An Introduction to Post-Colonial Theatre

An Introduction to Post-Colonial Theatre PDF Author: Brian Crow
Publisher: Cambridge University Press
ISBN: 9780521567220
Category : Drama
Languages : en
Pages : 208

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Book Description
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.

The Theater in Colonial America

The Theater in Colonial America PDF Author: Hugh F. Rankin
Publisher: Chapel Hill : University of North Carolina Press
ISBN:
Category : History
Languages : en
Pages : 268

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Book Description
The impact of the theater on colonial culture is approached in this study from the viewpoint of the historian rather than the dramatist. From the faded prints of playbills, newspaper advertisements, and court records, the men, women, and children who brought theater to America come to life with their great and petty problems. Originally published in 1965. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

An Introduction to Post-Colonial Theatre

An Introduction to Post-Colonial Theatre PDF Author: Brian Crow
Publisher: Cambridge University Press
ISBN: 9780521567220
Category : Drama
Languages : en
Pages : 208

Get Book Here

Book Description
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.

Decolonizing the Stage

Decolonizing the Stage PDF Author: Christopher B. Balme
Publisher: Oxford University Press
ISBN: 9780198184447
Category : Literary Criticism
Languages : en
Pages : 334

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Book Description
A study of post-colonial drama and theatre. It examines how dramatists from various societies have attempted to fuse the performance idioms of their traditions with the Western dramatic form, demonstrating how the dynamics of syncretic theatrical texts function in performance.

Absence and Memory in Colonial American Theatre

Absence and Memory in Colonial American Theatre PDF Author: O. Johnson
Publisher: Springer
ISBN: 1137099615
Category : Performing Arts
Languages : en
Pages : 324

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Book Description
History, they say, has a filthy tongue. In the case of colonial theatre in America, what we know about performance has come from the detractors of theatre and not its producers. Yet this does not account for the flourishing theatrical circuit established between 1760 and 1776. This study explores the culture's social support of the theatre.

Once

Once PDF Author: Enda Walsh
Publisher: Theatre Communications Group
ISBN: 1559367687
Category : Drama
Languages : en
Pages : 81

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Book Description
"A jewel box of a musical: small, delicate, brimming with emotion and charm."—Vogue "It may sound like heresy to fans of the 2006 film, but this bewitching stage adaptation arguably improves on the movie, expanding its emotional breadth and elevating it stylistically while remaining true to the original's raw fragility."?Hollywood Reporter Retaining the film's popular music and lyrics, acclaimed Irish playwright Enda Walsh adapts this charming tale of a complicated romance between an Irish street musician and a young Czech immigrant for the stage. A hit musical Off-Broadway, Once premiered on Broadway in spring 2012 to rave reviews. Enda Walsh is the author of five Edinburgh Festival Fringe First Award-winning plays, including Penelope, The Walworth Farce, and The New Electric Ballroom. He also co-wrote the film Hunger, which won the Camera d'Or award at the Cannes Film Festival. Glen Hansard and Markéta Irglová are the stars and songwriters of the 2006 film Once, for which they won an Academy Award for Best Song. The two comprise the musical folk-rock duo The Swell Season, which is currently touring the United States. A documentary film of the duo, The Swell Season, was an official selection of the 2011 Tribeca Film Festival. Hansard is also a member of the Irish band The Frames and Irglová is a classically trained Czech pianist and vocalist.

Blithe Spirit

Blithe Spirit PDF Author: Noël Coward
Publisher: A&C Black
ISBN: 1408191520
Category : Drama
Languages : en
Pages : 145

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Book Description
I will ever be grateful for the almost psychic gift that enabled me to write Blithe Spirit in five days during one of the darkest years of the war.' Written in 1941, Blithe Spirit remained the longest-running comedy in British Theatre for three decades thereafter. Plotted around the central role of one of Coward's best loved characters, a spirit medium Madame Arcati (originally performed by Margaret Rutherford) Coward's play is an escapist comedy about a man whose two previous wives return to haunt him. "A minor comic masterpiece of the lighter sort" Professor Allardyce Nicoll

American Drama

American Drama PDF Author: Gary A. Richardson
Publisher: Heinle & Heinle Publishers
ISBN:
Category : American drama
Languages : en
Pages : 1218

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Book Description
American Drama: Colonial to Contemporary is intended for students of American Drama in English, Theatre, and American Studies courses. Its primary aim is to provide students with a broad historical sense of the transofrmations of American drama from its beginnings to the presnt, making certain that this historical sense is as diverse as possible. As the most comprehensive anthology of American drama available for classroom use, it is a hope that this anthology will foster in the reader an appreciation of the diversity and vitality of the American experience as expressed through drama.

Pre-colonial and Post-colonial Drama and Theatre in Africa

Pre-colonial and Post-colonial Drama and Theatre in Africa PDF Author: Lokangaka Losambe
Publisher: New Africa Books
ISBN: 9781919876061
Category : Drama
Languages : en
Pages : 170

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Book Description
In this collection of essays written from different critical perspectives, African playwrights demonstrate through their art that they are not only witnesses, but also consciences, of their societies.

After the Final Curtain

After the Final Curtain PDF Author: Matt Lambros
Publisher: Jonglez Photo Books
ISBN: 9782361951641
Category : Antiques & Collectibles
Languages : en
Pages : 0

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Book Description
Most of the time, there is nothing remarkable about a movie theater today; but that wasn't always the case. When the great American movie palaces began opening in the early 20th century, they were some of the most lavish, stunning buildings ever seen. However, they wouldn't last -- with the advent of in-home television, theater companies found it harder and harder to keep them open. Some were demolished, some were converted, and some remain empty to this day. After the Final Curtain: The Fall of the American Movie Theatre will take you through 24 of these magnificent buildings, revealing the beauty that remains years after the last ticket was sold.

Ghana's Concert Party Theatre

Ghana's Concert Party Theatre PDF Author: Catherine M. Cole
Publisher: Indiana University Press
ISBN: 0253108985
Category : History
Languages : en
Pages : 213

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Book Description
Ghana's Concert Party Theatre Catherine M. Cole An engaging history of Ghana's enormously popular concert party theatre. "... succeeds in conveying the exciting and fascinating character of the concert party genre, as well as showing clearly how this material can be used to rethink a number of contemporary theoretical themes and issues." -- Karin Barber Under colonial rule, the first concert party practitioners brought their comic variety shows to audiences throughout what was then the British Gold Coast colony. As social and political circumstances shifted through the colonial period and early years of Ghanaian independence, concert party actors demonstrated a remarkable responsiveness to changing social roles and volatile political situations as they continued to stage this extremely popular form of entertainment. Drawing on her participation as an actress in concert party performances, oral histories of performers, and archival research, Catherine M. Cole traces the history and development of Ghana's concert party tradition. She shows how concert parties combined an eclectic array of cultural influences, adapting characters and songs from American movies, popular British ballads, and local story-telling traditions into a spirited blend of comedy and social commentary. Actors in blackface, inspired by Al Jolson, and female impersonators dramatized the aspirations, experiences, and frustrations of their audiences. Cole's extensive and lively look into Ghana's concert party provides a unique perspective on the complex experience of British colonial domination, the postcolonial quest for national identity, and the dynamic processes of cultural appropriation and social change. This book will be essential reading for scholars and students of African performance, theatre, and popular culture. Catherine M. Cole is Assistant Professor in the Department of Dramatic Art at the University of California, Santa Barbara. She has published numerous articles on African theatre and has collaborated with filmmaker Kwame Braun on "passing girl; riverside," a video essay on the ethical dilemmas of visual anthropology. June 2001 256 pages, 26 b&w photos, 3 maps, 6 1/8 x 9 1/4, notes, bibl., index cloth 0-253-33845-X $49.95 L / £38.00 paper 0-253-21436-X $19.95 s / £15.50