Author: Ryan W. McMaken
Publisher: Ludwig von Mises Institute
ISBN:
Category : History
Languages : en
Pages : 134
Book Description
The Western genre has long been associated with right-wing and libertarian politics, and is said to promote individualism and free-market economics. In a new look at the Western, however, Ryan McMaken shows that the Western is in fact often anti-capitalist, and in many ways, the genre attacks the dominant ideology of nineteenth-century America: classical liberalism. The classical Westerns of the mid-twentieth century often feature wealthy capitalist villains who oppress the cowardly and defenseless shopkeepers and farmers of the frontier. The gunfighter, a representative of the law and order provided by the nation-state, intervenes to provide safety and justice. In addition to attacks on capitalism, the Western attacks other prized values of the bourgeois middle classes including Christianity, education and urbanization. McMaken examines these themes as used in the films of John Ford, Anthony Mann, and Howard Hawks. These pioneers of the classical Westerns are then contrasted with later innovators such as Sergio Leone, Sam Peckinpah, and Clint Eastwood. Also included are discussions of the role of the LITTLE HOUSE ON THE PRAIRIE series, Victorian literature, and the nature of crime on the historical frontier. With a foreword by Paul A. Cantor, author of GILLIGAN UNBOUND and THE INVISIBLE HAND IN POPULAR CULTURE.
Commie Cowboys
Author: Ryan W. McMaken
Publisher: Ludwig von Mises Institute
ISBN:
Category : History
Languages : en
Pages : 134
Book Description
The Western genre has long been associated with right-wing and libertarian politics, and is said to promote individualism and free-market economics. In a new look at the Western, however, Ryan McMaken shows that the Western is in fact often anti-capitalist, and in many ways, the genre attacks the dominant ideology of nineteenth-century America: classical liberalism. The classical Westerns of the mid-twentieth century often feature wealthy capitalist villains who oppress the cowardly and defenseless shopkeepers and farmers of the frontier. The gunfighter, a representative of the law and order provided by the nation-state, intervenes to provide safety and justice. In addition to attacks on capitalism, the Western attacks other prized values of the bourgeois middle classes including Christianity, education and urbanization. McMaken examines these themes as used in the films of John Ford, Anthony Mann, and Howard Hawks. These pioneers of the classical Westerns are then contrasted with later innovators such as Sergio Leone, Sam Peckinpah, and Clint Eastwood. Also included are discussions of the role of the LITTLE HOUSE ON THE PRAIRIE series, Victorian literature, and the nature of crime on the historical frontier. With a foreword by Paul A. Cantor, author of GILLIGAN UNBOUND and THE INVISIBLE HAND IN POPULAR CULTURE.
Publisher: Ludwig von Mises Institute
ISBN:
Category : History
Languages : en
Pages : 134
Book Description
The Western genre has long been associated with right-wing and libertarian politics, and is said to promote individualism and free-market economics. In a new look at the Western, however, Ryan McMaken shows that the Western is in fact often anti-capitalist, and in many ways, the genre attacks the dominant ideology of nineteenth-century America: classical liberalism. The classical Westerns of the mid-twentieth century often feature wealthy capitalist villains who oppress the cowardly and defenseless shopkeepers and farmers of the frontier. The gunfighter, a representative of the law and order provided by the nation-state, intervenes to provide safety and justice. In addition to attacks on capitalism, the Western attacks other prized values of the bourgeois middle classes including Christianity, education and urbanization. McMaken examines these themes as used in the films of John Ford, Anthony Mann, and Howard Hawks. These pioneers of the classical Westerns are then contrasted with later innovators such as Sergio Leone, Sam Peckinpah, and Clint Eastwood. Also included are discussions of the role of the LITTLE HOUSE ON THE PRAIRIE series, Victorian literature, and the nature of crime on the historical frontier. With a foreword by Paul A. Cantor, author of GILLIGAN UNBOUND and THE INVISIBLE HAND IN POPULAR CULTURE.
Commies, Cowboys, and Jungle Queens
Author: William W. Savage
Publisher: Wesleyan University Press
ISBN: 9780819563385
Category : Antiques & Collectibles
Languages : en
Pages : 172
Book Description
in the confusing decade following World War II, comic books were all the rage. They treated such issues as the atomic and hydrogen bombs, communism, and the Korean War, and they offered heroes and heroines to deal with these problems. Using five representative cartoon stories, historian William Savage looks at the immense popularity of comic books and their impact on the American public. Cartoons.
Publisher: Wesleyan University Press
ISBN: 9780819563385
Category : Antiques & Collectibles
Languages : en
Pages : 172
Book Description
in the confusing decade following World War II, comic books were all the rage. They treated such issues as the atomic and hydrogen bombs, communism, and the Korean War, and they offered heroes and heroines to deal with these problems. Using five representative cartoon stories, historian William Savage looks at the immense popularity of comic books and their impact on the American public. Cartoons.
International Westerns
Author: Cynthia J. Miller
Publisher: Scarecrow Press
ISBN: 081089288X
Category : Performing Arts
Languages : en
Pages : 477
Book Description
The Western tradition, with its well-worn tropes, readily identifiable characters, iconic landscapes, and evocative soundtracks, is not limited to the United States. Western, or Western-inspired films have played a part in the output of numerous national film traditions, including Asia, Central and Eastern Europe, and Latin America. In International Westerns: Re-Locating the Frontier, Cynthia J. Miller and A. Bowdoin Van Riper have assembled a collection of essays that explore the significance and meanings of these films, their roots in other media, and their reception in the national industries which gave them form. Among the questions that the volume seeks to answer are: What do Westerns not made in the U.S. reveal? In what ways do they challenge or support the idea of national literatures and cinemas? How do these films negotiate nation, narrative, and genre? Divided into five sections, the twenty essays in this volume look at films from a wide range of national cinemas, such as France (The Adventures of Lucky Luke), Germany (Der Schuh des Maitu), Brazil (O Cangaceiro), Eastern Europe (Lemonade Joe), and of course, Asia (Sukiyaki Western Django). Featuring contributions from a diverse group of international scholars—often writing about Westerns adapted to their own national traditions—these essays address such matters as competing national film traditions, various forms of satire and comedy based on the Western tradition, the range of cultural adaptations of the traditional Western hero, the ties between the nation-state and the outlaw, and Westerns in a variety of unanticipated guises. Representing a broader look at global Westerns than any other single volume to date—and featuring more than 70 illustrations—International Westerns will be of interest to scholars of film, popular culture, and cultural history.
Publisher: Scarecrow Press
ISBN: 081089288X
Category : Performing Arts
Languages : en
Pages : 477
Book Description
The Western tradition, with its well-worn tropes, readily identifiable characters, iconic landscapes, and evocative soundtracks, is not limited to the United States. Western, or Western-inspired films have played a part in the output of numerous national film traditions, including Asia, Central and Eastern Europe, and Latin America. In International Westerns: Re-Locating the Frontier, Cynthia J. Miller and A. Bowdoin Van Riper have assembled a collection of essays that explore the significance and meanings of these films, their roots in other media, and their reception in the national industries which gave them form. Among the questions that the volume seeks to answer are: What do Westerns not made in the U.S. reveal? In what ways do they challenge or support the idea of national literatures and cinemas? How do these films negotiate nation, narrative, and genre? Divided into five sections, the twenty essays in this volume look at films from a wide range of national cinemas, such as France (The Adventures of Lucky Luke), Germany (Der Schuh des Maitu), Brazil (O Cangaceiro), Eastern Europe (Lemonade Joe), and of course, Asia (Sukiyaki Western Django). Featuring contributions from a diverse group of international scholars—often writing about Westerns adapted to their own national traditions—these essays address such matters as competing national film traditions, various forms of satire and comedy based on the Western tradition, the range of cultural adaptations of the traditional Western hero, the ties between the nation-state and the outlaw, and Westerns in a variety of unanticipated guises. Representing a broader look at global Westerns than any other single volume to date—and featuring more than 70 illustrations—International Westerns will be of interest to scholars of film, popular culture, and cultural history.
Radical Frontiers in the Spaghetti Western
Author: Austin Fisher
Publisher: Bloomsbury Publishing
ISBN: 0857737708
Category : Performing Arts
Languages : en
Pages : 305
Book Description
Ever more popular in the age of DVDs, eBay and online fandom, the Spaghetti Westerns of the 1960s have undergone a mainstream renaissance which has nevertheless left their intimate relationship to the troubled politics of 1960s Italy unexamined. Radical Frontiers reappraises the genre in relation to the revolutionary New Left and the events of 1968 to uncover the complexities of a cinematic milieu too often dismissed as formulaic and homogeneous. Establishing the backdrop of post-war Italy in which the Roman studio system actively blended Italian and American culture, Austin Fisher looks in detail at the works of Damiano Damiani, Sergio Sollima, Sergio Corbucci, Giulio Questi and Giulio Petroni and how these directors reformatted the Hollywood Western to yield new resonance for militant constituencies and radical groups. Radical Frontiers identifies the main variants of these militant Westerns, which brazenly endorsed violent peasant insurrection in the 'Mexico' of the popular imagination, turning the camera on the hitherto heroic colonialists of the West and exposing the brutal mechanisms of a society infested with latent fascism. The ways in which the films' artistic failures reflect the ideological confusions of the radical groups is examined and the genre's legacy is reappraised, as the revolutionary energy of Italy's New Left becomes subsumed amidst the conflicting agendas of New Hollywood, blaxploitation and the 'grindhouse' revival of Tarantino, Rodriguez and Raimi. Reclaiming the Spaghetti Western from the domain of the merely cool and repositioning it within the spectrum of late-1960s radical cinema, Radical Frontiers analyses the genre's narrative and cinematographic inscriptions in their political context to uncover Far Left doctrines in these tales of outlaws and sheriffs, banditry and redemptive violence.
Publisher: Bloomsbury Publishing
ISBN: 0857737708
Category : Performing Arts
Languages : en
Pages : 305
Book Description
Ever more popular in the age of DVDs, eBay and online fandom, the Spaghetti Westerns of the 1960s have undergone a mainstream renaissance which has nevertheless left their intimate relationship to the troubled politics of 1960s Italy unexamined. Radical Frontiers reappraises the genre in relation to the revolutionary New Left and the events of 1968 to uncover the complexities of a cinematic milieu too often dismissed as formulaic and homogeneous. Establishing the backdrop of post-war Italy in which the Roman studio system actively blended Italian and American culture, Austin Fisher looks in detail at the works of Damiano Damiani, Sergio Sollima, Sergio Corbucci, Giulio Questi and Giulio Petroni and how these directors reformatted the Hollywood Western to yield new resonance for militant constituencies and radical groups. Radical Frontiers identifies the main variants of these militant Westerns, which brazenly endorsed violent peasant insurrection in the 'Mexico' of the popular imagination, turning the camera on the hitherto heroic colonialists of the West and exposing the brutal mechanisms of a society infested with latent fascism. The ways in which the films' artistic failures reflect the ideological confusions of the radical groups is examined and the genre's legacy is reappraised, as the revolutionary energy of Italy's New Left becomes subsumed amidst the conflicting agendas of New Hollywood, blaxploitation and the 'grindhouse' revival of Tarantino, Rodriguez and Raimi. Reclaiming the Spaghetti Western from the domain of the merely cool and repositioning it within the spectrum of late-1960s radical cinema, Radical Frontiers analyses the genre's narrative and cinematographic inscriptions in their political context to uncover Far Left doctrines in these tales of outlaws and sheriffs, banditry and redemptive violence.
Black Jesus
Author: Simone Felice
Publisher: ReadHowYouWant.com
ISBN: 1459624815
Category : Fiction
Languages : en
Pages : 174
Book Description
The story of a young American war veteran returned to his hometown after being blinded in Iraq by a homemade bomb and the unexpected love he finds with a mysterious dancer who is fleeing darkness and violence of a different kind. An astonishing debut novel from one of the music world's rising stars.
Publisher: ReadHowYouWant.com
ISBN: 1459624815
Category : Fiction
Languages : en
Pages : 174
Book Description
The story of a young American war veteran returned to his hometown after being blinded in Iraq by a homemade bomb and the unexpected love he finds with a mysterious dancer who is fleeing darkness and violence of a different kind. An astonishing debut novel from one of the music world's rising stars.
Commie Pinko
Author: Janet Nichols Lynch
Publisher: iUniverse
ISBN: 1532017790
Category : Young Adult Fiction
Languages : en
Pages : 157
Book Description
Its 1958, the Cold War is on, and McCarthyism causes ordinary citizens to be suspected of treason. In Berkeley, California, fourteen-year-old Donna is happily organizing the Ritchie Valens fan club, when her father, a physics professor at the University of California, comes under investigation by the FBI. Her rebellious older sister, Alice, joins a group of beatniks before she is mysteriously whisked away from the family. Meanwhile, the sisters mother suffers a nervous breakdown and must be hospitalized. It is up to Donna to find Alice and to defend her father when he faces possible arrest. On May 13, 1960, at the San Francisco House Un-American Activities Committee hearing, Donna is caught between angry demonstrators and militant police in a dangerous conflict that ignites a decade of protest. Praise for Janet Nichols Lynch My Beautiful Hippie With realism, humor and honesty, [Lynch] describes . . . psychedelic drugs, feminism, anti-war demonstrations and profound political upheaval.? Kirkus Reviews Messed Up An ALA Quick Pick for Reluctant Young Adult Readers and VOYA Top of the Top Shelf Fiction for Middle School Readers Sad, moving, and profound. Jeffrey Kaplan, The Assembly on Literature for Adolescents, ALAN Picks Racing California, A Society of School Librarians International Honor Book. This uncommon sports novel will find bike racing some new fans. Booklist Peace is a Four-Letter Word Characters are drawn with real complexity . . . reflects honest debate. Booklist Addicted to Her Fast paced and thought-provoking . . . a powerful account of a consuming teenage relationship. Publishers Weekly
Publisher: iUniverse
ISBN: 1532017790
Category : Young Adult Fiction
Languages : en
Pages : 157
Book Description
Its 1958, the Cold War is on, and McCarthyism causes ordinary citizens to be suspected of treason. In Berkeley, California, fourteen-year-old Donna is happily organizing the Ritchie Valens fan club, when her father, a physics professor at the University of California, comes under investigation by the FBI. Her rebellious older sister, Alice, joins a group of beatniks before she is mysteriously whisked away from the family. Meanwhile, the sisters mother suffers a nervous breakdown and must be hospitalized. It is up to Donna to find Alice and to defend her father when he faces possible arrest. On May 13, 1960, at the San Francisco House Un-American Activities Committee hearing, Donna is caught between angry demonstrators and militant police in a dangerous conflict that ignites a decade of protest. Praise for Janet Nichols Lynch My Beautiful Hippie With realism, humor and honesty, [Lynch] describes . . . psychedelic drugs, feminism, anti-war demonstrations and profound political upheaval.? Kirkus Reviews Messed Up An ALA Quick Pick for Reluctant Young Adult Readers and VOYA Top of the Top Shelf Fiction for Middle School Readers Sad, moving, and profound. Jeffrey Kaplan, The Assembly on Literature for Adolescents, ALAN Picks Racing California, A Society of School Librarians International Honor Book. This uncommon sports novel will find bike racing some new fans. Booklist Peace is a Four-Letter Word Characters are drawn with real complexity . . . reflects honest debate. Booklist Addicted to Her Fast paced and thought-provoking . . . a powerful account of a consuming teenage relationship. Publishers Weekly
Cola Cowboys
Author: Franklyn Wood
Publisher: Fox Chapel Publishing
ISBN: 1908397845
Category : Transportation
Languages : en
Pages : 293
Book Description
This vivid account tells the story of the truckers who were driving from the UK to the Middle East in the early 1980s. The journey was rough, tough, exhausting, dirty, uncomfortable and dangerous. Journalist Franklyn Wood reports that 'in the course of the one trip we are following, seven Britons died in accidents.' Among the physical hazards were icy mountain hairpins, unmade roads and desert sandstorms. Human hazards included Kamikaze coach drivers, robbers, mind-numbingly slow border controls, rogue police and the temptations of the drivers' favourite watering holes. The route led from Europe, through Turkey, Iraq (during its war with Iran) and on to the wealth and culture shock of Saudi Arabia. The cargoes were often worth a million pounds. Delivering them and returning home for the next load - this was the Olympics of truck driving. "Cola Cowboys" was originally published in 1982 when it proved extremely popular. It has been out of print for many years and has been reprinted by popular demand.
Publisher: Fox Chapel Publishing
ISBN: 1908397845
Category : Transportation
Languages : en
Pages : 293
Book Description
This vivid account tells the story of the truckers who were driving from the UK to the Middle East in the early 1980s. The journey was rough, tough, exhausting, dirty, uncomfortable and dangerous. Journalist Franklyn Wood reports that 'in the course of the one trip we are following, seven Britons died in accidents.' Among the physical hazards were icy mountain hairpins, unmade roads and desert sandstorms. Human hazards included Kamikaze coach drivers, robbers, mind-numbingly slow border controls, rogue police and the temptations of the drivers' favourite watering holes. The route led from Europe, through Turkey, Iraq (during its war with Iran) and on to the wealth and culture shock of Saudi Arabia. The cargoes were often worth a million pounds. Delivering them and returning home for the next load - this was the Olympics of truck driving. "Cola Cowboys" was originally published in 1982 when it proved extremely popular. It has been out of print for many years and has been reprinted by popular demand.
Libertarian Autobiographies
Author: Jo Ann Cavallo
Publisher: Springer Nature
ISBN: 3031296087
Category : Political Science
Languages : en
Pages : 518
Book Description
Influential libertarians from diverse backgrounds and professions who have worked toward a freer society across the globe share their personal and intellectual journeys, including what their lives and thoughts were before they embraced libertarianism; which people, texts, or events most inspired them; what experiences, challenges, tribulations, and achievements they have had as participants or leaders in this movement, and how this philosophy has affected their private and professional lives. The volume’s 80 contributors span the political-philosophical spectrum of libertarianism, including anarcho-capitalists, minarchists, constitutionalists, classical liberals, and thick libertarians. Their essays express different perspectives on many issues even while articulating such core principles as an appreciation for individual liberty, private property rights, the rule of law, and free enterprise. Together, they represent myriad individual journeys toward libertarianism, however defined. By bringing together a range of contemporary voices from outside the dominant left-right paradigm, this book aims to contribute to the viewpoint diversity that is crucially needed in today’s public discourse. These autobiographies not only offer compelling insights into their individual authors and the state of the world today, but may also inspire the next generation to make our society a freer one.
Publisher: Springer Nature
ISBN: 3031296087
Category : Political Science
Languages : en
Pages : 518
Book Description
Influential libertarians from diverse backgrounds and professions who have worked toward a freer society across the globe share their personal and intellectual journeys, including what their lives and thoughts were before they embraced libertarianism; which people, texts, or events most inspired them; what experiences, challenges, tribulations, and achievements they have had as participants or leaders in this movement, and how this philosophy has affected their private and professional lives. The volume’s 80 contributors span the political-philosophical spectrum of libertarianism, including anarcho-capitalists, minarchists, constitutionalists, classical liberals, and thick libertarians. Their essays express different perspectives on many issues even while articulating such core principles as an appreciation for individual liberty, private property rights, the rule of law, and free enterprise. Together, they represent myriad individual journeys toward libertarianism, however defined. By bringing together a range of contemporary voices from outside the dominant left-right paradigm, this book aims to contribute to the viewpoint diversity that is crucially needed in today’s public discourse. These autobiographies not only offer compelling insights into their individual authors and the state of the world today, but may also inspire the next generation to make our society a freer one.
Cowboys and Catalans
Author: Charles Sizemore
Publisher: iUniverse
ISBN: 0595377165
Category : Europe
Languages : en
Pages : 259
Book Description
By the time the train pulled into Edinburgh, it was well past sunset. I left the train station and walked down the Royal Mile with my pack on my back en route to my hostel. As I stopped at an intersection to make sense of my map, a limousine pulled up next to me. The back window rolled down revealing an attractive blonde of about thirty wearing a black party dress and holding a thin champagne flute. "I love your rucksack, darling," she called out in a posh English accent. "Very rugged. Grrr!" Halfway through his twenties and desperate for excitement in his life, Charles Sizemore leaves Texas for London. Though studying is his stated purpose, the cafés, pubs, and European women quickly prove to be a welcome distraction. Join Sizemore as he discovers his roots in Wales, enjoys a bottle of Jack Daniels with a Swiss lawyer, and sleeps on a Pamplona park bench - all in a pair of well-worn cowboy boots.
Publisher: iUniverse
ISBN: 0595377165
Category : Europe
Languages : en
Pages : 259
Book Description
By the time the train pulled into Edinburgh, it was well past sunset. I left the train station and walked down the Royal Mile with my pack on my back en route to my hostel. As I stopped at an intersection to make sense of my map, a limousine pulled up next to me. The back window rolled down revealing an attractive blonde of about thirty wearing a black party dress and holding a thin champagne flute. "I love your rucksack, darling," she called out in a posh English accent. "Very rugged. Grrr!" Halfway through his twenties and desperate for excitement in his life, Charles Sizemore leaves Texas for London. Though studying is his stated purpose, the cafés, pubs, and European women quickly prove to be a welcome distraction. Join Sizemore as he discovers his roots in Wales, enjoys a bottle of Jack Daniels with a Swiss lawyer, and sleeps on a Pamplona park bench - all in a pair of well-worn cowboy boots.
The Paper Cowboy
Author: Kristin Levine
Publisher: Penguin
ISBN: 0142427152
Category : Juvenile Fiction
Languages : en
Pages : 372
Book Description
The newest powerful work of historical fiction from award-winning author of THE LIONS OF LITTLE ROCK Kristin Levine. Though he thinks of himself as a cowboy, Tommy is really a bully. He's always playing cruel jokes on classmates or stealing from the store. But Tommy has a reason: life at home is tough. His abusive mother isn't well; in fact, she may be mentally ill, and his sister, Mary Lou, is in the hospital badly burned from doing a chore it was really Tommy's turn to do. To make amends, Tommy takes over Mary Lou's paper route. But the paper route also becomes the perfect way for Tommy to investigate his neighbors after stumbling across a copy of The Daily Worker, a communist newspaper. Tommy is shocked to learn that one of his neighbors could be a communist, and soon fear of a communist in this tight-knit community takes hold of everyone when Tommy uses the paper to frame a storeowner, Mr. McKenzie. As Mr. McKenzie's business slowly falls apart and Mary Lou doesn't seem to get any better, Tommy's mother's abuse gets worse causing Tommy's bullying to spiral out of control.
Publisher: Penguin
ISBN: 0142427152
Category : Juvenile Fiction
Languages : en
Pages : 372
Book Description
The newest powerful work of historical fiction from award-winning author of THE LIONS OF LITTLE ROCK Kristin Levine. Though he thinks of himself as a cowboy, Tommy is really a bully. He's always playing cruel jokes on classmates or stealing from the store. But Tommy has a reason: life at home is tough. His abusive mother isn't well; in fact, she may be mentally ill, and his sister, Mary Lou, is in the hospital badly burned from doing a chore it was really Tommy's turn to do. To make amends, Tommy takes over Mary Lou's paper route. But the paper route also becomes the perfect way for Tommy to investigate his neighbors after stumbling across a copy of The Daily Worker, a communist newspaper. Tommy is shocked to learn that one of his neighbors could be a communist, and soon fear of a communist in this tight-knit community takes hold of everyone when Tommy uses the paper to frame a storeowner, Mr. McKenzie. As Mr. McKenzie's business slowly falls apart and Mary Lou doesn't seem to get any better, Tommy's mother's abuse gets worse causing Tommy's bullying to spiral out of control.