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Author: Christoph Henke
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110394979
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
While the popular talk of English common sense in the eighteenth century might seem a by-product of familiar Enlightenment discourses of rationalism and empiricism, this book argues that terms such as ‘common sense’ or ‘good sense’ are not simply synonyms of applied reason. On the contrary, the discourse of common sense is shaped by a defensive impulse against the totalizing intellectual regimes of the Enlightenment and the cultural climate of change they promote, in order to contain the unbounded discursive proliferation of modern learning. Hence, common sense discourse has a vital regulatory function in cultural negotiations of political and intellectual change in eighteenth-century Britain against the backdrop of patriotic national self-concepts. This study discusses early eighteenth-century common sense in four broad complexes, as to its discursive functions that are ethical (which at that time implies aesthetic as well), transgressive (as a corrective), political (in patriotic constructs of the nation), and repressive (of otherness). The selection of texts in this study strikes a balance between dominant literary culture – Swift, Pope, Defoe, Fielding, Johnson – and the periphery, such as pamphlets and magazine essays, satiric poems and patriotic songs.
Author: Christoph Henke
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110394979
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
While the popular talk of English common sense in the eighteenth century might seem a by-product of familiar Enlightenment discourses of rationalism and empiricism, this book argues that terms such as ‘common sense’ or ‘good sense’ are not simply synonyms of applied reason. On the contrary, the discourse of common sense is shaped by a defensive impulse against the totalizing intellectual regimes of the Enlightenment and the cultural climate of change they promote, in order to contain the unbounded discursive proliferation of modern learning. Hence, common sense discourse has a vital regulatory function in cultural negotiations of political and intellectual change in eighteenth-century Britain against the backdrop of patriotic national self-concepts. This study discusses early eighteenth-century common sense in four broad complexes, as to its discursive functions that are ethical (which at that time implies aesthetic as well), transgressive (as a corrective), political (in patriotic constructs of the nation), and repressive (of otherness). The selection of texts in this study strikes a balance between dominant literary culture – Swift, Pope, Defoe, Fielding, Johnson – and the periphery, such as pamphlets and magazine essays, satiric poems and patriotic songs.
Author: Melvyn New
Publisher: Rowman & Littlefield
ISBN: 1611495717
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
Sterne, Tristram, Yorick: Tercentenary Essays on Laurence Sterne derives from the Laurence Sterne Tercentenary Conference held at Royal Holloway, University of London, on July 8–11, 2013. It was attended by some eighty scholars from fourteen countries; the conference heard more than sixty papers. The organizers invited participants to submit revised versions of their contributions for this volume, and the thirteen selected exhibit, it is hoped, the defining features both of the conference and of Sterne studies at the beginning of the twenty-first century. It is worth remarking that the selected authors represent seven countries; that Sterne may well be the most internationally accepted of all eighteenth-century English authors is certainly a claim worthy of a sentimental traveler. This collection recognizes three faces of Sterne, beginning with several biographical essays examining, respectively, his celebrity status, family life, politics, and philosophy. The second face is that of Tristram, studied from vantage points provided by ethics, linguistics, gender studies, and comparative literature. The final group of essays examines the face of Yorick as the protagonist of A Sentimental Journey, beginning with an ethnographic study of relationships, moving through questions of identity, and concluding with the possible future of literary studies—a return to aesthetics.
Author: Slavko Kacunko
Publisher: Slavko Kacunko
ISBN: 3000692134
Category : Philosophy
Languages : en
Pages : 865
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Book Description
After Taste is an inquiry into a field of study dedicated to the reconsideration, reconstruction and rehabilitation of the concept of Taste. Taste is the category, whose systematic, historical and actual dimensions have traditionally been located in a variety of disciplines. The actuality and potential of the study is based on a variety of collected facts from readings and experiences, which materialize in the following features: One concept (figurative Taste), two thinking traditions (analytic and synthetic/continental) and three interrelated dimensions (systematic, historic and actual) are presented in three volumes. As such, the study presents a salient comprehensive companion for wider readership of humanities approaching conceptions of Taste for the first time. Moreover, After Taste is intended for anyone who hopes to make a further contribution to the subject. Since its appearance and apparently short triumph some 250 years ago, the concept of non-literary Taste remained the linchpin of aesthetic theory and practice, but also a category outreaching aesthetics. Taste as the personal unity of the production, theory and criticism of art and literature, which was still largely taken as a given in the eighteenth century, has meanwhile given way to a highly-differentiated art world, in which aesthetic discourse is placed in such a way that it can seemingly no longer have a conceptual or linguistic effect on general opinion making. The critical role of “Taste judges”, ratings and rankings in the feuilleton, politics and social media on the one hand and the responding search for new canons on the other have had a huge impact on the academic and popular discourse today. However, Taste’s impact on society is in fact all-encompassing and yet, without getting even close to the “magnetic North” of the academic compass. After Taste fills the gaps of systematic research by a comprehensive tracing of the emergence of the doctrines, discourses and disciplinary dimensions of Taste up to the peak of its systematic and historical trajectory in the eighteenth century and onwards into the present day. The guiding goal is a post-disciplinary rehabilitation of the contested category as a preparation for its productive usage in emerging academic and popular contexts. Three intertwined research hypotheses form the guiding goal of an overall study of the agencies of Taste, its institutionalizations and expert cultures: The (1) first part provides a missing systematic perspective on the concept of Taste as a key factor for understanding the human faculties, value theories and practices of valuating. The (2) second part traces the events at the peak of Taste’s systematic and historical trajectories up until the late eighteenth century and verifies the historiographical hypothesis about the instrumentality of Taste for the production, reception and distribution of culture. The (3) third part reconstructs the major moments in which the contested concept of Taste experiences its post-disciplinary rehabilitation, in preparation for its future productive usage in the academic and popular discourses and practices. It shows how the category of Taste became the foundation, legitimation and the catalyst for the emerging division of labour, faculties and disciplines, confirming the hypothesis of the immense impact and actuality of Taste in the contemporary world.
Author: A.D. Cousins
Publisher: Taylor & Francis
ISBN: 1000831388
Category : Literary Criticism
Languages : en
Pages : 171
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Book Description
This volume is the first to discuss the canon of Pope’s verse in relation to Early British Enlightenment thinking about mythology and mythography. Pope did not merely use classical (along with non-classical) mythology in his verse as a traditional, richly diverse medium through which to represent the diversity of private and civic life in his day, but he was an ambitious translator as well as refashioner of myth. It is a medium that he shapes anew and variously across all his major poems. This volume enhances appreciation of myth as a mode of apprehension as well as expression throughout Pope’s verse. In doing so it illuminates how, in early eighteenth-century Britain, understandings of what myth is and what it does were taking new directions – not least in response to Baconian thought and its legacy.
Author: Jonathan McCreedy
Publisher: Cambridge Scholars Publishing
ISBN: 1527546144
Category : Language Arts & Disciplines
Languages : en
Pages : 272
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Book Description
This book addresses key problems regarding Swiftian thought and satire, analyzing the inspirational cultural legacy which generations of writers, thinkers, and satirists have recurrently relied upon since the Enlightenment. Section One deals with the eighteenth century and the topics of truth, falsehood and madness. Section Two focuses on two film adaptations of Gulliver’s Travels as well as on allusions to Swiftian satire during the US Enlightenment and in post-racial America. Section Three looks at the politics of language, politeness, and satire within translation, and Section Four dwells upon the process of reading Swift in the age of post-truth and Brexit. It will be of interest to students and scholars of eighteenth-century literature and culture, modern-day politics as well as to those interested in satire, science fiction, and film adaptations of literary works.
Author: Nicholas Gayle
Publisher: Cambridge Scholars Publishing
ISBN: 1443898279
Category : Poetry
Languages : en
Pages : 323
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Book Description
Byron was a man of many passions, always fiercely held and defended, but his intense devotion to the poetry of Alexander Pope seemed to characterise a man standing a little to the left of the Romantic universe. While Pope largely left a taste of dust in the mouths of the Romantics, Byron continued to defend the “little Queen Anne’s man” in letters and in print as if he were arguing for the reputation of a lover; so much so that we are left to wonder, what kind of impression did the greatest poet of the eighteenth century leave upon the work of the seminal poet of the nineteenth? How far and in what way did Byron’s adoration of Pope imprint itself upon his own poetry in conscious and unconscious echoes, in parallels of thought and expression, in the unexpected, unlooked-for congruence? This book identifies and lays out the most significant strands of that influence, following them wherever they lead. Through exploring both poets’ satirical portraits of men and women, their expression of love and forbidden passion, their various poetic techniques, the influence of the Roman poet Horace, and the dual resonance of Eden and paradise in their work, a picture emerges of Pope touching the deepest recesses of Byron’s poetic thought. Amongst the particular themes discussed here are the presence of women in the lives and poetry of both men, the disentangling of the sense of alienation and exile exhibited in their authorial psyches, the significance of the doppelgänger for their satire, and a weighing of the deep contrapuntal nature of Byron’s thought, contrasting it with Pope’s. Byron and the Best of Poets is the first major study of its kind to explore these multiple aspects and to unpack them in the work of both poets.
Author: Gavin Budge
Publisher: Associated University Presse
ISBN: 9780838757123
Category : Literary Collections
Languages : en
Pages : 214
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Book Description
"Romantic Empiricism is a collection of essays by established and emerging scholars, which represents a paradigm shift for the study of British Romanticism. The volume challenges the received view that German Idealist philosophy constitutes the main intellectual reference point for British Romantic writers, arguing instead that the tradition of Scottish Common Sense philosophy, largely overlooked by literary scholars, is a significant influence on Romantic thought. The essays in the collection examine a variety of canonical and non-canonical Romantic authors in the light of this fresh interpretative context, ranging from Charlotte Smith and Elizabeth Hamilton to Robert Burns and S. T. Coleridge. The volume is prefaced by a substantial theoretical introduction, which sets out the historical and interpretative case for the relevance of Common Sense philosophy for the study of British Romanticism."--BOOK JACKET.
Author: Thomas Paine
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Book Description
Author: Massimo Leone
Publisher: Routledge
ISBN: 0429866216
Category : Social Science
Languages : en
Pages : 276
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Book Description
Focusing on the anthropological consequences of the disappearing of materiality and sensory embodiment, On Insignificance highlights some of the most perturbing patterns of insignificance that have seeped into our everyday lives. Seeking to explain the semiotic causes of feelings of meaninglessness, Leone posits that caring for the singularities of the world is the most viable way to resist the alienating effects of the digital bureaucratization of meaning. The book will be of interest to scholars of anthropology, cultural studies, semiotics, aesthetics, communication studies, and social theory.
Author: Robert DeMaria, Jr.
Publisher: John Wiley & Sons
ISBN: 1118732421
Category : Literary Criticism
Languages : en
Pages : 407
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Book Description
"A Companion to British Literature is a comprehensive guide to British literature and the contexts and ideas that have shaped and transformed it over the past 13 centuries. Its four volumes cover literature from all periods and places in Britain and demonstrate the wide variety of approaches to studying the subject"--Provided by publisher
