustrated editions present a progression of re-envisionings in which Virgil's poetry was situated within a succession of receiving cultures. In each case, however, the material form helped to generate a method of reading Virgil which worked with this form but which failed to survive the transition to a new union of the textual and the physical. This form-induced instability reaches its climax with computerization, which allows the reader new power to edit the text and to challenge the traditional association of Virgil's poetry with elite culture.
Author: Andreas Musolff
Publisher: Springer Nature
ISBN: 981158740X
Category : Language Arts & Disciplines
Languages : en
Pages : 211
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Book Description
This book presents the results of a large-scale experiment into interpretations of the metaphor “the Nation as a Body” among 1,800+ respondents from 30 linguistic and cultural backgrounds. In this first account of an empirical study of cross-cultural global metaphor interpretation of that scale, Musolff confirms that the meanings of metaphors are complex, culturally mediated and may differ for senders and recipients. The book provides a historical and cultural map of the traditions underlying differences in how the nation as a body – or, “the body politic” – is understood. Musolff challenges the hypotheses of the universality of “the nation” as a predominantly male-gendered and hierarchically organized concept and, in so doing, puts into question some of the key presuppositions of traditional historical and cognitive approaches to metaphor. For scholars and students of figurative language, the book lays out methodological foundations for cross-cultural metaphor comparison and reveals hidden meaning differences in political metaphor in English as lingua franca.
Author: Joop W. Koopmans
Publisher: BRILL
ISBN: 9004379320
Category : History
Languages : en
Pages : 379
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Book Description
During the seventeenth and eighteenth centuries, the Dutch Republic was one of the main centers of media in Europe. These media included newspapers, pamphlets, news digests, and engravings. Early Modern Media and the News in Europe brings together fifteen articles dealing with this early news industry in relation to politics and society, written by Joop W. Koopmans in recent decades. They demonstrate the important Dutch position within early modern news networks in Europe. Moreover, they address a variety of related themes, such as the supply of news during wars and disasters, the speed of early modern news reports, the layout of early newspapers and the news value of their advertisements, and censorship of books and news media.
