Collection of notes on all kinds of different subjects by Gerardus Joannes Vossius PDF Download
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Author: Gerardus Joannes Vossius
Publisher:
ISBN:
Category :
Languages : la
Pages : 0
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Author: Gerardus Joannes Vossius
Publisher:
ISBN:
Category :
Languages : la
Pages : 0
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Book Description
Author: Jan Bloemendal
Publisher: BRILL
ISBN: 9004183698
Category : Literary Criticism
Languages : en
Pages : 2216
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Book Description
This is a new, critical edition (in two-volumes) of Gerardus Joannes Vossius' Latin Poeticae institutiones (1647), with a translation in English, an introduction, annotations and a commentary. In appendices the De artis poeticae natura ac constitutione and De imitatione are published, with a translation.
Author: Dugald Stewart
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
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Book Description
Author: Daniel M. Swetschinski
Publisher: Liverpool University Press
ISBN: 1909821802
Category : Social Science
Languages : en
Pages : 395
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Book Description
Winner of the 2000 National Jewish Book Award for Sephardic Studies Focusing on the social dimension of Amsterdam's Portuguese Jewish economic and religious life, Swetschinski paints a lively and unconventional picture of the dynamics of a remarkable Jewish community, the first traditional Jewish society to engage creatively with the non-Jewish, secular world in relative harmony. A broad, authentic, and original vision of the transition from medieval to modern Jewish history.
Author: Dugald Stewart
Publisher:
ISBN:
Category :
Languages : en
Pages : 508
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Author: Dugald Stewart
Publisher:
ISBN:
Category :
Languages : en
Pages : 502
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Book Description
Author: Gilbert Tournoy
Publisher: Leuven University Press
ISBN: 9789061861072
Category : Foreign Language Study
Languages : en
Pages : 364
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Book Description
Volume 29
Author:
Publisher: BRILL
ISBN: 9004455949
Category : Language Arts & Disciplines
Languages : en
Pages : 191
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Author: Caedmon
Publisher: Rodopi
ISBN: 9789042003439
Category : Bible
Languages : en
Pages : 196
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Book Description
Author: Blair Hoxby
Publisher: Oxford University Press
ISBN: 0191065994
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
Twentieth century critics have definite ideas about tragedy. They maintain that in a true tragedy, fate must feel the resistance of the tragic hero's moral freedom before finally crushing him, thus generating our ambivalent sense of terrible waste coupled with spiritual consolation. Yet far from being a timeless truth, this account of tragedy only emerged in the wake of the French Revolution. What Was Tragedy? demonstrates that this account of the tragic, which has been hegemonic from the early nineteenth century to the present despite all the twists and turns of critical fashion in the twentieth century, obscured an earlier poetics of tragedy that evolved from 1515 to 1795. By reconstructing that poetics, Blair Hoxby makes sense of plays that are "merely pathetic, not truly tragic," of operas with happy endings, of Christian tragedies, and of other plays that advertised themselves as tragedies to early modern audiences and yet have subsequently been denied the palm of tragedy by critics. In doing so, Hoxby not only illuminates masterpieces by Shakespeare, Calderón, Corneille, Racine, Milton, and Mozart, he also revivifies a vast repertoire of tragic drama and opera that has been relegated to obscurity by critical developments since 1800. He suggests how many of these plays might be reclaimed as living works of theater. And by reconstructing a lost conception of tragedy both ancient and modern, he illuminates the hidden assumptions and peculiar blind-spots of the idealist critical tradition that runs from Schelling, Schlegel, and Hegel, through Wagner, Nietzsche, and Freud, up to modern post-structuralism.
