Author:
Publisher:
ISBN:
Category : Portraits, French
Languages : en
Pages : 50
Book Description
Collection of Engraved Portraits of Louis XVI, Marie Antoinette and Members of the Royal Family
Author:
Publisher:
ISBN:
Category : Portraits, French
Languages : en
Pages : 50
Book Description
Publisher:
ISBN:
Category : Portraits, French
Languages : en
Pages : 50
Book Description
Catalogue of a Collection of Portraits of Marie Antoinette, Louis XVI., and the Royal Family of France, Also, Historical Prints, Caricatures, Etc., Relating to the French Revolution, the Property of Lord Ronald Gower
Author: Ronald Gower
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
Book Description
Female Portraiture and Patronage in Marie Antoinette's Court
Author: Sarah Grant
Publisher: Routledge
ISBN: 1351061801
Category : Art
Languages : en
Pages : 257
Book Description
This comprehensive book brings to light the portraits, private collections and public patronage of the princesse de Lamballe, a pivotal member of Marie-Antoinette’s inner circle. Drawing extensively on unpublished archival sources, Sarah Grant examines the princess’s many portrait commissions and the rich character of her private collections, which included works by some of the period’s leading artists and artisans. The book sheds new light on the agency, sorority and taste of Marie-Antoinette and her friends, a group of female patrons and model of courtly collecting that would be extinguished by the coming revolution.
Publisher: Routledge
ISBN: 1351061801
Category : Art
Languages : en
Pages : 257
Book Description
This comprehensive book brings to light the portraits, private collections and public patronage of the princesse de Lamballe, a pivotal member of Marie-Antoinette’s inner circle. Drawing extensively on unpublished archival sources, Sarah Grant examines the princess’s many portrait commissions and the rich character of her private collections, which included works by some of the period’s leading artists and artisans. The book sheds new light on the agency, sorority and taste of Marie-Antoinette and her friends, a group of female patrons and model of courtly collecting that would be extinguished by the coming revolution.
A Collection of Engraved Portraits (further Selection) Exhibited by the Late James Anderson Rose, at the Opening of the New Library and Museum of the Corporation of London, November, 1872
Author: James Anderson Rose
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 306
Book Description
Nativities of the late King & Queen of France. [An engraving containing portraits of Louis XVI. and Marie Antoinette, surrounded by their horoscopes, etc.].
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1
Book Description
Catalog of the Avery Memorial Architectural Library of Columbia University
Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 844
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 844
Book Description
An Illustrated Catalogue of Books, Engravings, & Cricatures Relating to the French Revolution and Napoleon
Author: Henry Sotheran Ltd
Publisher:
ISBN:
Category : France
Languages : en
Pages : 114
Book Description
Publisher:
ISBN:
Category : France
Languages : en
Pages : 114
Book Description
A Collection of Engraved Portraits
Author: James Anderson Rose
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 412
Book Description
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 412
Book Description
What Ever Happened to the U.S. Congress's Portraits of Louis XVI and Marie-Antoinette?
Author: T. Lawrence Larkin
Publisher:
ISBN: 9781606181058
Category : Art
Languages : en
Pages : 0
Book Description
"One of the greatest unsolved mysteries in American political culture is what became of the United States Congress's state portraits of Louis XVI and Marie-Antoinette during the British invasion of the Capitol, Washington, D.C., on the night of 24-25 August 1814. Conceived by Benjamin Franklin during a diplomatic mission, requested by the American delegates at the height of the War of Independence, and granted by the French king after the signing of the Treaty of Paris, these official full-length images of the French monarchs arrayed in ceremonial magnificence were recently identified as atelier copies after Antoine-François Callet's Louis XVI and Élisabeth Vigée Le Brun's Marie-Antoinette (both 1783) and traced through Congress's successive assembly rooms at New York City (1785), Philadelphia (1790), and Washington (1800). The fate of the royal portraits has been difficult to determine due to the incomplete documentary record and conflicting eyewitness accounts. Larkin initially takes a telescopic approach to the problem, moving from British and French production of state portraits to assert political claims in North America and despoliation of Western European countries of their art treasures, to show British and American interests at stake in the practice of looting and incendiary warfare waged across the Great Lakes and the Chesapeake Bay prior to the destruction of the public buildings in Washington, D.C. He then pursues a microscopic approach, analyzing period documents, letters, images, and plans to test the viability of two theories-that the royal portraits were burned by British troops during their occupation of the capital or looted by American scavengers during the chaotic aftermath. While physical evidence of the portrait artifacts remains elusive, this study of the images as objects of desire, danger, and loss breaks new ground for scholars desirous of constituting an art and material history for the War of 1812"--
Publisher:
ISBN: 9781606181058
Category : Art
Languages : en
Pages : 0
Book Description
"One of the greatest unsolved mysteries in American political culture is what became of the United States Congress's state portraits of Louis XVI and Marie-Antoinette during the British invasion of the Capitol, Washington, D.C., on the night of 24-25 August 1814. Conceived by Benjamin Franklin during a diplomatic mission, requested by the American delegates at the height of the War of Independence, and granted by the French king after the signing of the Treaty of Paris, these official full-length images of the French monarchs arrayed in ceremonial magnificence were recently identified as atelier copies after Antoine-François Callet's Louis XVI and Élisabeth Vigée Le Brun's Marie-Antoinette (both 1783) and traced through Congress's successive assembly rooms at New York City (1785), Philadelphia (1790), and Washington (1800). The fate of the royal portraits has been difficult to determine due to the incomplete documentary record and conflicting eyewitness accounts. Larkin initially takes a telescopic approach to the problem, moving from British and French production of state portraits to assert political claims in North America and despoliation of Western European countries of their art treasures, to show British and American interests at stake in the practice of looting and incendiary warfare waged across the Great Lakes and the Chesapeake Bay prior to the destruction of the public buildings in Washington, D.C. He then pursues a microscopic approach, analyzing period documents, letters, images, and plans to test the viability of two theories-that the royal portraits were burned by British troops during their occupation of the capital or looted by American scavengers during the chaotic aftermath. While physical evidence of the portrait artifacts remains elusive, this study of the images as objects of desire, danger, and loss breaks new ground for scholars desirous of constituting an art and material history for the War of 1812"--
The Private Life of Marie Antoinette ...
Author: Mme Campan (Jeanne-Louise-Henriette)
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
Book Description