Author: Florence Elizabeth Wallace
Publisher:
ISBN:
Category :
Languages : en
Pages : 83
Book Description
Color in Homer and in Ancient Art, Preliminary Studies, by Florence Elizabeth Wallace,...
Author: Florence Elizabeth Wallace
Publisher:
ISBN:
Category :
Languages : en
Pages : 83
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 83
Book Description
Florence Elizabeth Wallace, Color in Homer and in ancient art. Preliminary studies (Smith College classical studies 9). Northampton, Massachusetts, 1927. 83 S. 8, mit Farbentafel
Author:
Publisher:
ISBN:
Category :
Languages : de
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : de
Pages :
Book Description
Color in Homer and in Ancient Art
Author: Florence Elizabeth Wallace
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 594
Book Description
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 594
Book Description
Color in Homer and in ancient art
Author: Florence Elizabeth Wallace
Publisher:
ISBN:
Category :
Languages : en
Pages : 83
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 83
Book Description
Color in Homer and in Ancient Art. By Florence Elizabeth Wallace. "Smith College Classical Studies," No. 9. Northampton, Mass., 1927
Author: John A. Scott
Publisher:
ISBN:
Category :
Languages : en
Pages : 2
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 2
Book Description
Color in Homer and in Ancient Art
Author: Florence Elizabeth Wallace
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Colour in Homer and in Ancient Art. By Florence Elizabeth Wallace. Smith College Classical Studies, No. 9. Pp. 83, with 1 Plate. Northampton, Mass., 1927
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 159
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 159
Book Description
A Cultural History of Color in Antiquity
Author: David Wharton
Publisher: Bloomsbury Publishing
ISBN: 135019347X
Category : History
Languages : en
Pages : 289
Book Description
A Cultural History of Color in Antiquity covers the period 3000 BCE to 500 CE. Although the smooth, white marbles of Classical sculpture and architecture lull us into thinking that the color world of the ancient Greeks and Romans was restrained and monochromatic, nothing could be further from the truth. Classical archaeologists are rapidly uncovering and restoring the vivid, polychrome nature of the ancient built environment. At the same time, new understandings of ancient color cognition and language have unlocked insights into the ways – often unfamiliar and strange to us – that ancient peoples thought and spoke about color. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. David Wharton is Associate Professor of Classical Studies at the University of North Carolina at Greensboro, USA. Volume 1 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf
Publisher: Bloomsbury Publishing
ISBN: 135019347X
Category : History
Languages : en
Pages : 289
Book Description
A Cultural History of Color in Antiquity covers the period 3000 BCE to 500 CE. Although the smooth, white marbles of Classical sculpture and architecture lull us into thinking that the color world of the ancient Greeks and Romans was restrained and monochromatic, nothing could be further from the truth. Classical archaeologists are rapidly uncovering and restoring the vivid, polychrome nature of the ancient built environment. At the same time, new understandings of ancient color cognition and language have unlocked insights into the ways – often unfamiliar and strange to us – that ancient peoples thought and spoke about color. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. David Wharton is Associate Professor of Classical Studies at the University of North Carolina at Greensboro, USA. Volume 1 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf
Smith College Classical Studies
Author: Florence Elizabeth Wallace
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 316
Book Description
Modern Color/Modern Architecture
Author: William W. Braham
Publisher: Routledge
ISBN: 1351725580
Category : Architecture
Languages : en
Pages : 255
Book Description
This title was first published in 2002. This really is a text that will fill a long-felt want. A key figure in that history is Amédée Ozenfant, painter, critic and friend of Le Corbusier, who in the first half of this century founded a school in London where he conducted experiments and wrote about color in architecture. Those experiments have been reconstructed for the book, which also includes reprints of his most important articles on the subject. This book provides a fascinating survey of this most contemporary topic that will inspire and inform designers and architects. Color has often been regarded as the final dressing of a building, subject to the vagaries of fashion and left to the client to select. There have been a number of studies of polychromy in the architecture of the more distant past, particularly in relation to modern conservation practices, but there is little or nothing on the architectural color of recent times, and especially within Modernism.
Publisher: Routledge
ISBN: 1351725580
Category : Architecture
Languages : en
Pages : 255
Book Description
This title was first published in 2002. This really is a text that will fill a long-felt want. A key figure in that history is Amédée Ozenfant, painter, critic and friend of Le Corbusier, who in the first half of this century founded a school in London where he conducted experiments and wrote about color in architecture. Those experiments have been reconstructed for the book, which also includes reprints of his most important articles on the subject. This book provides a fascinating survey of this most contemporary topic that will inspire and inform designers and architects. Color has often been regarded as the final dressing of a building, subject to the vagaries of fashion and left to the client to select. There have been a number of studies of polychromy in the architecture of the more distant past, particularly in relation to modern conservation practices, but there is little or nothing on the architectural color of recent times, and especially within Modernism.