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Author: Robin George Collingwood
Publisher: Oxford University Press
ISBN: 9780199241415
Category : Philosophy
Languages : en
Pages : 550
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Book Description
"With 'The nature of metaphysical study'; 'Function of metaphysics in civilizsation'; 'Notes for an Essay on logic.'"
Author: Robin George Collingwood
Publisher: Oxford University Press
ISBN: 9780199241415
Category : Philosophy
Languages : en
Pages : 550
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Book Description
"With 'The nature of metaphysical study'; 'Function of metaphysics in civilizsation'; 'Notes for an Essay on logic.'"
Author: Guido Vanheeswijck
Publisher: Taylor & Francis
ISBN: 1040276563
Category : Philosophy
Languages : en
Pages : 258
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Book Description
This book explores R.G. Collingwood’s concept of metaphysics. It traces the evolution of Collingwood’s thought on metaphysics through his published work, posthumously published manuscripts and recently discovered course notes. From 1933 to 1936, Collingwood’s thought shifted considerably from the more orthodox Hegelian treatment of metaphysics as the study of the general nature of reality to the more ‘historicist’ study of absolute presuppositions. This radical conversion hypothesis has been for a long time the single most important issue in the interpretation of Collingwood’s philosophy. This book provides a fresh reappraisal of his thinking on metaphysics during these crucial years. It argues that objective idealism is the key to unraveling the true scope of Collingwood’s metaphysics. This theory takes a mid- position between mainstream interpretations in the secondary literature and forms the background to many of Collingwood’s key ideas regarding metaphysics, the philosophy of nature and the philosophy of history. The book also compares Collingwood’s concept of metaphysics to that of his predecessors, contemporaries and followers. The second part of the book focuses in detail on the similarities and differences between Collingwood’s metaphysics and, in chronological order, the views on metaphysics of Dilthey, Whitehead, Ayer, Wittgenstein, Heidegger, Berlin, Kołakowski, Strawson and Taylor. Collingwood’s Metaphysics will be of interest to scholars and graduate students interested in Collingwood’s philosophy, 20th- century philosophy and metaphysics.
Author: Robin George Collingwood
Publisher: Oxford University Press
ISBN: 0198020015
Category : Philosophy
Languages : en
Pages : 194
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Book Description
Collingwood's theory of philosophical method applied to the problem of the philosophy of nature.
Author: Giuseppina D'Oro
Publisher: Routledge
ISBN: 1134553242
Category : Philosophy
Languages : en
Pages : 345
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Book Description
Giuseppina D'Oro explores Collingwood's work in epistemology and metaphysics, uncovering his importance beyond his better known work in philosophy of history and aesthetics. This major contribution to our understanding of one of the most important figures in history of philosophy will be essential reading for scholars of Collingwood and all students of metaphysics and the history of philosophy.
Author: Robin George Collingwood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 346
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Book Description
Proposes a philosophy of culture stressing the unity of the mind. Structured around five forms of experience--art, religion, science, history, and philosophy--the work seeks a synthesis of levels of knowledge. -- Britannica.com.
Author: A. W. Moore
Publisher: Cambridge University Press
ISBN: 0521616557
Category : Philosophy
Languages : en
Pages : 691
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Book Description
This book charts the evolution of metaphysics since Descartes and provides a compelling case for why metaphysics matters.
Author: Karim Dharamsi
Publisher: Springer
ISBN: 3030024326
Category : Philosophy
Languages : en
Pages : 277
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Book Description
This book discusses Collingwood's conception of the role and character of philosophical analysis. It explores questions, such as, is there anything distinctive about the activity of philosophizing? If so, what distinguishes philosophy from other forms of inquiry? What is the relation between philosophy and science and between philosophy and history? For much of the twentieth century, philosophers philosophized with little self-awareness; Collingwood was exceptional in the attention he paid to the activity of philosophizing. This book will be of interest both to those who are interested in Collingwood’s philosophy and, more generally, to all who are interested in the question ‘what is philosophy?’
Author: Peter Johnson
Publisher: A&C Black
ISBN: 9781855065307
Category : Philosophy
Languages : en
Pages : 440
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Book Description
Why should modern philosophers read the works of R. G. Collingwood? His ideas are often thought difficult to locate in the main lines of development taken by twentieth-century philosophy. Some have read Collingwood as anticipating the later Wittgenstein, others have concentrated exclusively on the internal coherence of his thought. This work aims to introduce Collingwood to contemporary students of philosophy through direct engagement with his arguments. It is a conversation with Collingwood that takes as its subject matter the topics that interested him 'philosophy and method, philosophy of mind, language and logic, the historical imagination, art and expression, action, metaphysics and life' and which still preoccupy us today. --the first introductory book on this major modern philosopher --includes critical investigation of his thought --there is no similar work available
Author: Alan White
Publisher: Routledge
ISBN: 0429514271
Category : Philosophy
Languages : en
Pages : 230
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Book Description
Originally published in 1987. This book comprises a critical exposition of the thoughts on metaphysics of the major philosophers of the tradition. It introduces the ideas of these philosophers to students but is of interest to teachers as well. The author begins with a survey of the metaphysical writings of Plato, Aristotle, Berkeley, Leibniz and Bradley, clarifying throughout the relation of their methods and results to those of science. He follows this with a careful study of the critical attitudes to metaphysics espoused by Kant, Wittgenstein and the Logical Positivists. In the final section he scrutinizes the attempts by Collingwood, Wisdom and Lazerowitz to rehabilitate metaphysics.
Author: R.G. Collingwood
Publisher: Ravenio Books
ISBN:
Category : Philosophy
Languages : en
Pages : 379
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Book Description
I do not think of aesthetic theory as an attempt to investigate and expound eternal verities concerning the nature of an eternal object called Art, but as an attempt to reach, by thinking, the solution of certain problems arising out of the situation in which artists find themselves here and now. Everything written in this book has been written in the belief that it has a practical bearing, direct or indirect, upon the condition of art in England in 1937, and in the hope that artists primarily, and secondarily persons whose interest in art is lively and sympathetic, will find it of some use to them. Hardly any space is devoted to criticizing other people’s aesthetic doctrines; not because I have not studied them, nor because I have dismissed them as not worth considering, but because I have something of my own to say, and think the best service I can do to a reader is to say it as clearly as I can. Of the three parts into which it is divided, Book I is chiefly concerned to say things which any one tolerably acquainted with artistic work knows already; the purpose of this being to clear up our minds as to the distinction between art proper, which is what aesthetic is about, and certain other things which are different from it but are often called by the same name. Many false aesthetic theories are fairly accurate accounts of these other things, and much bad artistic practice comes from confusing them with art proper. These errors in theory and practice should disappear when the distinctions in question are properly apprehended. In this way a preliminary account of art is reached; but a second difficulty is now encountered. This preliminary account, according to the schools of philosophy now most fashionable in our own country, cannot be true; for it traverses certain doctrines taught in those schools and therefore, according to them, is not so much false as nonsensical. Book II is therefore devoted to a philosophical exposition of the terms used in this preliminary account of art, and an attempt to show that the conceptions they express are justified in spite of the current prejudice against them; are indeed logically implied even in the philosophies that repudiate them. The preliminary account of art has by now been converted into a philosophy of art. But a third question remains. Is this so-called philosophy of art a mere intellectual exercise, or has it practical consequences bearing on the way in which we ought to approach the practice of art (whether as artists or as audience) and hence, because a philosophy of art is a theory as to the place of art in life as a whole, the practice of life? As I have already indicated, the alternative I accept is the second one. In Book III, therefore, I have tried to point out some of these practical consequences by suggesting what kinds of obligation the acceptance of this aesthetic theory would impose upon artists and audiences, and in what kinds of way they could be met. This book is organized as follows: I. Introduction Book I. Art and Not Art II. Art and Craft III. Art and Representation IV. Art as Magic V. Art as Amusement VI. Art Proper: (1) As Expression VII. Art Proper: (2) As Imagination Book II. The Theory of Imagination VIII. Thinking and Feeling IX. Sensation and Imagination X. Imagination and Consciousness XI. Language Book III. The Theory of Art XII. Art as Language XIII. Art and Truth XIV. The Artist and the Community XV. Conclusion
