Author: Wang Guozhen
Publisher: ATF Press
ISBN: 1925371298
Category : Art
Languages : en
Pages : 323
Book Description
This book provides images in colour and describes Chinese relics from the primitive period, the Xia and Shang dynasties, 21st to 11th century BC.
Collection of Ancient Chinese Cultural Relics, Volume 1
Author: Wang Guozhen
Publisher: ATF Press
ISBN: 1925371298
Category : Art
Languages : en
Pages : 323
Book Description
This book provides images in colour and describes Chinese relics from the primitive period, the Xia and Shang dynasties, 21st to 11th century BC.
Publisher: ATF Press
ISBN: 1925371298
Category : Art
Languages : en
Pages : 323
Book Description
This book provides images in colour and describes Chinese relics from the primitive period, the Xia and Shang dynasties, 21st to 11th century BC.
Collection of Ancient Chinese Cultural Relics (Volume 1)
Author:
Publisher:
ISBN: 9781926371269
Category :
Languages : en
Pages : 322
Book Description
This book provides images in colour and describes Chinese relics from the primitive period, the Xia and Shang dynasties, 21st to 11th century BC.
Publisher:
ISBN: 9781926371269
Category :
Languages : en
Pages : 322
Book Description
This book provides images in colour and describes Chinese relics from the primitive period, the Xia and Shang dynasties, 21st to 11th century BC.
Collection of Ancient Chinese Cultural Relics, Volume 9
Author:
Publisher: ATF Press
ISBN: 1925371611
Category : Art
Languages : en
Pages : 333
Book Description
This book, a collection of ancient Chinese cultural relics, deals with relics from Qing Dynasty, 1644 to 1911. There are two volumes dealing with relics in this period. This book contains 377 relics. The ancestors of the people who established the Manchu Qing Dynasty lived in northeast China in the territory lying between the 'white mountains and the black rivers'. After establishing their capital in Beijing. the Qing Dynasty defeated all the forces that opposed them and they quickly consolidated their frontier defences. in the nearly 300 years of the Qing Dynasty, China achieved some remarkable things especially in the fields of culture and art even though it lagged behind in many other respects in global terms. Jade ware reached a great peak in the mid Qing Dynasty and surpassed previous achievement in size, selection of materials and overall craftsmanship. Porcelain production reached its highest ever peak in this era. Jingdezhen remained the centre for production of porcelain. The period also saw the revival in the history of Chinese calligraphy. Stone inscriptions grew in popularity and a number of pioneer masters emerged and exerted a far-reaching influence. Seal character calligraphy and li calligraphy (official script) were revised again. Literati painting played a dominant role and landscape painting and impressionistic ink and wash painting were prevalent Laquer craftwork in all shapes and sizes reached a great deal level of maturity. Existing techniques were improved and others developed. Embroidery reached unprecedented heights. Silk tapestries became more and more exquisite and the production of metal bodied enamelware reached a great peak. Bamboo wood and horn carvings also were developed. Jade objects went through three stages of development. 1. Frugal period, with jade production was small and made by ordinary craftsmen and lack originality. 2. Due to a growing Qing comic strength. and a plentiful supply of jade materials the jade industry began to flourish, and became one of the high points in jade carving in China. 3. Late period of the Qing Dynasty and due to increasing corruption in society and large number of difficulties, both domestic and external, there was less appetite for large scale pieces of jade in part also due to the high cost of production. This book, the ninth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 377 descriptions.
Publisher: ATF Press
ISBN: 1925371611
Category : Art
Languages : en
Pages : 333
Book Description
This book, a collection of ancient Chinese cultural relics, deals with relics from Qing Dynasty, 1644 to 1911. There are two volumes dealing with relics in this period. This book contains 377 relics. The ancestors of the people who established the Manchu Qing Dynasty lived in northeast China in the territory lying between the 'white mountains and the black rivers'. After establishing their capital in Beijing. the Qing Dynasty defeated all the forces that opposed them and they quickly consolidated their frontier defences. in the nearly 300 years of the Qing Dynasty, China achieved some remarkable things especially in the fields of culture and art even though it lagged behind in many other respects in global terms. Jade ware reached a great peak in the mid Qing Dynasty and surpassed previous achievement in size, selection of materials and overall craftsmanship. Porcelain production reached its highest ever peak in this era. Jingdezhen remained the centre for production of porcelain. The period also saw the revival in the history of Chinese calligraphy. Stone inscriptions grew in popularity and a number of pioneer masters emerged and exerted a far-reaching influence. Seal character calligraphy and li calligraphy (official script) were revised again. Literati painting played a dominant role and landscape painting and impressionistic ink and wash painting were prevalent Laquer craftwork in all shapes and sizes reached a great deal level of maturity. Existing techniques were improved and others developed. Embroidery reached unprecedented heights. Silk tapestries became more and more exquisite and the production of metal bodied enamelware reached a great peak. Bamboo wood and horn carvings also were developed. Jade objects went through three stages of development. 1. Frugal period, with jade production was small and made by ordinary craftsmen and lack originality. 2. Due to a growing Qing comic strength. and a plentiful supply of jade materials the jade industry began to flourish, and became one of the high points in jade carving in China. 3. Late period of the Qing Dynasty and due to increasing corruption in society and large number of difficulties, both domestic and external, there was less appetite for large scale pieces of jade in part also due to the high cost of production. This book, the ninth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 377 descriptions.
China's Cultural Relics
Author: Li Li
Publisher: Cambridge University Press
ISBN: 0521186560
Category : Art
Languages : en
Pages : 171
Book Description
China's Cultural Relics provides an illustrated introduction to ancient Chinese artifacts and the preservation of these relics in modern times.
Publisher: Cambridge University Press
ISBN: 0521186560
Category : Art
Languages : en
Pages : 171
Book Description
China's Cultural Relics provides an illustrated introduction to ancient Chinese artifacts and the preservation of these relics in modern times.
Collections Vol 11 N1
Author: Collections
Publisher: Rowman & Littlefield
ISBN: 1442267925
Category : Business & Economics
Languages : en
Pages : 78
Book Description
"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.
Publisher: Rowman & Littlefield
ISBN: 1442267925
Category : Business & Economics
Languages : en
Pages : 78
Book Description
"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.
The Story of Xinjiang Revealed through Old Maps (1759-1912)
Author: Wang Yao
Publisher: Bridge 21 Publications
ISBN: 1626430780
Category : History
Languages : en
Pages : 143
Book Description
Xinjiang, named in 1759 by Emperor Qianlong (?? 1711-1799) of the Manchu-led Qing dynasty of China, was ruled by the Qing from the final phase of the Dzungar-Qing Wars when the Dzungar Khanate was conquered, and lasted until the fall of the imperial dynasty in 1912. Based on rare ancient maps and historical archives, the book tells stories of Xinjiang during the Qing. It involves Emperor Qianlong, Fragrant concubine (xiangfei ??, Uyghur concubine married with Emperor Qianlong), Lady Catherine (the wife of the British consul-general in Kashgar at the end of the 19th century, and lived in Xinjiang for nearly two decades), Swedish missionaries (persisted in spreading Christianity for 38 years among Uyghurs who believed in Islam), Guan Gong temples (the belief in Lord Guan, a religious tradition of the Han and Manchus) and so on.
Publisher: Bridge 21 Publications
ISBN: 1626430780
Category : History
Languages : en
Pages : 143
Book Description
Xinjiang, named in 1759 by Emperor Qianlong (?? 1711-1799) of the Manchu-led Qing dynasty of China, was ruled by the Qing from the final phase of the Dzungar-Qing Wars when the Dzungar Khanate was conquered, and lasted until the fall of the imperial dynasty in 1912. Based on rare ancient maps and historical archives, the book tells stories of Xinjiang during the Qing. It involves Emperor Qianlong, Fragrant concubine (xiangfei ??, Uyghur concubine married with Emperor Qianlong), Lady Catherine (the wife of the British consul-general in Kashgar at the end of the 19th century, and lived in Xinjiang for nearly two decades), Swedish missionaries (persisted in spreading Christianity for 38 years among Uyghurs who believed in Islam), Guan Gong temples (the belief in Lord Guan, a religious tradition of the Han and Manchus) and so on.
Collection of Ancient Chinese Cultural Relics
Author: Wang Guozhen
Publisher: ATF Asia
ISBN: 9781925371277
Category : Art
Languages : en
Pages : 0
Book Description
This book provides images in colour and describes Chinese relics from the primitive period, the Xia and Shang dynasties, 21st to 11th century BC.
Publisher: ATF Asia
ISBN: 9781925371277
Category : Art
Languages : en
Pages : 0
Book Description
This book provides images in colour and describes Chinese relics from the primitive period, the Xia and Shang dynasties, 21st to 11th century BC.
Development History Of Ancient Chinese Glass Technology
Author:
Publisher: World Scientific
ISBN: 9811229783
Category : Science
Languages : en
Pages : 818
Book Description
Worldwide research on ancient glass began in the early 20th century. A consensus has been reached in the community of Archaeology that the first manmade or synthetic glasses, based on archaeological findings, originated in the Middle East during the 5000-3000's BC. By contrast, the manufacturing technology of pottery and ceramics were well developed in ancient China. The earliest pottery and ceramics dates back to the Shang Dynasty - the Zhou Dynasty (1700 BC-770 BC), while the earliest ancient glass artifacts unearthed in China dates back to the Western Han Dynasty. Utilizing the state-of-the art analytical and spectroscopic methods, the recent findings demonstrate that China had already developed its own glassmaking technology at latest since 200 BC. There are two schools of viewpoint on the origin of ancient Chinese glass. The more common one believes that ancient Chinese glass originated from the import of glassmaking technology from the West as a result of Sino-West trade exchanges in the Western Han Dynasty (206 BC-25 AD). The other scientifically demonstrates that homemade ancient Chinese glass with unique domestic formula containing both PbO and BaO were made as early as in the Pre-Qin Period or even the Warring States Period (770 BC-221 BC), known as Yousha or Faience.This English version of the previously published Chinese book entitled Development History of Ancient Chinese Glass Technology is for universities and research institutes where various research and educational activities of ancient glass and history are conducted. With 18 chapters, the scope of this book covers very detailed information on scientifically based findings of ancient Chinese glass development and imports and influence of foreign glass products as well as influence of the foreign glass manufacturing processes through the trade exchanges along the Silk Road(s).
Publisher: World Scientific
ISBN: 9811229783
Category : Science
Languages : en
Pages : 818
Book Description
Worldwide research on ancient glass began in the early 20th century. A consensus has been reached in the community of Archaeology that the first manmade or synthetic glasses, based on archaeological findings, originated in the Middle East during the 5000-3000's BC. By contrast, the manufacturing technology of pottery and ceramics were well developed in ancient China. The earliest pottery and ceramics dates back to the Shang Dynasty - the Zhou Dynasty (1700 BC-770 BC), while the earliest ancient glass artifacts unearthed in China dates back to the Western Han Dynasty. Utilizing the state-of-the art analytical and spectroscopic methods, the recent findings demonstrate that China had already developed its own glassmaking technology at latest since 200 BC. There are two schools of viewpoint on the origin of ancient Chinese glass. The more common one believes that ancient Chinese glass originated from the import of glassmaking technology from the West as a result of Sino-West trade exchanges in the Western Han Dynasty (206 BC-25 AD). The other scientifically demonstrates that homemade ancient Chinese glass with unique domestic formula containing both PbO and BaO were made as early as in the Pre-Qin Period or even the Warring States Period (770 BC-221 BC), known as Yousha or Faience.This English version of the previously published Chinese book entitled Development History of Ancient Chinese Glass Technology is for universities and research institutes where various research and educational activities of ancient glass and history are conducted. With 18 chapters, the scope of this book covers very detailed information on scientifically based findings of ancient Chinese glass development and imports and influence of foreign glass products as well as influence of the foreign glass manufacturing processes through the trade exchanges along the Silk Road(s).
A Mythological Approach to Exploring the Origins of Chinese Civilization
Author: Shuxian Ye
Publisher: Springer Nature
ISBN: 9811930961
Category : History
Languages : en
Pages : 518
Book Description
Is the lion the symbol of China? Or should it be the dragon or the phoenix? This book makes a provocative interpretation of the Chinese ancient totems such as the bear and the owl. Taking a mythological approach, it explores the origin of Chinese civilization using the quadruple evidence method, which integrates ancient and unearthed literature, oral transmission, and archeological objects and graphs. It testifies to the authenticity of unresolved ancient myths and legends from the origins of Chinese Jade Ware (6200BC-5400 BC) to the names of the Yellow Emperor (2698–2598 BC) and the legends from the Xia (2010BC-1600BC), Shang (1600BC-046BC), Zhou (1046BC-771BC), and Qin (221BC-206BC) Dynasties. The book lays the foundation for a reconstruction of Chinese Mythistory. With well over 200 photographs of historic artifacts, the book appeals to both researchers and general readers.
Publisher: Springer Nature
ISBN: 9811930961
Category : History
Languages : en
Pages : 518
Book Description
Is the lion the symbol of China? Or should it be the dragon or the phoenix? This book makes a provocative interpretation of the Chinese ancient totems such as the bear and the owl. Taking a mythological approach, it explores the origin of Chinese civilization using the quadruple evidence method, which integrates ancient and unearthed literature, oral transmission, and archeological objects and graphs. It testifies to the authenticity of unresolved ancient myths and legends from the origins of Chinese Jade Ware (6200BC-5400 BC) to the names of the Yellow Emperor (2698–2598 BC) and the legends from the Xia (2010BC-1600BC), Shang (1600BC-046BC), Zhou (1046BC-771BC), and Qin (221BC-206BC) Dynasties. The book lays the foundation for a reconstruction of Chinese Mythistory. With well over 200 photographs of historic artifacts, the book appeals to both researchers and general readers.
Interface Theology - Volume 5, Issue 1
Author: ATF Press
Publisher: ATF Press
ISBN: 1925679594
Category : Religion
Languages : en
Pages : 82
Book Description
Interface Theology is a biannual refereed journal of theology published in print, epub and open access by ATF Press in Australia. The journal is a scholarly ecumenical and interdisciplinary publication, aiming to serve the church and its mission, promoting a broad based interpretation of Christian theology within a trinitarian context, encouraging dialogue between Christianity and other faiths, and exploring the interface between faith and culture. It is published in English for an international audience.
Publisher: ATF Press
ISBN: 1925679594
Category : Religion
Languages : en
Pages : 82
Book Description
Interface Theology is a biannual refereed journal of theology published in print, epub and open access by ATF Press in Australia. The journal is a scholarly ecumenical and interdisciplinary publication, aiming to serve the church and its mission, promoting a broad based interpretation of Christian theology within a trinitarian context, encouraging dialogue between Christianity and other faiths, and exploring the interface between faith and culture. It is published in English for an international audience.