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Author: George Kordis
Publisher:
ISBN: 9781936773718
Category :
Languages : en
Pages :
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Book Description
This book records the many years of experience of George Kordis' use of egg tempera, which after many tests and research he combines with a specific type of sub-painting. It shows that this technique, which is a personal technological proposal, can be combined with the traditional Byzantine style, established for centuries in the Hellenic lands as the appropriate way for the rendering of Orthodox images.In the first chapters of the first part, the Byzantine painting system's visual autonomy is examined, with reference to the western naturalistic painting system and other contemporary artistic proposals. The foundation of the findings is attempted with an analysis of selected works of Byzantine and post-Byzantine painting. A detailed description of the egg tempera technique is given by sub-painting and evaluation based on its functionality in the Byzantine painting system.In the second part, the technique of egg tempera with sub-painting is presented on a laboratory level. More specifically, methods of preparation of the host (wood) are presented, gilding techniques, and mainly how landscapes, clothes, objects, faces, and compositions are painted with the technique of egg tempera with sub-painting. Also included are appendices from fresco paintings and icons painted with the method presented in the book.
Author: George Kordis
Publisher:
ISBN: 9781936773718
Category :
Languages : en
Pages :
Get Book Here
Book Description
This book records the many years of experience of George Kordis' use of egg tempera, which after many tests and research he combines with a specific type of sub-painting. It shows that this technique, which is a personal technological proposal, can be combined with the traditional Byzantine style, established for centuries in the Hellenic lands as the appropriate way for the rendering of Orthodox images.In the first chapters of the first part, the Byzantine painting system's visual autonomy is examined, with reference to the western naturalistic painting system and other contemporary artistic proposals. The foundation of the findings is attempted with an analysis of selected works of Byzantine and post-Byzantine painting. A detailed description of the egg tempera technique is given by sub-painting and evaluation based on its functionality in the Byzantine painting system.In the second part, the technique of egg tempera with sub-painting is presented on a laboratory level. More specifically, methods of preparation of the host (wood) are presented, gilding techniques, and mainly how landscapes, clothes, objects, faces, and compositions are painted with the technique of egg tempera with sub-painting. Also included are appendices from fresco paintings and icons painted with the method presented in the book.
Author: Liz James
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 242
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Book Description
This is the first book to investigate the place of color in Byzantine art. By engaging the issue on both a technical level--how colors were made, what colors were available--and a perceptual level--how these colors were seen and described--James offers a new approach to the study of color in art history. Including sixty-four color illustrations, most never before published, James's study offers a unique view of the details of Byzantine art.
Author: Bonna D. Wescoat
Publisher: Cambridge University Press
ISBN: 110737829X
Category : Architecture
Languages : en
Pages : 467
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Book Description
In this book, a distinguished team of authors explores the way space, place, architecture, and ritual interact to construct sacred experience in the historical cultures of the eastern Mediterranean. Essays address fundamental issues and features that enable buildings to perform as spiritually transformative spaces in ancient Greek, Roman, Jewish, early Christian, and Byzantine civilizations. Collectively they demonstrate the multiple ways in which works of architecture and their settings were active agents in the ritual process. Architecture did not merely host events; rather, it magnified and elevated them, interacting with rituals facilitating the construction of ceremony. This book examines comparatively the ways in which ideas and situations generated by the interaction of place, built environment, ritual action, and memory contributed to the cultural formulation of the sacred experience in different religious faiths.
Author: Bissera V
Publisher: Penn State Press
ISBN: 0271035846
Category : Art
Languages : en
Pages : 346
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Book Description
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Author: George Kordis
Publisher:
ISBN: 9781935317098
Category : Icon painting
Languages : en
Pages : 102
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Book Description
Author: Jaroslav Folda
Publisher: Cambridge University Press
ISBN: 1107010233
Category : Art
Languages : en
Pages : 445
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Book Description
Jaroslav Folda traces the appropriation of the Byzantine Virgin and Child Hodegetria icon by thirteenth-century Crusader and central Italian painters and explores its transformation by the introduction of chrysography on the figure of the Virgin in the Crusader Levant and in Italy.
Author: Chris Entwistle
Publisher: Oxbow Books
ISBN: 1785702734
Category : Art
Languages : en
Pages : 462
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Book Description
The twenty-five papers in this volume cover diverse aspects of the material culture of the late Roman, Byzantine and Medieval periods, with particular emphasis on the metalwork and enamel of these times. Individual papers include major reinterpretations of objects in the British Museum's Byzantine collections as well as essays devoted to the Museum's recent acquisitions in this field. The volume celebrates the retirement of David Buckton, for over twenty years the curator of the British Museum's Early Christian and Byzantine collections and the National Icon Collection.
Author: Idries Trevathan
Publisher: Saqi Books
ISBN: 086356190X
Category : Art
Languages : en
Pages : 292
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Book Description
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
Author: Glenn Peers
Publisher: Penn State Press
ISBN: 9780271047485
Category :
Languages : en
Pages : 216
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Book Description
Sacred Shock attempts to lay bare the inner workings of Byzantine art by looking closely at the marginal or subsidiary areas in works of art.
Author: Sally Cabot Gunning
Publisher: HarperCollins
ISBN: 0062916262
Category : Fiction
Languages : en
Pages : 378
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Book Description
From the critically acclaimed author of Monticello and The Widow’s War comes a vividly rendered historical novel of love, loss, and reinvention, set on Martha’s Vineyard at the end of the nineteenth century. Martha’s Vineyard, 1898. In her first life, Ida Russell had been a painter. Five years ago, she had confidently walked the halls of Boston’s renowned Museum School, enrolling in art courses that were once deemed “unthinkable” for women to take, and showing a budding talent for watercolors. But no more. Ida Russell is now Ida Pease, resident of a seaside farm on Vineyard Haven, and wife to Ezra, a once-charming man who has become an inattentive and altogether unreliable husband. Ezra runs a salvage company in town with his business partner, Mose Barstow, but he much prefers their nightly card games at the local pub to his work in their Boston office, not to mention filling haystacks and tending sheep on the farm at home—duties that have fallen to Ida and their part-time farmhand, Lem. Ida, meanwhile, has left her love for painting behind. It comes as no surprise to Ida when Ezra is hours late for a Thanksgiving dinner, only to leave abruptly for another supposedly urgent business trip to Boston. But then something unthinkable happens: a storm strikes and the ship carrying Ezra and Mose sinks. In the wake of this shocking tragedy, Ida must settle the affairs of Ezra’s estate, a task that brings her to a familiar face from her past—Henry Barstow, Mose’s brother and executor. As she joins Henry in sifting through the remnants of her husband’s life and work, Ida must learn to separate truth from lies and what matters from what doesn’t. Captured in rich, painterly prose—piercing as a coastal gale and shimmering as sunlight on the waves—Painting the Light is an arresting portrait of a woman, and a considered meditation on grief, persistence, and reinvention.
