Author: Carrie Rebora Barratt
Publisher: Metropolitan Museum of Art
ISBN: 1588391221
Category : Portrait painting, American
Languages : en
Pages : 354
Book Description
Publisher Description
Gilbert Stuart
Author: Carrie Rebora Barratt
Publisher: Metropolitan Museum of Art
ISBN: 1588391221
Category : Portrait painting, American
Languages : en
Pages : 354
Book Description
Publisher Description
Publisher: Metropolitan Museum of Art
ISBN: 1588391221
Category : Portrait painting, American
Languages : en
Pages : 354
Book Description
Publisher Description
History of the Portrait Collection, Independence National Historical Park
Author: Doris Devine Fanelli
Publisher: American Philosophical Society
ISBN: 0871692422
Category : Independence National Historical Park (Philadelphia, Pa.)
Languages : en
Pages : 384
Book Description
This volume provides a history and catalog of the portraits by Charles Willson Peale, who painted heroes of the American revolution, founders of American government, statesmen, jurists, men of science, and individuals who contributed art and letters. The three chapters by Fanelli (Cultural Resources Management, Independence National Historical Park) discuss the collection from its inception through the period in which the shrine that housed it became a museum. Each of the 250 entries (mostly b&w, with a few in color) in the catalog includes a brief biography of the subject, a physical description of the painting, the circumstances under which it was created, and its provenance. They are arranged alphabetically by sitter. Edited by Karie Diethorn, chief curator, Independence National Historical Park, Philadelphia, Pennsylvania. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: American Philosophical Society
ISBN: 0871692422
Category : Independence National Historical Park (Philadelphia, Pa.)
Languages : en
Pages : 384
Book Description
This volume provides a history and catalog of the portraits by Charles Willson Peale, who painted heroes of the American revolution, founders of American government, statesmen, jurists, men of science, and individuals who contributed art and letters. The three chapters by Fanelli (Cultural Resources Management, Independence National Historical Park) discuss the collection from its inception through the period in which the shrine that housed it became a museum. Each of the 250 entries (mostly b&w, with a few in color) in the catalog includes a brief biography of the subject, a physical description of the painting, the circumstances under which it was created, and its provenance. They are arranged alphabetically by sitter. Edited by Karie Diethorn, chief curator, Independence National Historical Park, Philadelphia, Pennsylvania. Annotation copyrighted by Book News, Inc., Portland, OR
American Portrait Miniatures in the Manney Collection
Author: Dale T. Johnson
Publisher: Metropolitan Museum of Art
ISBN: 0870995979
Category : Portrait miniatures
Languages : en
Pages : 273
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870995979
Category : Portrait miniatures
Languages : en
Pages : 273
Book Description
American Drawings and Watercolors in the Metropolitan Museum of Art
Author: Kevin J. Avery
Publisher: Metropolitan Museum of Art
ISBN: 1588390608
Category : Drawing
Languages : en
Pages : 426
Book Description
"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.
Publisher: Metropolitan Museum of Art
ISBN: 1588390608
Category : Drawing
Languages : en
Pages : 426
Book Description
"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.
American Portrait Miniatures in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393577
Category : Art
Languages : en
Pages : 330
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588393577
Category : Art
Languages : en
Pages : 330
Book Description
Jefferson on Display
Author: G. S. Wilson
Publisher: University of Virginia Press
ISBN: 081394130X
Category : History
Languages : en
Pages : 380
Book Description
When we think of Thomas Jefferson, a certain picture comes to mind for some of us, combining his physical appearance with our perception of his character. During Jefferson’s lifetime this image was already taking shape, helped along by his own assiduous cultivation. In Jefferson on Display, G. S. Wilson draws on a broad array of sources to show how Jefferson fashioned his public persona to promote his political agenda. During his long career, his image shifted from cosmopolitan intellectual to man of the people. As president he kept friends and foes guessing: he might appear unpredictably in old, worn, and out-of-date clothing with hair unkempt, yet he could as easily play the polished gentleman in a black suit, as he hosted small dinners in the President’s House that were noted for their French-inspired food and fine European wines. Even in retirement his image continued to evolve, as guests at Monticello reported being met by the Sage clothed in rough fabrics that he proudly claimed were created from his own merino sheep, leading Americans by example to manufacture their own clothing, free of Europe. By paying close attention to Jefferson’s controversial clothing choices and physical appearance--as well as his use of portraiture, architecture, and the polite refinements of dining, grooming, and conversation--Wilson provides invaluable new insight into this perplexing founder.
Publisher: University of Virginia Press
ISBN: 081394130X
Category : History
Languages : en
Pages : 380
Book Description
When we think of Thomas Jefferson, a certain picture comes to mind for some of us, combining his physical appearance with our perception of his character. During Jefferson’s lifetime this image was already taking shape, helped along by his own assiduous cultivation. In Jefferson on Display, G. S. Wilson draws on a broad array of sources to show how Jefferson fashioned his public persona to promote his political agenda. During his long career, his image shifted from cosmopolitan intellectual to man of the people. As president he kept friends and foes guessing: he might appear unpredictably in old, worn, and out-of-date clothing with hair unkempt, yet he could as easily play the polished gentleman in a black suit, as he hosted small dinners in the President’s House that were noted for their French-inspired food and fine European wines. Even in retirement his image continued to evolve, as guests at Monticello reported being met by the Sage clothed in rough fabrics that he proudly claimed were created from his own merino sheep, leading Americans by example to manufacture their own clothing, free of Europe. By paying close attention to Jefferson’s controversial clothing choices and physical appearance--as well as his use of portraiture, architecture, and the polite refinements of dining, grooming, and conversation--Wilson provides invaluable new insight into this perplexing founder.
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1474
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1474
Book Description
History of the Portrait Collection, Independence National Historical Park
Author: Doris Devine Fanelli
Publisher:
ISBN:
Category : Independence National Historical Park (Philadelphia, Pa.)
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Independence National Historical Park (Philadelphia, Pa.)
Languages : en
Pages : 380
Book Description
John Smibert
Author: Richard H. Saunders
Publisher: Yale University Press
ISBN: 9780300042580
Category : Art
Languages : en
Pages : 328
Book Description
Saunder's explores Smibert's early Scottish and London training as well as his travels in Italy; his portrait practice in London; his arrival in America and his stylistic development; the creation of "The Bermuda Group"; and the business of portrait painting in Boston.
Publisher: Yale University Press
ISBN: 9780300042580
Category : Art
Languages : en
Pages : 328
Book Description
Saunder's explores Smibert's early Scottish and London training as well as his travels in Italy; his portrait practice in London; his arrival in America and his stylistic development; the creation of "The Bermuda Group"; and the business of portrait painting in Boston.
American Paintings at Harvard
Author: Theodore E. Stebbins
Publisher: Yale University Press
ISBN: 030015352X
Category : Art
Languages : en
Pages : 649
Book Description
This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.
Publisher: Yale University Press
ISBN: 030015352X
Category : Art
Languages : en
Pages : 649
Book Description
This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.