Author:
Publisher:
ISBN: 9781614337829
Category : College entrance achievement tests
Languages : en
Pages : 0
Book Description
This study guide provides informational study material, sample test questions and flash cards to help prepare for the CLEP College Composition exam.
College Composition
Author:
Publisher:
ISBN: 9781614337829
Category : College entrance achievement tests
Languages : en
Pages : 0
Book Description
This study guide provides informational study material, sample test questions and flash cards to help prepare for the CLEP College Composition exam.
Publisher:
ISBN: 9781614337829
Category : College entrance achievement tests
Languages : en
Pages : 0
Book Description
This study guide provides informational study material, sample test questions and flash cards to help prepare for the CLEP College Composition exam.
CLEP College Composition & College Composition Modular
Author: Rachelle Smith
Publisher: Research & Education Assoc.
ISBN: 0738611336
Category : Language Arts & Disciplines
Languages : en
Pages : 345
Book Description
"Access the REA Study Center at www.REA.com/StudyCenter"--Back Cover.
Publisher: Research & Education Assoc.
ISBN: 0738611336
Category : Language Arts & Disciplines
Languages : en
Pages : 345
Book Description
"Access the REA Study Center at www.REA.com/StudyCenter"--Back Cover.
Fundamental College Composition
Author: William P. DeFeo
Publisher: BrownWalker Press
ISBN: 1599426374
Category : Language Arts & Disciplines
Languages : en
Pages : 248
Book Description
This second edition of Fundamental College Composition: A Grammar and Style Guide (FCC: AGSG), contains nine new chapters designed to further assist college students in their journey to become clear and precise writers of English. College classrooms--even college level English courses themselves--often overlook the teaching of fundamental writing. Consequently, students may acquire content knowledge, but often lack the language skills necessary to either demonstrate or apply that knowledge. College-level study exposes students to ideas that are complex. A cursory study of grammar and the rules of basic language arts give students the tools they need to express complex ideas clearly and persuasively. FCC: AGSG provides systematic lessons that progressively build the students' understanding of the clarity and efficacy of language. Acquiring knowledge certainly deserves possession of the language skills to express it. Without those skills, education does not meet its primary objective. FCC: AGSG was written to assure exposure to those skills. REVIEWS and WORDS of PRAISE This book is a great guide for student writers. It concisely and clearly presents useful style and grammar techniques. I assign it in all my writing classes, and my students swear by it. I even used it as a reference when I wrote my first textbook. Anyone who uses this book will become a better writer. ---Thomas A. Miller, J.D., Associate Professor, Justice and Law Administration, Western Connecticut State University, co-author of Business Law: Foundations for the 21st Century Fundamental College Composition provides a concise and accessible explanation of grammar components and importance. DeFeo’s prose is fluid and an excellent style example for writers to model. All writers should memorize this quote from the text, "Electronic, immediate, thoughtless communication has tainted the substructures of academic, formal written communication." ---Deanna Schaab, Adjunct Professor, Western Connecticut State University. This is a textbook aimed at improving the language skills of its readers. Written with humor and a broad vocabulary, it entertains as it educates. It will give today's students a deeper understanding of the basic rules and structure of the English language and improve skills that are often overlooked during their academic careers. Anyone looking to improve their language skills whether in an academic setting, the workplace, or one's personal life will benefit from reading this text. --Roseanne Shea, J.D., Professor, Attorney at Law, Legal Reference Librarian at the Haas Library, Western Connecticut State University, Danbury Fundamental College Composition has accomplished the near impossible--it has made writing instruction for the college student accessible and easy to understand. The book's concise and informative 12 chapters will be a welcome addition to the undergraduate curriculum of any post-secondary institution. The content reflects the author's many years of teaching writing to students and highlights what he considers the main pitfalls in student writing. To that end Professor DeFeo's longest chapter, “Punctuation”, identifies a key villain to poor composition. The book removes the mystery that adorns most pedagogical approaches to college level writing instruction and sets a path for student improvement of this most critical of communication skills. --Terrence P. Dwyer, J.D., Professor, Western Connecticut State University. Author of Legal Issues in Homeland Security – U.S. Supreme Court Cases, Commentary, and Questions (2014, Loose Leaf Law Publications, Inc.) Professor DeFeo's Fundamental College Composition is an invaluable tool for the college student, academic, executive, and anyone else who needs to improve their writing skills. As his Foreword reveals, DeFeo's text is laced with subtle humor and moments of delightful insight. All of us need help with writing, at least occasionally. This highly accessible book will nourish the careful and determined reader who puts forth the effort to learn. --Peter Weston Wood, author of To Swallow a Toad (1987, Donald I. Fine, Inc.). Guest columnist, The New York Times, The Jersey City Journal In the first edition of Fundamental College Composition William DeFeo provided undergraduate students with a concise but thorough exposition on the habits and tools of being a good writer. Professor DeFeo has now expanded on what is going to become a classic of college writing instruction. Seven new chapters and a prior chapter expanded into two updated individual chapters add to this engaging and straight-forward approach to establishing solid writing skills. As he did in the First Edition with his chapter “Punctuation,” Professor DeFeo in this new edition has added an important chapter on “Verb Tenses and Moods.” This is another culprit of poor composition that has perpetually plagued the college writer. After reading Professor DeFeo’s expanded Second Edition to Fundamental College Composition there can be no excuse for failing to present clear and flowing syntax. --Terrence P. Dwyer, J.D., Professor, Western Connecticut State University, columnist and author
Publisher: BrownWalker Press
ISBN: 1599426374
Category : Language Arts & Disciplines
Languages : en
Pages : 248
Book Description
This second edition of Fundamental College Composition: A Grammar and Style Guide (FCC: AGSG), contains nine new chapters designed to further assist college students in their journey to become clear and precise writers of English. College classrooms--even college level English courses themselves--often overlook the teaching of fundamental writing. Consequently, students may acquire content knowledge, but often lack the language skills necessary to either demonstrate or apply that knowledge. College-level study exposes students to ideas that are complex. A cursory study of grammar and the rules of basic language arts give students the tools they need to express complex ideas clearly and persuasively. FCC: AGSG provides systematic lessons that progressively build the students' understanding of the clarity and efficacy of language. Acquiring knowledge certainly deserves possession of the language skills to express it. Without those skills, education does not meet its primary objective. FCC: AGSG was written to assure exposure to those skills. REVIEWS and WORDS of PRAISE This book is a great guide for student writers. It concisely and clearly presents useful style and grammar techniques. I assign it in all my writing classes, and my students swear by it. I even used it as a reference when I wrote my first textbook. Anyone who uses this book will become a better writer. ---Thomas A. Miller, J.D., Associate Professor, Justice and Law Administration, Western Connecticut State University, co-author of Business Law: Foundations for the 21st Century Fundamental College Composition provides a concise and accessible explanation of grammar components and importance. DeFeo’s prose is fluid and an excellent style example for writers to model. All writers should memorize this quote from the text, "Electronic, immediate, thoughtless communication has tainted the substructures of academic, formal written communication." ---Deanna Schaab, Adjunct Professor, Western Connecticut State University. This is a textbook aimed at improving the language skills of its readers. Written with humor and a broad vocabulary, it entertains as it educates. It will give today's students a deeper understanding of the basic rules and structure of the English language and improve skills that are often overlooked during their academic careers. Anyone looking to improve their language skills whether in an academic setting, the workplace, or one's personal life will benefit from reading this text. --Roseanne Shea, J.D., Professor, Attorney at Law, Legal Reference Librarian at the Haas Library, Western Connecticut State University, Danbury Fundamental College Composition has accomplished the near impossible--it has made writing instruction for the college student accessible and easy to understand. The book's concise and informative 12 chapters will be a welcome addition to the undergraduate curriculum of any post-secondary institution. The content reflects the author's many years of teaching writing to students and highlights what he considers the main pitfalls in student writing. To that end Professor DeFeo's longest chapter, “Punctuation”, identifies a key villain to poor composition. The book removes the mystery that adorns most pedagogical approaches to college level writing instruction and sets a path for student improvement of this most critical of communication skills. --Terrence P. Dwyer, J.D., Professor, Western Connecticut State University. Author of Legal Issues in Homeland Security – U.S. Supreme Court Cases, Commentary, and Questions (2014, Loose Leaf Law Publications, Inc.) Professor DeFeo's Fundamental College Composition is an invaluable tool for the college student, academic, executive, and anyone else who needs to improve their writing skills. As his Foreword reveals, DeFeo's text is laced with subtle humor and moments of delightful insight. All of us need help with writing, at least occasionally. This highly accessible book will nourish the careful and determined reader who puts forth the effort to learn. --Peter Weston Wood, author of To Swallow a Toad (1987, Donald I. Fine, Inc.). Guest columnist, The New York Times, The Jersey City Journal In the first edition of Fundamental College Composition William DeFeo provided undergraduate students with a concise but thorough exposition on the habits and tools of being a good writer. Professor DeFeo has now expanded on what is going to become a classic of college writing instruction. Seven new chapters and a prior chapter expanded into two updated individual chapters add to this engaging and straight-forward approach to establishing solid writing skills. As he did in the First Edition with his chapter “Punctuation,” Professor DeFeo in this new edition has added an important chapter on “Verb Tenses and Moods.” This is another culprit of poor composition that has perpetually plagued the college writer. After reading Professor DeFeo’s expanded Second Edition to Fundamental College Composition there can be no excuse for failing to present clear and flowing syntax. --Terrence P. Dwyer, J.D., Professor, Western Connecticut State University, columnist and author
The Origins of Composition Studies in the American College, 1875–1925
Author: John C. Brereton
Publisher: University of Pittsburgh Press
ISBN: 0822990563
Category : Language Arts & Disciplines
Languages : en
Pages : 609
Book Description
This volume describes the formative years of English composition courses in college through a study of the most prominent documents of the time: magazine articles, scholarly reports, early textbooks, teachers' testimonies-and some of the actual student papers that provoked discussion. Includes writings by leading scholars of the era such as Adams Sherman Hill, Gertrude Buck, William Edward Mead, Lane Cooper, William Lyon Phelps, and Fred Newton Scott.
Publisher: University of Pittsburgh Press
ISBN: 0822990563
Category : Language Arts & Disciplines
Languages : en
Pages : 609
Book Description
This volume describes the formative years of English composition courses in college through a study of the most prominent documents of the time: magazine articles, scholarly reports, early textbooks, teachers' testimonies-and some of the actual student papers that provoked discussion. Includes writings by leading scholars of the era such as Adams Sherman Hill, Gertrude Buck, William Edward Mead, Lane Cooper, William Lyon Phelps, and Fred Newton Scott.
College Writing and Beyond
Author: Anne Beaufort
Publisher: University Press of Colorado
ISBN: 087421663X
Category : Language Arts & Disciplines
Languages : en
Pages : 251
Book Description
div Composition research consistently demonstrates that the social context of writing determines the majority of conventions any writer must observe. Still, most universities organize the required first-year composition course as if there were an intuitive set of general writing "skills" usable across academic and work-world settings. In College Writing and Beyond: A New Framework for University Writing Instruction, Anne Beaufort reports on a longitudinal study comparing one student’s experience in FYC, in history, in engineering,;
Publisher: University Press of Colorado
ISBN: 087421663X
Category : Language Arts & Disciplines
Languages : en
Pages : 251
Book Description
div Composition research consistently demonstrates that the social context of writing determines the majority of conventions any writer must observe. Still, most universities organize the required first-year composition course as if there were an intuitive set of general writing "skills" usable across academic and work-world settings. In College Writing and Beyond: A New Framework for University Writing Instruction, Anne Beaufort reports on a longitudinal study comparing one student’s experience in FYC, in history, in engineering,;
The best test preparation for the CLEP (college level examination program)
Author:
Publisher: Research & Education Assoc.
ISBN: 9780878918997
Category : Language Arts & Disciplines
Languages : en
Pages : 308
Book Description
REA ... Real review, Real practice, Real results. An easier path to a college degree - get college credits without the classes. CLEP FRESHMAN COLLEGE COMPOSITION Based on today’s official CLEP exam Are you prepared to excel on the CLEP? * Take the first practice test to discover what you know and what you should know * Set up a flexible study schedule by following our easy timeline * Use REA's advice to ready yourself for proper study and success Study what you need to know to pass the exam * The book's on-target subject review features coverage of all topics on the official CLEP exam, including college writing, the reading process, language skills and more * Smart and friendly lessons reinforce necessary skills * Key tutorials enhance specific abilities needed on the test * Targeted drills increase comprehension and help organize study Practice for real * Create the closest experience to test-day conditions with 3 full-length practice tests * Chart your progress with full and detailed explanations of all answers * Boost your confidence with test-taking strategies and experienced advice Specially Written for Solo Test Preparation! REA is the acknowledged leader in CLEP preparation, with the most extensive library of CLEP titles and software available. Most titles are also offered with REA's exclusive TESTware software to make your practice more effective and more like exam day. REA's CLEP Prep guides will help you get valuable credits, save on tuition, and advance your chosen career by earning a college degree.
Publisher: Research & Education Assoc.
ISBN: 9780878918997
Category : Language Arts & Disciplines
Languages : en
Pages : 308
Book Description
REA ... Real review, Real practice, Real results. An easier path to a college degree - get college credits without the classes. CLEP FRESHMAN COLLEGE COMPOSITION Based on today’s official CLEP exam Are you prepared to excel on the CLEP? * Take the first practice test to discover what you know and what you should know * Set up a flexible study schedule by following our easy timeline * Use REA's advice to ready yourself for proper study and success Study what you need to know to pass the exam * The book's on-target subject review features coverage of all topics on the official CLEP exam, including college writing, the reading process, language skills and more * Smart and friendly lessons reinforce necessary skills * Key tutorials enhance specific abilities needed on the test * Targeted drills increase comprehension and help organize study Practice for real * Create the closest experience to test-day conditions with 3 full-length practice tests * Chart your progress with full and detailed explanations of all answers * Boost your confidence with test-taking strategies and experienced advice Specially Written for Solo Test Preparation! REA is the acknowledged leader in CLEP preparation, with the most extensive library of CLEP titles and software available. Most titles are also offered with REA's exclusive TESTware software to make your practice more effective and more like exam day. REA's CLEP Prep guides will help you get valuable credits, save on tuition, and advance your chosen career by earning a college degree.
Strategies for Teaching First-year Composition
Author: Duane H. Roen
Publisher: National Council of Teachers of English (Ncte)
ISBN:
Category : Education
Languages : en
Pages : 670
Book Description
This book presents 93 essays that offer guidance, reassurance, and commentary on the many activities leading up to and surrounding classroom instruction in first-year composition. Essays in the book are written by instructors who teach in community colleges, liberal arts colleges, state university systems, and research institutions. The 14 section titles and 2 representative essays from each section are: Section 1, Contexts for Teaching Writing, "The Departmental Perspective" (Roger Gilles) and "Composition, Community, and Curriculum: A Letter to New Composition Teachers" (Geoffrey Chase); Section 2, Seeing the Forest and the Trees of Curriculum, "Teaching in an Idealized Outcomes-Based First-Year Writing Program" (Irvin Peckham) and "Constructing Bridges between High School and College Writing" (Marguerite Helmers); Section 3, Constructing Syllabus Materials, "On Syllabi" (Victor Villanueva) and "Departmental Syllabus: Experience in Writing" (Gregory Clark); Section 4, Constructing Effective Writing Assignments, "Sequencing Writing Projects in Any Composition Class" (Penn State University Composition Program Handbook) and "Autobiography: The Rhetorical Efficacy of Self-Reflection/Articulation" (Bonnie Lenore Kyburz); Section 5, Guiding Students to Construct Reflective Portfolios, "A Writing Portfolio Assignment" (Phyllis Mentzell Ryder) and "Portfolio Requirements for Writing and Discourse" (C. Beth Burch); Section 6, Strategies for Course Management, "Fostering Classroom Civility" (Lynn Langer Meeks, Joyce Kinkead, Keith VanBezooyen, and Erin Edwards) and"Course Management Guidelines" (Rebecca Moore Howard); Section 7, Teaching Invention, "Teaching Invention" (Sharon Crowley) and "Invention Activity" (Theresa Enos); Section 8, Orchestrating Peer-Response Activities, "Approaches to Productive Peer Review" (Fiona Paton) and "Reflection on Peer-Review Practices" (Lisa Cahill); Section 9, Responding to In-Process Work to Promote Revision, "Less Is More in Response to Student Writing" (Clyde Moneyhun) and "One Dimension of Response to Student Writing: How Students Construct Their Critics" (Carol Rutz); Section 10, Responding to and Evaluating Polished Writing, "Developing Rubrics for Instruction and Evaluation" (Chris M. Anson and Deanna P. Dannels) and "What Makes Writing 'Good'?/What Makes a 'Good' Writer?" (Ruth Overman Fischer); Section 11, Teaching Writing with Technology, "Overcoming the Unknown" (Adelheid Thieme) and "Asynchronous Online Teaching" (Donald Wolff); Section 12, Constructing a Teaching Portfolio, "Teaching-Portfolio Potential and Concerns: A Brief Review" (Camille Newton) and "Thinking about Your Teaching Portfolio" (C. Beth Burch); Section 13, Teaching Matters of Grammar, Usage, and Style, "A Cautionary Introduction" (Keith Rhodes) and "And the Question Is This--'What Lessons Can We, as Writers, Take from This Reading for Our Own Writing?'" (Elizabeth Hodges); and Section 14, Teaching Research Skills, "First-Year Composition as an Introduction to Academic Discourse" (M. J. Braun and Sarah Prineas) and "Teaching Research Skills in the First-Year Composition Class" (Mark Gellis). (Most papers contain references.) (RS)
Publisher: National Council of Teachers of English (Ncte)
ISBN:
Category : Education
Languages : en
Pages : 670
Book Description
This book presents 93 essays that offer guidance, reassurance, and commentary on the many activities leading up to and surrounding classroom instruction in first-year composition. Essays in the book are written by instructors who teach in community colleges, liberal arts colleges, state university systems, and research institutions. The 14 section titles and 2 representative essays from each section are: Section 1, Contexts for Teaching Writing, "The Departmental Perspective" (Roger Gilles) and "Composition, Community, and Curriculum: A Letter to New Composition Teachers" (Geoffrey Chase); Section 2, Seeing the Forest and the Trees of Curriculum, "Teaching in an Idealized Outcomes-Based First-Year Writing Program" (Irvin Peckham) and "Constructing Bridges between High School and College Writing" (Marguerite Helmers); Section 3, Constructing Syllabus Materials, "On Syllabi" (Victor Villanueva) and "Departmental Syllabus: Experience in Writing" (Gregory Clark); Section 4, Constructing Effective Writing Assignments, "Sequencing Writing Projects in Any Composition Class" (Penn State University Composition Program Handbook) and "Autobiography: The Rhetorical Efficacy of Self-Reflection/Articulation" (Bonnie Lenore Kyburz); Section 5, Guiding Students to Construct Reflective Portfolios, "A Writing Portfolio Assignment" (Phyllis Mentzell Ryder) and "Portfolio Requirements for Writing and Discourse" (C. Beth Burch); Section 6, Strategies for Course Management, "Fostering Classroom Civility" (Lynn Langer Meeks, Joyce Kinkead, Keith VanBezooyen, and Erin Edwards) and"Course Management Guidelines" (Rebecca Moore Howard); Section 7, Teaching Invention, "Teaching Invention" (Sharon Crowley) and "Invention Activity" (Theresa Enos); Section 8, Orchestrating Peer-Response Activities, "Approaches to Productive Peer Review" (Fiona Paton) and "Reflection on Peer-Review Practices" (Lisa Cahill); Section 9, Responding to In-Process Work to Promote Revision, "Less Is More in Response to Student Writing" (Clyde Moneyhun) and "One Dimension of Response to Student Writing: How Students Construct Their Critics" (Carol Rutz); Section 10, Responding to and Evaluating Polished Writing, "Developing Rubrics for Instruction and Evaluation" (Chris M. Anson and Deanna P. Dannels) and "What Makes Writing 'Good'?/What Makes a 'Good' Writer?" (Ruth Overman Fischer); Section 11, Teaching Writing with Technology, "Overcoming the Unknown" (Adelheid Thieme) and "Asynchronous Online Teaching" (Donald Wolff); Section 12, Constructing a Teaching Portfolio, "Teaching-Portfolio Potential and Concerns: A Brief Review" (Camille Newton) and "Thinking about Your Teaching Portfolio" (C. Beth Burch); Section 13, Teaching Matters of Grammar, Usage, and Style, "A Cautionary Introduction" (Keith Rhodes) and "And the Question Is This--'What Lessons Can We, as Writers, Take from This Reading for Our Own Writing?'" (Elizabeth Hodges); and Section 14, Teaching Research Skills, "First-Year Composition as an Introduction to Academic Discourse" (M. J. Braun and Sarah Prineas) and "Teaching Research Skills in the First-Year Composition Class" (Mark Gellis). (Most papers contain references.) (RS)
Composition In The University
Author: Sharon Crowley
Publisher: University of Pittsburgh Pre
ISBN: 9780822971900
Category : Education
Languages : en
Pages : 324
Book Description
Composition in the University examines the required introductory course in composition within American colleges and universities. According to Sharon Crowley, the required composition course has never been conceived in the way that other introductory courses have been—as an introduction to the principles and practices of a field of study. Rather it has been constructed throughout much of its history as a site from which larger educational and ideological agendas could be advanced, and such agendas have not always served the interests of students or teachers, even though they are usually touted as programs of study that students "need." If there is a master narrative of the history of composition, it is told in the institutional attitude that has governed administration, design, and staffing of the course from its beginnings—the attitude that the universal requirement is in place in order to construct docile academic subjects. Crowley argues that due to its association with literary studies in English departments, composition instruction has been inappropriately influenced by humanist pedagogy and that modern humanism is not a satisfactory rationale for the study of writing. She examines historical attempts to reconfigure the required course in nonhumanist terms, such as the advent of communications studies during the 1940s. Crowley devotes two essays to this phenomenon, concentrating on the furor caused by the adoption of a communications program at the University of Iowa. Composition in the University concludes with a pair of essays that argue against maintenance of the universal requirement. In the last of these, Crowley envisions possible nonhumanist rationales that could be developed for vertical curricula in writing instruction, were the universal requirement not in place. Crowley presents her findings in a series of essays because she feels the history of the required composition course cannot easily be understood as a coherent narrative since understandings of the purpose of the required course have altered rapidly from decade to decade, sometimes in shockingly sudden and erratic fashion. The essays in this book are informed by Crowley's long career of teaching composition, administering a composition program, and training teachers of the required introductory course. The book also draw on experience she gained while working with committees formed by the Conference on College Composition and Communication toward implementation of the Wyoming Resolution, an attempt to better the working conditions of post-secondary teachers of writing.
Publisher: University of Pittsburgh Pre
ISBN: 9780822971900
Category : Education
Languages : en
Pages : 324
Book Description
Composition in the University examines the required introductory course in composition within American colleges and universities. According to Sharon Crowley, the required composition course has never been conceived in the way that other introductory courses have been—as an introduction to the principles and practices of a field of study. Rather it has been constructed throughout much of its history as a site from which larger educational and ideological agendas could be advanced, and such agendas have not always served the interests of students or teachers, even though they are usually touted as programs of study that students "need." If there is a master narrative of the history of composition, it is told in the institutional attitude that has governed administration, design, and staffing of the course from its beginnings—the attitude that the universal requirement is in place in order to construct docile academic subjects. Crowley argues that due to its association with literary studies in English departments, composition instruction has been inappropriately influenced by humanist pedagogy and that modern humanism is not a satisfactory rationale for the study of writing. She examines historical attempts to reconfigure the required course in nonhumanist terms, such as the advent of communications studies during the 1940s. Crowley devotes two essays to this phenomenon, concentrating on the furor caused by the adoption of a communications program at the University of Iowa. Composition in the University concludes with a pair of essays that argue against maintenance of the universal requirement. In the last of these, Crowley envisions possible nonhumanist rationales that could be developed for vertical curricula in writing instruction, were the universal requirement not in place. Crowley presents her findings in a series of essays because she feels the history of the required composition course cannot easily be understood as a coherent narrative since understandings of the purpose of the required course have altered rapidly from decade to decade, sometimes in shockingly sudden and erratic fashion. The essays in this book are informed by Crowley's long career of teaching composition, administering a composition program, and training teachers of the required introductory course. The book also draw on experience she gained while working with committees formed by the Conference on College Composition and Communication toward implementation of the Wyoming Resolution, an attempt to better the working conditions of post-secondary teachers of writing.
Successful College Composition
Author: Lauren Curtright
Publisher:
ISBN: 9781983292330
Category :
Languages : en
Pages : 354
Book Description
This text is a transformation of Writing for Success, a text adapted by The Saylor Foundation under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 License without attribution as requested by the work's original creator or licensee. Kathryn Crowther, Lauren Curtright, Nancy Gilbert, Barbara Hall, Tracienne Ravita, and Kirk Swenson adapted this text under a grant from Affordable Learning Georgia to Georgia Perimeter College (GPC, now part of Georgia State University) in 2015. Section 1.3 was authored by Rebecca Weaver. This text is a revision of a prior adaptation of Writing for Success led by Rosemary Cox in GPC's Department of English, titled Successful College Writing for GPC Students (2014, 2015).Georgia Northwestern Technical College adapted this textbook for English 1101.Georgia Northwestern Technical College is accredited by the Southern Association of Colleges and SchoolsCommission on Colleges to award associate degrees.You can see the latest version at https://oer.galileo.usg.edu/english-textbooks/8/
Publisher:
ISBN: 9781983292330
Category :
Languages : en
Pages : 354
Book Description
This text is a transformation of Writing for Success, a text adapted by The Saylor Foundation under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 License without attribution as requested by the work's original creator or licensee. Kathryn Crowther, Lauren Curtright, Nancy Gilbert, Barbara Hall, Tracienne Ravita, and Kirk Swenson adapted this text under a grant from Affordable Learning Georgia to Georgia Perimeter College (GPC, now part of Georgia State University) in 2015. Section 1.3 was authored by Rebecca Weaver. This text is a revision of a prior adaptation of Writing for Success led by Rosemary Cox in GPC's Department of English, titled Successful College Writing for GPC Students (2014, 2015).Georgia Northwestern Technical College adapted this textbook for English 1101.Georgia Northwestern Technical College is accredited by the Southern Association of Colleges and SchoolsCommission on Colleges to award associate degrees.You can see the latest version at https://oer.galileo.usg.edu/english-textbooks/8/
The Formation of College English
Author: Thomas P. Miller
Publisher: University of Pittsburgh Pre
ISBN: 0822990504
Category : Education
Languages : en
Pages : 358
Book Description
In the middle of the eighteenth century, English literature, composition, and rhetoric were introduced almost simultaneously into colleges throughout the British cultural provinces. Professorships of rhetoric and belles lettres were established just as print was reaching a growing reading public and efforts were being made to standardize educated taste and usage. The provinces saw English studies as a means to upward social mobility through cultural assimilation. In the educational centers of England, however, the introduction of English represented a literacy crisis brought on by provincial institutions that had failed to maintain classical texts and learned languages.Today, as rhetoric and composition have become reestablished in the humanities in American colleges, English studies are being broadly transformed by cultural studies, community literacies, and political controversies. Once again, English departments that are primarily departments of literature see these basic writing courses as a sign of a literacy crisis that is undermining the classics of literature. The Formation of College English reexamines the civic concerns of rhetoric and the politics that have shaped and continue to shape college English.
Publisher: University of Pittsburgh Pre
ISBN: 0822990504
Category : Education
Languages : en
Pages : 358
Book Description
In the middle of the eighteenth century, English literature, composition, and rhetoric were introduced almost simultaneously into colleges throughout the British cultural provinces. Professorships of rhetoric and belles lettres were established just as print was reaching a growing reading public and efforts were being made to standardize educated taste and usage. The provinces saw English studies as a means to upward social mobility through cultural assimilation. In the educational centers of England, however, the introduction of English represented a literacy crisis brought on by provincial institutions that had failed to maintain classical texts and learned languages.Today, as rhetoric and composition have become reestablished in the humanities in American colleges, English studies are being broadly transformed by cultural studies, community literacies, and political controversies. Once again, English departments that are primarily departments of literature see these basic writing courses as a sign of a literacy crisis that is undermining the classics of literature. The Formation of College English reexamines the civic concerns of rhetoric and the politics that have shaped and continue to shape college English.