Library Catalog of the Metropolitan Museum of Art, New York

Library Catalog of the Metropolitan Museum of Art, New York PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060

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Library Catalog of the Metropolitan Museum of Art, New York

Library Catalog of the Metropolitan Museum of Art, New York PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060

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Catalogue of Printed Books

Catalogue of Printed Books PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 598

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Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984

Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984 PDF Author:
Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632

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A Catalog of Books Represented by Library of Congress Printed Cards Issued to July 31, 1942

A Catalog of Books Represented by Library of Congress Printed Cards Issued to July 31, 1942 PDF Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 648

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Historical Painting Techniques, Materials, and Studio Practice

Historical Painting Techniques, Materials, and Studio Practice PDF Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241

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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum

Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum PDF Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 884

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European Drawings

European Drawings PDF Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380

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Catalog of the Avery Memorial Architectural Library of Columbia University. 2d Ed., Enl

Catalog of the Avery Memorial Architectural Library of Columbia University. 2d Ed., Enl PDF Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 762

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Eighteenth-century French Drawings in New York Collections

Eighteenth-century French Drawings in New York Collections PDF Author: Perrin Stein
Publisher: Metropolitan Museum of Art
ISBN: 0870998927
Category : Drawing
Languages : en
Pages : 257

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In Defiance of Painting

In Defiance of Painting PDF Author: Christine Poggi
Publisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318

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Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.