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Author: Bob Odenkirk
Publisher: Random House
ISBN: 0399180516
Category : Biography & Autobiography
Languages : en
Pages : 305
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Book Description
NEW YORK TIMES BESTSELLER • In this “essential” (Entertainment Weekly), “hilarious” (AV Club) memoir, the star of Mr. Show, Breaking Bad, and Better Call Saul opens up about the highs and lows of showbiz, his cult status as a comedy writer, and what it’s like to reinvent himself as an action film ass-kicker at fifty. “I can’t think of another entertainer who has improbably morphed so many times, and all through real genius and determination.”—Conan O’Brien ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker Bob Odenkirk’s career is inexplicable. And yet he will try like hell to explicate it for you. Charting a “Homeric” decades-long “odyssey” from his origins in the seedy comedy clubs of Chicago to a dramatic career full of award nominations—with a side-trip into the action-man world that is baffling to all who know him—it’s almost like there are many Bob Odenkirks! But there is just one and one is plenty. Bob embraced a life in comedy after a chance meeting with Second City’s legendary Del Close. He somehow made his way to a job as a writer at Saturday Night Live. While surviving that legendary gauntlet by the skin of his gnashing teeth, he stashed away the secrets of comedy writing—eventually employing them in the immortal “Motivational Speaker” sketch for Chris Farley, honing them on The Ben Stiller Show, and perfecting them on Mr. Show with Bob and David. In Hollywood, Bob demonstrated a bullheadedness that would shame Sisyphus himself, and when all hope was lost for the umpteenth time, the phone rang with an offer to appear on Breaking Bad—a show about how boring it is to be a high school chemistry teacher. His embrace of this strange new world of dramatic acting led him to working with Steven Spielberg, Alexander Payne, and Greta Gerwig, and then, in a twist that will confound you, he re-re-invented himself as a bona fide action star. Why? Read this and do your own psychoanalysis—it’s fun! Featuring humorous tangents, never-before-seen photos, wild characters, and Bob’s trademark unflinching drive, Comedy Comedy Comedy Drama is a classic showbiz tale told by a determined idiot.
Author: Bob Odenkirk
Publisher: Random House
ISBN: 0399180516
Category : Biography & Autobiography
Languages : en
Pages : 305
Get Book Here
Book Description
NEW YORK TIMES BESTSELLER • In this “essential” (Entertainment Weekly), “hilarious” (AV Club) memoir, the star of Mr. Show, Breaking Bad, and Better Call Saul opens up about the highs and lows of showbiz, his cult status as a comedy writer, and what it’s like to reinvent himself as an action film ass-kicker at fifty. “I can’t think of another entertainer who has improbably morphed so many times, and all through real genius and determination.”—Conan O’Brien ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker Bob Odenkirk’s career is inexplicable. And yet he will try like hell to explicate it for you. Charting a “Homeric” decades-long “odyssey” from his origins in the seedy comedy clubs of Chicago to a dramatic career full of award nominations—with a side-trip into the action-man world that is baffling to all who know him—it’s almost like there are many Bob Odenkirks! But there is just one and one is plenty. Bob embraced a life in comedy after a chance meeting with Second City’s legendary Del Close. He somehow made his way to a job as a writer at Saturday Night Live. While surviving that legendary gauntlet by the skin of his gnashing teeth, he stashed away the secrets of comedy writing—eventually employing them in the immortal “Motivational Speaker” sketch for Chris Farley, honing them on The Ben Stiller Show, and perfecting them on Mr. Show with Bob and David. In Hollywood, Bob demonstrated a bullheadedness that would shame Sisyphus himself, and when all hope was lost for the umpteenth time, the phone rang with an offer to appear on Breaking Bad—a show about how boring it is to be a high school chemistry teacher. His embrace of this strange new world of dramatic acting led him to working with Steven Spielberg, Alexander Payne, and Greta Gerwig, and then, in a twist that will confound you, he re-re-invented himself as a bona fide action star. Why? Read this and do your own psychoanalysis—it’s fun! Featuring humorous tangents, never-before-seen photos, wild characters, and Bob’s trademark unflinching drive, Comedy Comedy Comedy Drama is a classic showbiz tale told by a determined idiot.
Author: Bob Odenkirk
Publisher: McSweeney's
ISBN: 1940450667
Category : Humor
Languages : en
Pages : 107
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Book Description
Bob Odenkirk is a legend in the comedy-writing world, winning Emmys and acclaim for his work on Saturday Night Live, Mr. Show with Bob and David, and many other seminal TV shows. This book, his first, is a spleen-bruisingly funny omnibus that ranges from absurdist monologues (“Martin Luther King, Jr’s Worst Speech Ever”) to intentionally bad theater (“Hitler Dinner Party: A Play”); from avant-garde fiction (“Obituary for the Creator of Madlibs”) to free-verse poetry that's funnier and more powerful than the work of Calvin Trillin, Jewel, and Robert Louis Stevenson combined. Odenkirk's debut resembles nothing so much as a hilarious new sketch comedy show that’s exclusively available as a streaming video for your mind. As Odenkirk himself writes in “The Second Coming of Jesus and Lazarus,” it is a book “to be read aloud to yourself in the voice of Bob Newhart.”
Author: Gerald Martin Bordman
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 840
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Book Description
Gerald Bordman's American Musical Theatre has become a landmark book since its publication in 1978. It chronicles American musicals, show by show and season by season, and offers a running commentary and assessment as well as providing the basic facts about each production. This updated edition includes the new shows that have opened on Broadway since the original publication. Also included are over a hundred musicals that were turn-of-the-century, cheap-priced touring shows which never played Broadway, but were the training ground for many theatre greats.
Author: Gregory W. Dobrov
Publisher: UNC Press Books
ISBN: 9780807846452
Category : Drama
Languages : en
Pages : 382
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Book Description
Thirteen essays combine classical scholars' interest in theatrical production with a growing interdisciplinary inquiry into the urban contexts of literary production. At once a study of classical Greek literature and an analysis of cultural production, this collection reveals how for two centuries Athens itself was transformed, staged as comedy, and ultimately shaped by contemporary material, social, and ideological forces.
Author: Brian Cox
Publisher: Grand Central Publishing
ISBN: 1538707314
Category : Biography & Autobiography
Languages : en
Pages : 359
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Book Description
NAMED A BEST BOOK OF 2022 BY THE NEW YORKER The incredible rags-to-riches story of acclaimed actor Brian Cox, best known as Succession’s Logan Roy, from a troubled, working-class upbringing in Scotland to a prolific career across theatre, film and television. From Hannibal Lecktor in Manhunter to media magnate Logan Roy in HBO's Succession, Brian Cox has made his name as an actor of unparalleled distinction and versatility. We are familiar with him on screen, but few know of his extraordinary life story. Growing up in Dundee, Scotland, Cox lost his father when he was just eight years old and was brought up by his three elder sisters in the aftermath of his mother's nervous breakdowns and ultimate hospitalization. After joining the Dundee Repertory Theatre at the age of fifteen, you could say the rest is history — but that is to overlook the enormous effort that has gone into the making of the legend we know today. Rich in emotion and meaning, with plenty of laughs along the way, this seminal autobiography captures both Cox's distinctive voice and his very soul.
Author: Judy Carter
Publisher: Dell
ISBN: 0307575209
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
If you think you’re funny, buy this book! Whether you dream of becoming a star . . . A better public speaker . . . A more effective communicator . . . A funnier, happier human being . . . You can learn to leave ‘em laughing! David Letterman learned to do it. Jay Leno learned to do it. Roseanne Barr learned to do it. So can you! Now successful stand-up comic Judy Carter—who went from teaching high school to performing in Las Vegas, Atlantic City, Lake Tahoe, and on over 45 major TV shows—gives you the same hands-on, step-by-step instruction she’s taught to students in her comedy workshops. She shows you how to do it: create an act, perform it, make money with it, or apply it to everyday life. Discover: • The formulas for creating comedy material • How to find your own style • The three steps to putting your act together • Rehearsal do’s and don’ts • What to do if you bomb • Ways to punch up your everyday life with humor
Author: V. Ulea
Publisher: SIU Press
ISBN: 9780809324521
Category : Language Arts & Disciplines
Languages : en
Pages : 232
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Book Description
Applying systems theory to the comedies of Chekhov, Balzac, Kleist, Moliere, and Shakespeare, A Concept of Dramatic Genre and the Comedy of a New Type: Chess, Literature, and Film approaches dramatic genre from the point of view of the degree of richness and strength of a character’s potential. Its main focus is to establish a methodology for analyzing the potential from multidimensional perspectives, using systems thinking. The whole concept is an alternative to the Aristotelian plot-based approach and is applied to an analysis of western and eastern European authors as well as contemporary American film. This innovative study consists of three parts: The first part is mostly theoretical, proposing a new definition of the dramatic as a category linked to general systems phenomena and offering a new classification of dramatic genre. In the second part, Ulea offers a textual analysis of some works based on this new classification. She analyzes comedies, tragedies, and dramas on the same or similar topics in order to reveal what makes them belong to opposite types of dramatic genre. Additionally, she considers the question of fate and chance, with regard to tragedy and comedy, from the point of view of the predispositioning theory. In the third part, Ulea explores an analysis of the comedy of a new type—CNT. Her emphasis is on the integration of the part and the whole in approaching the protagonist’s potential. She introduces the term quasi-strong potential in order to reveal the illusory strength of protagonists of the CNT and to show the technique of CNT’s analysis and synthesis. Ulea’s research begins with the notion of the comic, traditionally considered synonymous with the laughable, and attempts to approach it as independent from the laughable and laughter. The necessity to do so is dictated by the desire to penetrate the enigmatic nature of Chekhov’s comedy. The result is A Concept of Dramatic Genre and the Comedy of a New Type: Chess, Literature, and Film, a completely new approach to potential and systems thinking—which has never been a focus of dramatic theory before. Such potential is the touchstone of the comic and comedy, their permanent basic characteristic, the heart and axis around which the comedic world spins.
Author: David Cross
Publisher: Grand Central Publishing
ISBN: 1455526312
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
Mr. Show fans rejoice! After all these years, Bob and David are finally back together with a collection of hilarious, never-before-seen scripts, sketches, and ideas that may have just been too good for Hollywood. Bob Odenkirk and David Cross, creators of HBO's classic sketch comedy show Mr. Show, present to you this collection of never-before-seen scripts and ideas that Hollywood couldn't find the gumption to green-light. Simply put... Hollywood Said No! Since Mr. Show closed up shop, Bob and David have kept busy with many projects--acting in fun, successful, movies and TV shows, directing things, and complaining about stuff that didn't turn out well to anyone who would listen, and even alone, in silence, inside their own heads. Hollywood Said No! reveals the full-length, never-before-seen scripts for Bob and David Make a Movie (fleshed out with brand-new storyboards by acclaimed artist Mike Mitchell) and Hooray For America!: a satirical power-house indictment of all that you hold dear. This tome also includes a bonus section of orphaned sketch ideas from the Mr. Show days and beyond, suitable for performance by church groups that aren't all koo-koo about religion. What you are looking at online, and are about to buy, is chock-full of comic twists, turns, and maybe a few hard truths. We said "maybe," but what we mean was "probably not." Now, for the first time, take a peek at the scripts that didn't get the go-ahead and ponder a world we can only dream about...and beyond!
Author: Charna Halpern
Publisher: Meriwether Publishing
ISBN: 9781566080033
Category : Improvisation (Acting)
Languages : en
Pages : 164
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Book Description
The 'Harold', an innovative improvisational tool, helped many actors on the road to TV and film stardom, including George Wendt (Norm on Cheers). Now it is described fully in this new book for would-be actors and comics. The 'Harold' is a form of competitive improv involving 6 or 7 players. They take a theme suggestion from the audience and 'free associate' on the theme into a series of rapid-fire one-liners that build into totally unpredictable skits with hilarious results. The 'Harold' is a fun way to 'loosen up' and learn to think quickly, build continuity, develop characterisations and sharpen humour.
Author: Christopher Olsen
Publisher: Routledge
ISBN: 131748665X
Category : Performing Arts
Languages : en
Pages : 181
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Book Description
Despite being roundly cited as much harder to perform than its dramatic counterpart, comic acting is traditionally seen as a performance genre that can’t be taught. At best it is often described as a skill that can only be learned "on the job" through years of practice, or given to a performer through natural talent. Acting Comedy is an effort to examine this idea more rigorously by looking at different aspects of the comic actor’s craft. Each chapter is written by an expert in a particular form—from actors and directors to teachers and standup comedians. Topics covered include: how performers work with audiences how comic texts can be enhanced through word and musical rhythm analysis how physical movements can generate comic moments and build character. This book is an invaluable resource for any performer focusing on the minute details of comic acting, even down to exactly how one delivers a joke on stage. Christopher Olsen’s unique collection of comic voices will prove essential reading for students and professionals alike.
