Author:
Publisher: ATF Press
ISBN: 1925371379
Category : Art
Languages : en
Pages : 323
Book Description
After a period of many years, unification was the desire by all at the end of the Warring States Period. Six separate states, Han, Zhao, Yan, Wei, Chu and Qi unified with the establishment of a centralised feudal state. Although the Qin Dynasty was quickly overthrown due to tyranny, there was the implementation of a range of policies conducive to unification which had far-reaching and significant impacts on society lasting 2,000 years. The Han Dynasty followed and inherited the Qin system. In the Han Dynasty there were brilliant socio-political, economic, military, cultural and artistic achievements, and so this period occupies an important position in the history of the development of Chinese civilization. The Qin Dynasty was not long and few large tombs have been found, so little is known of the jade ware. From the Han Dynasty, much is known and representing the peak of Chinese jade ware. That is, in terms of number of pieces found, choice of materials and their design as well as the carvings. The bronze foundry industry became secondary and its scale of production was shrinking compared to the Shang and Zhou Dynasties. Gold and silver ware gradually developed to very advances stages. This book, the third in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 383 descriptions.
Collection of Ancient Chinese Cultural Relics, Volume 3
Author:
Publisher: ATF Press
ISBN: 1925371379
Category : Art
Languages : en
Pages : 323
Book Description
After a period of many years, unification was the desire by all at the end of the Warring States Period. Six separate states, Han, Zhao, Yan, Wei, Chu and Qi unified with the establishment of a centralised feudal state. Although the Qin Dynasty was quickly overthrown due to tyranny, there was the implementation of a range of policies conducive to unification which had far-reaching and significant impacts on society lasting 2,000 years. The Han Dynasty followed and inherited the Qin system. In the Han Dynasty there were brilliant socio-political, economic, military, cultural and artistic achievements, and so this period occupies an important position in the history of the development of Chinese civilization. The Qin Dynasty was not long and few large tombs have been found, so little is known of the jade ware. From the Han Dynasty, much is known and representing the peak of Chinese jade ware. That is, in terms of number of pieces found, choice of materials and their design as well as the carvings. The bronze foundry industry became secondary and its scale of production was shrinking compared to the Shang and Zhou Dynasties. Gold and silver ware gradually developed to very advances stages. This book, the third in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 383 descriptions.
Publisher: ATF Press
ISBN: 1925371379
Category : Art
Languages : en
Pages : 323
Book Description
After a period of many years, unification was the desire by all at the end of the Warring States Period. Six separate states, Han, Zhao, Yan, Wei, Chu and Qi unified with the establishment of a centralised feudal state. Although the Qin Dynasty was quickly overthrown due to tyranny, there was the implementation of a range of policies conducive to unification which had far-reaching and significant impacts on society lasting 2,000 years. The Han Dynasty followed and inherited the Qin system. In the Han Dynasty there were brilliant socio-political, economic, military, cultural and artistic achievements, and so this period occupies an important position in the history of the development of Chinese civilization. The Qin Dynasty was not long and few large tombs have been found, so little is known of the jade ware. From the Han Dynasty, much is known and representing the peak of Chinese jade ware. That is, in terms of number of pieces found, choice of materials and their design as well as the carvings. The bronze foundry industry became secondary and its scale of production was shrinking compared to the Shang and Zhou Dynasties. Gold and silver ware gradually developed to very advances stages. This book, the third in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 383 descriptions.
China's Cultural Relics
Author: Li Li
Publisher: Cambridge University Press
ISBN: 0521186560
Category : Art
Languages : en
Pages : 171
Book Description
China's Cultural Relics provides an illustrated introduction to ancient Chinese artifacts and the preservation of these relics in modern times.
Publisher: Cambridge University Press
ISBN: 0521186560
Category : Art
Languages : en
Pages : 171
Book Description
China's Cultural Relics provides an illustrated introduction to ancient Chinese artifacts and the preservation of these relics in modern times.
Collection of Ancient Chinese Cultural Relics, Volume 9
Author:
Publisher: ATF Press
ISBN: 1925371611
Category : Art
Languages : en
Pages : 333
Book Description
This book, a collection of ancient Chinese cultural relics, deals with relics from Qing Dynasty, 1644 to 1911. There are two volumes dealing with relics in this period. This book contains 377 relics. The ancestors of the people who established the Manchu Qing Dynasty lived in northeast China in the territory lying between the 'white mountains and the black rivers'. After establishing their capital in Beijing. the Qing Dynasty defeated all the forces that opposed them and they quickly consolidated their frontier defences. in the nearly 300 years of the Qing Dynasty, China achieved some remarkable things especially in the fields of culture and art even though it lagged behind in many other respects in global terms. Jade ware reached a great peak in the mid Qing Dynasty and surpassed previous achievement in size, selection of materials and overall craftsmanship. Porcelain production reached its highest ever peak in this era. Jingdezhen remained the centre for production of porcelain. The period also saw the revival in the history of Chinese calligraphy. Stone inscriptions grew in popularity and a number of pioneer masters emerged and exerted a far-reaching influence. Seal character calligraphy and li calligraphy (official script) were revised again. Literati painting played a dominant role and landscape painting and impressionistic ink and wash painting were prevalent Laquer craftwork in all shapes and sizes reached a great deal level of maturity. Existing techniques were improved and others developed. Embroidery reached unprecedented heights. Silk tapestries became more and more exquisite and the production of metal bodied enamelware reached a great peak. Bamboo wood and horn carvings also were developed. Jade objects went through three stages of development. 1. Frugal period, with jade production was small and made by ordinary craftsmen and lack originality. 2. Due to a growing Qing comic strength. and a plentiful supply of jade materials the jade industry began to flourish, and became one of the high points in jade carving in China. 3. Late period of the Qing Dynasty and due to increasing corruption in society and large number of difficulties, both domestic and external, there was less appetite for large scale pieces of jade in part also due to the high cost of production. This book, the ninth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 377 descriptions.
Publisher: ATF Press
ISBN: 1925371611
Category : Art
Languages : en
Pages : 333
Book Description
This book, a collection of ancient Chinese cultural relics, deals with relics from Qing Dynasty, 1644 to 1911. There are two volumes dealing with relics in this period. This book contains 377 relics. The ancestors of the people who established the Manchu Qing Dynasty lived in northeast China in the territory lying between the 'white mountains and the black rivers'. After establishing their capital in Beijing. the Qing Dynasty defeated all the forces that opposed them and they quickly consolidated their frontier defences. in the nearly 300 years of the Qing Dynasty, China achieved some remarkable things especially in the fields of culture and art even though it lagged behind in many other respects in global terms. Jade ware reached a great peak in the mid Qing Dynasty and surpassed previous achievement in size, selection of materials and overall craftsmanship. Porcelain production reached its highest ever peak in this era. Jingdezhen remained the centre for production of porcelain. The period also saw the revival in the history of Chinese calligraphy. Stone inscriptions grew in popularity and a number of pioneer masters emerged and exerted a far-reaching influence. Seal character calligraphy and li calligraphy (official script) were revised again. Literati painting played a dominant role and landscape painting and impressionistic ink and wash painting were prevalent Laquer craftwork in all shapes and sizes reached a great deal level of maturity. Existing techniques were improved and others developed. Embroidery reached unprecedented heights. Silk tapestries became more and more exquisite and the production of metal bodied enamelware reached a great peak. Bamboo wood and horn carvings also were developed. Jade objects went through three stages of development. 1. Frugal period, with jade production was small and made by ordinary craftsmen and lack originality. 2. Due to a growing Qing comic strength. and a plentiful supply of jade materials the jade industry began to flourish, and became one of the high points in jade carving in China. 3. Late period of the Qing Dynasty and due to increasing corruption in society and large number of difficulties, both domestic and external, there was less appetite for large scale pieces of jade in part also due to the high cost of production. This book, the ninth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 377 descriptions.
Development History Of Ancient Chinese Glass Technology
Author:
Publisher: World Scientific
ISBN: 9811229783
Category : Science
Languages : en
Pages : 818
Book Description
Worldwide research on ancient glass began in the early 20th century. A consensus has been reached in the community of Archaeology that the first manmade or synthetic glasses, based on archaeological findings, originated in the Middle East during the 5000-3000's BC. By contrast, the manufacturing technology of pottery and ceramics were well developed in ancient China. The earliest pottery and ceramics dates back to the Shang Dynasty - the Zhou Dynasty (1700 BC-770 BC), while the earliest ancient glass artifacts unearthed in China dates back to the Western Han Dynasty. Utilizing the state-of-the art analytical and spectroscopic methods, the recent findings demonstrate that China had already developed its own glassmaking technology at latest since 200 BC. There are two schools of viewpoint on the origin of ancient Chinese glass. The more common one believes that ancient Chinese glass originated from the import of glassmaking technology from the West as a result of Sino-West trade exchanges in the Western Han Dynasty (206 BC-25 AD). The other scientifically demonstrates that homemade ancient Chinese glass with unique domestic formula containing both PbO and BaO were made as early as in the Pre-Qin Period or even the Warring States Period (770 BC-221 BC), known as Yousha or Faience.This English version of the previously published Chinese book entitled Development History of Ancient Chinese Glass Technology is for universities and research institutes where various research and educational activities of ancient glass and history are conducted. With 18 chapters, the scope of this book covers very detailed information on scientifically based findings of ancient Chinese glass development and imports and influence of foreign glass products as well as influence of the foreign glass manufacturing processes through the trade exchanges along the Silk Road(s).
Publisher: World Scientific
ISBN: 9811229783
Category : Science
Languages : en
Pages : 818
Book Description
Worldwide research on ancient glass began in the early 20th century. A consensus has been reached in the community of Archaeology that the first manmade or synthetic glasses, based on archaeological findings, originated in the Middle East during the 5000-3000's BC. By contrast, the manufacturing technology of pottery and ceramics were well developed in ancient China. The earliest pottery and ceramics dates back to the Shang Dynasty - the Zhou Dynasty (1700 BC-770 BC), while the earliest ancient glass artifacts unearthed in China dates back to the Western Han Dynasty. Utilizing the state-of-the art analytical and spectroscopic methods, the recent findings demonstrate that China had already developed its own glassmaking technology at latest since 200 BC. There are two schools of viewpoint on the origin of ancient Chinese glass. The more common one believes that ancient Chinese glass originated from the import of glassmaking technology from the West as a result of Sino-West trade exchanges in the Western Han Dynasty (206 BC-25 AD). The other scientifically demonstrates that homemade ancient Chinese glass with unique domestic formula containing both PbO and BaO were made as early as in the Pre-Qin Period or even the Warring States Period (770 BC-221 BC), known as Yousha or Faience.This English version of the previously published Chinese book entitled Development History of Ancient Chinese Glass Technology is for universities and research institutes where various research and educational activities of ancient glass and history are conducted. With 18 chapters, the scope of this book covers very detailed information on scientifically based findings of ancient Chinese glass development and imports and influence of foreign glass products as well as influence of the foreign glass manufacturing processes through the trade exchanges along the Silk Road(s).
The Logical Deduction of Chinese Traditional Political Philosophy
Author: Shiwei Zhang
Publisher: Springer Nature
ISBN: 9811643768
Category : Philosophy
Languages : en
Pages : 624
Book Description
This book presents a panoramic and extensive exploration of Chinese political philosophy, examining key political problems of the past, and the thinkers who addressed them. As the reader will discover, China’s traditional political philosophy is one with distinctive national characteristics and ideals. Therefore, the book helps to clarify the evolution of Chinese political thought, while also investigating fundamental political issues throughout the country’s history. The book offers a unique resource for researchers and graduate students in the fields of political science, philosophy, and history, as well as ordinary readers who are interested in China’s traditional and political culture.
Publisher: Springer Nature
ISBN: 9811643768
Category : Philosophy
Languages : en
Pages : 624
Book Description
This book presents a panoramic and extensive exploration of Chinese political philosophy, examining key political problems of the past, and the thinkers who addressed them. As the reader will discover, China’s traditional political philosophy is one with distinctive national characteristics and ideals. Therefore, the book helps to clarify the evolution of Chinese political thought, while also investigating fundamental political issues throughout the country’s history. The book offers a unique resource for researchers and graduate students in the fields of political science, philosophy, and history, as well as ordinary readers who are interested in China’s traditional and political culture.
The Prehistoric Maritime Frontier of Southeast China
Author: Chunming Wu
Publisher: Springer Nature
ISBN: 9811640793
Category : Social Science
Languages : en
Pages : 275
Book Description
This open access book presents multidisciplinary research on the cultural history, ethnic connectivity, and oceanic transportation of the ancient Indigenous Bai Yue (百越) in the prehistoric maritime region of southeast China and southeast Asia. In this maritime Frontier of China, historical documents demonstrate the development of the “barbarian” Bai Yue and Island Yi (岛夷) and their cultural interaction with the northern Huaxia (华夏) in early Chinese civilization within the geopolitical order of the “Central State-Four Peripheries Barbarians-Four Seas”. Archaeological typologies of the prehistoric remains reveal a unique cultural tradition dominantly originating from the local Paleolithic age and continuing to early Neolithization across this border region. Further analysis of material culture from the Neolithic to the Early Iron Age proves the stability and resilience of the indigenous cultures even with the migratory expansion of Huaxia and Han (汉) from north to south. Ethnographical investigations of aboriginal heritage highlight their native cultural context, seafaring technology and navigation techniques, and their interaction with Austronesian and other foreign maritime ethnicities. In a word, this manuscript presents a new perspective on the unique cultural landscape of indigenous ethnicities in southeast China with thousands of years’ stable tradition, a remarkable maritime orientation and overseas cultural hybridization in the coastal region of southeast China.
Publisher: Springer Nature
ISBN: 9811640793
Category : Social Science
Languages : en
Pages : 275
Book Description
This open access book presents multidisciplinary research on the cultural history, ethnic connectivity, and oceanic transportation of the ancient Indigenous Bai Yue (百越) in the prehistoric maritime region of southeast China and southeast Asia. In this maritime Frontier of China, historical documents demonstrate the development of the “barbarian” Bai Yue and Island Yi (岛夷) and their cultural interaction with the northern Huaxia (华夏) in early Chinese civilization within the geopolitical order of the “Central State-Four Peripheries Barbarians-Four Seas”. Archaeological typologies of the prehistoric remains reveal a unique cultural tradition dominantly originating from the local Paleolithic age and continuing to early Neolithization across this border region. Further analysis of material culture from the Neolithic to the Early Iron Age proves the stability and resilience of the indigenous cultures even with the migratory expansion of Huaxia and Han (汉) from north to south. Ethnographical investigations of aboriginal heritage highlight their native cultural context, seafaring technology and navigation techniques, and their interaction with Austronesian and other foreign maritime ethnicities. In a word, this manuscript presents a new perspective on the unique cultural landscape of indigenous ethnicities in southeast China with thousands of years’ stable tradition, a remarkable maritime orientation and overseas cultural hybridization in the coastal region of southeast China.
The Story of Xinjiang Revealed through Old Maps (1759-1912)
Author: Wang Yao
Publisher: Bridge 21 Publications
ISBN: 1626430780
Category : History
Languages : en
Pages : 143
Book Description
Xinjiang, named in 1759 by Emperor Qianlong (?? 1711-1799) of the Manchu-led Qing dynasty of China, was ruled by the Qing from the final phase of the Dzungar-Qing Wars when the Dzungar Khanate was conquered, and lasted until the fall of the imperial dynasty in 1912. Based on rare ancient maps and historical archives, the book tells stories of Xinjiang during the Qing. It involves Emperor Qianlong, Fragrant concubine (xiangfei ??, Uyghur concubine married with Emperor Qianlong), Lady Catherine (the wife of the British consul-general in Kashgar at the end of the 19th century, and lived in Xinjiang for nearly two decades), Swedish missionaries (persisted in spreading Christianity for 38 years among Uyghurs who believed in Islam), Guan Gong temples (the belief in Lord Guan, a religious tradition of the Han and Manchus) and so on.
Publisher: Bridge 21 Publications
ISBN: 1626430780
Category : History
Languages : en
Pages : 143
Book Description
Xinjiang, named in 1759 by Emperor Qianlong (?? 1711-1799) of the Manchu-led Qing dynasty of China, was ruled by the Qing from the final phase of the Dzungar-Qing Wars when the Dzungar Khanate was conquered, and lasted until the fall of the imperial dynasty in 1912. Based on rare ancient maps and historical archives, the book tells stories of Xinjiang during the Qing. It involves Emperor Qianlong, Fragrant concubine (xiangfei ??, Uyghur concubine married with Emperor Qianlong), Lady Catherine (the wife of the British consul-general in Kashgar at the end of the 19th century, and lived in Xinjiang for nearly two decades), Swedish missionaries (persisted in spreading Christianity for 38 years among Uyghurs who believed in Islam), Guan Gong temples (the belief in Lord Guan, a religious tradition of the Han and Manchus) and so on.
Ancient Art from the Shumei Family Collection
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870997734
Category : Art
Languages : en
Pages : 229
Book Description
Published in conjunction with an exhibition held at The Metropolitan Museum of Art during 1996 and scheduled to travel to Los Angeles during 1997. The works are selected from the holdings of the Shumei Family, a religious organization based in Japan which holds to the belief that beautiful objects elevate the spirit and, therefore, that they were created to be shared (the group is currently constructing a new museum in Japan to house the collection). The works included here--antiquities from the Mediterranean, the Near East, and China--are beautifully presented in color photos, with text by a broad spectrum of curators, art historians, and conservators. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Metropolitan Museum of Art
ISBN: 0870997734
Category : Art
Languages : en
Pages : 229
Book Description
Published in conjunction with an exhibition held at The Metropolitan Museum of Art during 1996 and scheduled to travel to Los Angeles during 1997. The works are selected from the holdings of the Shumei Family, a religious organization based in Japan which holds to the belief that beautiful objects elevate the spirit and, therefore, that they were created to be shared (the group is currently constructing a new museum in Japan to house the collection). The works included here--antiquities from the Mediterranean, the Near East, and China--are beautifully presented in color photos, with text by a broad spectrum of curators, art historians, and conservators. Annotation copyright by Book News, Inc., Portland, OR
The History of Education in Wei, Jin, Southern and Northern Dynasty
Author: Li Shi
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 207
Book Description
The book is the volume of “The History of Education in Wei, Jin, Southern and Northern Dynasty” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 207
Book Description
The book is the volume of “The History of Education in Wei, Jin, Southern and Northern Dynasty” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Authenticity and Wooden Architecture Preservation in Asia – a Chinese perspective
Author: Tomasz Tomaszek
Publisher: CRC Press
ISBN: 1000843505
Category : Technology & Engineering
Languages : en
Pages : 442
Book Description
The tradition of Chinese wooden architecture dates back to ancient times. The construction solutions developed in this country over the centuries enchant with their refined character, while the historical wooden structures delight future generations with their dignity and aesthetic excellence. China`s wooden architecture, deeply rooted in its spiritual and religious traditions, is undoubtedly the pinnacle of this type of building in Asian culture. At the same time, it is a testimony to the national identity and reflects the specificity of the country`s material heritage. The accelerated social and economic changes in China and the constantly advancing globalization of the world have contributed to this country’s assimilation of Western concepts related to the protection of cultural heritage. The issue of authenticity in the preservation of wooden built heritage proved particularly problematic. This book brings closer the theoretical understanding and practical application of the idea of authenticity from Chinese perspective. To do this, the issue of living heritage and the reception and understanding of traditional Chinese wooden architecture and its preservation as a direct materialization of Chinese religious and philosophical traditions is discussed. The above topics are treated within the cyclic concept of time, i.e. in terms of progress and repetition, with preservation being understood as a religious practice. Finally, trends in the preservation of wooden heritage in present-day China are mentioned, including new attempts to interpret the tradition and the reinvention of the tradition of wooden building. The book aims to contribute to the understanding of the protection of wooden architectural heritage in China from a new perspective, and will be of particular interest to academics and professionals interested in or involved in the preservation of built wooden heritage. ‘(...) a highly valuable contribution to the field of wooden architecture protection and preservation’, Xiaoming Zhu (Tongji University, Shanghai, China) This book ‘(...) successfully explains the inheritance characteristics of Chinese wooden architectures from the perspective of cultural philosophy for a wide audience (...)’, Yasufumi Uekita, University of Tsukuba, Ibaraki, Japan
Publisher: CRC Press
ISBN: 1000843505
Category : Technology & Engineering
Languages : en
Pages : 442
Book Description
The tradition of Chinese wooden architecture dates back to ancient times. The construction solutions developed in this country over the centuries enchant with their refined character, while the historical wooden structures delight future generations with their dignity and aesthetic excellence. China`s wooden architecture, deeply rooted in its spiritual and religious traditions, is undoubtedly the pinnacle of this type of building in Asian culture. At the same time, it is a testimony to the national identity and reflects the specificity of the country`s material heritage. The accelerated social and economic changes in China and the constantly advancing globalization of the world have contributed to this country’s assimilation of Western concepts related to the protection of cultural heritage. The issue of authenticity in the preservation of wooden built heritage proved particularly problematic. This book brings closer the theoretical understanding and practical application of the idea of authenticity from Chinese perspective. To do this, the issue of living heritage and the reception and understanding of traditional Chinese wooden architecture and its preservation as a direct materialization of Chinese religious and philosophical traditions is discussed. The above topics are treated within the cyclic concept of time, i.e. in terms of progress and repetition, with preservation being understood as a religious practice. Finally, trends in the preservation of wooden heritage in present-day China are mentioned, including new attempts to interpret the tradition and the reinvention of the tradition of wooden building. The book aims to contribute to the understanding of the protection of wooden architectural heritage in China from a new perspective, and will be of particular interest to academics and professionals interested in or involved in the preservation of built wooden heritage. ‘(...) a highly valuable contribution to the field of wooden architecture protection and preservation’, Xiaoming Zhu (Tongji University, Shanghai, China) This book ‘(...) successfully explains the inheritance characteristics of Chinese wooden architectures from the perspective of cultural philosophy for a wide audience (...)’, Yasufumi Uekita, University of Tsukuba, Ibaraki, Japan