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Author: Lionel Rogosin
Publisher: Real African Publishers
ISBN:
Category : History
Languages : en
Pages : 160
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Book Description
Lionel Rogosin came to South Africa in the 1950s to make a film documentary that would 'give a voice to the oppressed'. He put his experiences down in writing, and fellow filmmaker Peter Davis has edited these into a highly readable account of a gruelling, often dangerous encounter with apartheid society.
Author: Lionel Rogosin
Publisher: Real African Publishers
ISBN:
Category : History
Languages : en
Pages : 160
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Book Description
Lionel Rogosin came to South Africa in the 1950s to make a film documentary that would 'give a voice to the oppressed'. He put his experiences down in writing, and fellow filmmaker Peter Davis has edited these into a highly readable account of a gruelling, often dangerous encounter with apartheid society.
Author: L. Modisane
Publisher: Springer
ISBN: 1137027037
Category : Social Science
Languages : en
Pages : 389
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Book Description
Despite incredible political upheavals and a minimal national history of film production, movies such as Come Back, Africa (1959), uDeliwe (1975), and Fools (1998) have taken on an iconic status within South African culture. In this much-needed study, author Litheko Modisane delves into the public critical engagements around old 'renegade' films and newer ones, revealing instructive details both in the production and the public lives of South African movies oriented around black social experiences. This illuminates the complex nature of cinema in modern public life, enriching established methodologies by expanding the cultural and conceptual boundaries of film as a phenomenon of textual circulation.
Author: Isak Dinesen
Publisher: Harper Collins
ISBN: 1443432954
Category : Biography & Autobiography
Languages : en
Pages : 408
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Book Description
In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.
Author: Binyavanga Wainaina
Publisher: One World
ISBN: 0812989678
Category : Social Science
Languages : en
Pages : 369
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Book Description
From one of Africa’s most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality “A fierce literary talent . . . [Wainaina] shines a light on his continent without cliché.”—The Guardian “Africa is the only continent you can love—take advantage of this. . . . Africa is to be pitied, worshipped, or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.” Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist remembered as one of the greatest chroniclers of contemporary African life. This groundbreaking collection brings together, for the first time, Wainaina’s pioneering writing on the African continent, including many of his most critically acclaimed pieces, such as the viral satirical sensation “How to Write About Africa.” Working fearlessly across a range of topics—from politics to international aid, cultural heritage, and redefined sexuality—he describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of his home country and continent. These works present the portrait of a giant in African literature who left a tremendous legacy.
Author: Jacqueline Maingard
Publisher: Routledge
ISBN: 1135124035
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
South African National Cinema examines how cinema in South Africa represents national identities, particularly with regard to race. This significant and unique contribution establishes interrelationships between South African cinema and key points in South Africa’s history, showing how cinema figures in the making, entrenching and undoing of apartheid. This study spans the twentieth century and beyond through detailed analyses of selected films, beginning with De Voortrekkers (1916) through to Mapantsula (1988) and films produced post apartheid, including Drum (2004), Tsotsi (2005) and Zulu Love Letter (2004). Jacqueline Maingard discusses how cinema reproduced and constructed a white national identity, taking readers through cinema’s role in building white Afrikaner nationalism in the 1930s and 1940s. She then moves to examine film culture and modernity in the development of black audiences from the 1920s to the 1950s, especially in a group of films that includes Jim Comes to Joburg (1949) and Come Back, Africa (1959). Jacqueline Maingard also considers the effects of the apartheid state’s film subsidy system in the 1960s and 1970s and focuses on cinema against apartheid in the 1980s. She reflects upon shifting national cinema policies following the first democratic election in 1994 and how it became possible for the first time to imagine an inclusive national film culture. Illustrated throughout with excellent visual examples, this cinema history will be of value to film scholars and historians, as well as to practitioners in South Africa today.
Author: Nina Munk
Publisher: Anchor
ISBN: 0385537743
Category : Social Science
Languages : en
Pages : 259
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Book Description
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Bloomberg • Forbes • The Spectator Recipient of Foreign Policy's 2013 Albie Award A powerful portrayal of Jeffrey Sachs's ambitious quest to end global poverty "The poor you will always have with you," to cite the Gospel of Matthew 26:11. Jeffrey Sachs—celebrated economist, special advisor to the Secretary General of the United Nations, and author of the influential bestseller The End of Poverty—disagrees. In his view, poverty is a problem that can be solved. With single-minded determination he has attempted to put into practice his theories about ending extreme poverty, to prove that the world's most destitute people can be lifted onto "the ladder of development." In 2006, Sachs launched the Millennium Villages Project, a daring five-year experiment designed to test his theories in Africa. The first Millennium village was in Sauri, a remote cluster of farming communities in western Kenya. The initial results were encouraging. With his first taste of success, and backed by one hundred twenty million dollars from George Soros and other likeminded donors, Sachs rolled out a dozen model villages in ten sub-Saharan countries. Once his approach was validated it would be scaled up across the entire continent. At least that was the idea. For the past six years, Nina Munk has reported deeply on the Millennium Villages Project, accompanying Sachs on his official trips to Africa and listening in on conversations with heads-of-state, humanitarian organizations, rival economists, and development experts. She has immersed herself in the lives of people in two Millennium villages: Ruhiira, in southwest Uganda, and Dertu, in the arid borderland between Kenya and Somalia. Accepting the hospitality of camel herders and small-hold farmers, and witnessing their struggle to survive, Munk came to understand the real-life issues that challenge Sachs's formula for ending global poverty. THE IDEALIST is the profound and moving story of what happens when the abstract theories of a brilliant, driven man meet the reality of human life.
Author: Isabel Balseiro
Publisher: Wayne State University Press
ISBN: 9780814330012
Category : History
Languages : en
Pages : 292
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Book Description
With the end of apartheid, South African cinema is at a turning point in its history. This collection offers an exploration of a film industry that has excluded its country's black majority, in both representation and production - and which now must overcome collusion between racist ideology and film form. Until recently, filmmakers could work only within a culture that reluctantly took black South Africans into account. Therefore, to explore what South African cinema has been and could become, the authors do not limit their discussion to film production but approach cinema as a manifestation of cultural history. How has the purpose of cinema been viewed at different times in South Africa, by different governments and social groups? What is the relation between film and a sense of nationhood in South Africa? Such questions lead to a consideration not only of films made by South Africans in South Africa but also of an unfolding film culture within a series of stages that have yet to give rise to a national cinema
Author: Obed Mfum-Mensah
Publisher: Berghahn Books
ISBN: 1789209145
Category : Social Science
Languages : en
Pages : 206
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Book Description
Westerners have long represented Africans as “backwards,” “primitive,” and “unintelligent,” distortions which have opened the door for American philanthropies to push their own education agendas in Africa. We Come as Members of the Superior Race discusses the origin and history of these dangerous stereotypes and western “infantilization” of African societies, exploring how their legacy continues to inform contemporary educational and development discourses. By viewing African societies as subordinated in a global geopolitical order, these problematic stereotypes continue to influence education policy and research in Sub-Sahara Africa today.
Author: Miriam Makeba
Publisher: Bloomsbury Publishing
ISBN: 9780747502500
Category : Singers
Languages : en
Pages : 249
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Book Description
Miriam Makeba's life began in poverty in South Africa, amid the cruelties of the apartheid system. From here she rose to become an internationally known singer, first introduced to an international audience by Harry Belafonte in 1959 and admired by figures such as John F. Kennedy and Nelson Mandela. When her singing talents led her abroad, the power of her new celebrity status made her a potential threat to the minority white South African government and she was exiled from her home and family.
Author: Thabo Mbeki
Publisher:
ISBN:
Category : History
Languages : en
Pages : 344
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Book Description
This book brings together 42 speeches by Deputy President Thabo Mbeki, most of which were delivered after the elections of April 1994. These speeches reflect the remarkable consistency and logic in Mbeki's thoughts on issues such as socio-economic justice, the alleviation of poverty, the opening up of opportunities, the need for development, and the achievement of reconciliation through transformation - all of which are recurrent themes throughout his speeches. Coupled with Mbeki's vision for South Africa is his devotion to, and identification with the African continent, and his dream of an African renaissance.
