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Author: Francis Wormald
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
'For the whole of the Middle Ages' says Francis Wormald, 'the British Isles stood on the edge of a great ocean, on the furthest tip of the world as it were, and like some lonely beach many and interesting things arrived on its shores.' It is the interaction of English and Continental medieval art, and the diversity and significance of mainland European influences on the development of English style that provide the main theme of the papers gathered in this volume. Although the topics covered include some discussions of the great Anglo-Saxon and Romanesque illuminated manuscripts on which Wormald is still considered the authority, the emphasis of the collection is, however, on his work in later medieval art - in manuscripts, seals, paintings and carvings. The editors have brought all bibliographic references up to date, citing the most recent scholarship in each particular subject. This two-volume publication collects from many different sources an important group of writings by Francis Wormald (1904-1972), whose great contribution to medieval studies owes its originality and distinction to the unrivalled understanding of manuscripts, of all kinds and of all periods.
Author: Chris Given-Wilson
Publisher: Manchester University Press
ISBN: 9780719041525
Category : History
Languages : en
Pages : 312
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Book Description
The late Middle Ages (c.1200-1500) was an age of transition. The major events of this period - the Black Death, the Hundred Years War, the rise of Parliament, the depositions of five English kings between 1327 and 1483 - are examined in detail in this book.
Author: Wendy Scase
Publisher: Boydell & Brewer
ISBN: 1843845865
Category : Literary Collections
Languages : en
Pages : 231
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Book Description
New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Essays in this volume engage with a wide range of subject matter, from as far back as Livy (d.c.AD 12/18) to Erwin Panofsky (d. 1968). They demonstrate that medieval textual cultures is a radically negotiable category and that medieval understandings of the past were equally diverse and unstable.They reflect on relationships between history, texts, and truth from a range of perspectives, from Foucault to "truthiness", a twenty-first-century media coinage. Materiality and the technical crafts with which humans engage withthe natural world are recurrent themes, opening up new insights on mysticism, knighthood, and manuscript production and reception. Analysis of manuscript illuminations offers new understandings of identity and diversity, while a survey of every thirteenth-century manuscript that contains English currently in Oxford libraries yields a challenging new history of script. Particular texts discussed include Chrétien de Troyes's Conte du Graal, Richard Rolle's Incendium amoris and Melos amoris, and the Middle English verse romances Lybeaus Desconus, The Erle of Tolous, Amis and Amiloun, and Sir Gawain and the Green Knight.
Author: Jill Fitzgerald
Publisher: Manchester University Press
ISBN: 1526129116
Category : Literary Criticism
Languages : en
Pages : 405
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Book Description
Over six hundred years before John Milton’s Paradise Lost, Anglo-Saxon authors told their own version of the fall of the angels. This book brings together various cultural moments, literary genres and relevant comparanda to recover that version, from the legal and social world to the world of popular spiritual ritual and belief. The story of the fall of the angels in Anglo-Saxon England is the story of a successfully transmitted exegetical teaching turned rich literary tradition. It can be traced through a range of genres – sermons, saints’ lives, royal charters, riddles, devotional and biblical poetry – each one offering a distinct window into the ancient myth’s place within the Anglo-Saxon literary and cultural imagination.
Author: Laura Cleaver
Publisher: BRILL
ISBN: 9004422331
Category : History
Languages : en
Pages : 503
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Book Description
The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books. The authors explore some of the themes and questions raised in John’s work, tackling issues of meaning, making, patronage, the book as an object, relationships between text and image, and the transmission of ideas. They combine John’s commitment to the close scrutiny of manuscripts with an interrogation of what the books meant in their own time and what they mean to us now.
Author: Francis Wormald
Publisher: Oxford University Press
ISBN: 9780199210596
Category : Art
Languages : en
Pages : 240
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Book Description
Author: Francis Wormald
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 248
Get Book Here
Book Description
'For the whole of the Middle Ages' says Francis Wormald, 'the British Isles stood on the edge of a great ocean, on the furthest tip of the world as it were, and like some lonely beach many and interesting things arrived on its shores.' It is the interaction of English and Continental medieval art, and the diversity and significance of mainland European influences on the development of English style that provide the main theme of the papers gathered in this volume. Although the topics covered include some discussions of the great Anglo-Saxon and Romanesque illuminated manuscripts on which Wormald is still considered the authority, the emphasis of the collection is, however, on his work in later medieval art - in manuscripts, seals, paintings and carvings. The editors have brought all bibliographic references up to date, citing the most recent scholarship in each particular subject. This two-volume publication collects from many different sources an important group of writings by Francis Wormald (1904-1972), whose great contribution to medieval studies owes its originality and distinction to the unrivalled understanding of manuscripts, of all kinds and of all periods.
Author: Christopher Kleinhenz
Publisher: Univ of Wisconsin Press
ISBN: 9780299164348
Category : Religion
Languages : en
Pages : 242
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Book Description
Papers from conference "Waiting in Fearful Hope"--Madison, Wis., 21-24 September 1997.
Author: John Steane
Publisher: Routledge
ISBN: 1134641591
Category : Social Science
Languages : en
Pages : 227
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Book Description
The Archaeology of the Medieval English Monarchy looks at the period between the reign of William the Conqueror and that of Henry VIII, bringing together physical evidence for the kings and their courts. John Steane looks at the symbols of power and regalia including crowns, seals and thrones. He considers Royal patronage, architecture and ideas on burials and tombs to unravel the details of their daily lives supported with many illustrations.
Author: Charles Tracy
Publisher: Oxbow Books
ISBN: 1782977856
Category : Social Science
Languages : en
Pages : 201
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Book Description
This book is the first major investigation of a subject of seminal importance in the study of church history and archaeology. The two stone thrones, at Wells and Durham, the three timber monuments, at Exeter, St Davids and Hereford, and the mid-14th-century bishop's chair at Lincoln, all come under a searching empirical enquiry. The Exeter throne is the largest and most impressive in Europe. It is a distinguished innovatory example of the English Decorated style, with antecedents passing back to the court of Edward I. It exemplifies most of the historical and formal strands that suffuse the entire book – visual appearance, distinctiveness within the building, prestige, construction, stylistic context, finance, and the patronage and personal role of the bishop himself; as well as the subtler issues of the personal and collective politics of bishop and chapter, the monument's liturgical applications, its relationship with the cathedral's relics, its symbolism and what it tells us about the aspirations of the institution within the existing ecclesiastical hierarchy. The thrones also reveal much about the personal circumstances of an individual bishop, and where he stood on the scale of a good diocesan on the one hand, and ambitious politician on the other, as exemplified at Exeter and Durham. The text is by the art historian, Dr Charles Tracy, a seasoned expert on church furniture both in Britain and on the continent of Europe. The chapter on the stone thrones was prepared by Andrew Budge who is currently preparing a Ph.D thesis on 'English Chantry Churches' at Birkbeck College. The polychromy authority, Eddie Sinclair, spent many hours on the scaffold to bring forward her remarkable report on the Exeter throne. Her full report is to be published online.The Exeter throne is also interpreted by the established timber conservation practitioner, Hugh Harrison, and the St Davids throne by the experienced draughtsman, Peter Ferguson. In an age of the CAD, his meticulous measured drawings of the Exeter and St Davids monuments are one of the most remarkable features of book. The architect, Paul Woodfield prepared the drawings for the Lincoln chair.
Author: Robert Walter Hans Peter Scheller
Publisher: Amsterdam University Press
ISBN: 9789053561300
Category : Art
Languages : en
Pages : 468
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Book Description
During the Middle Ages, artistic ideas were transmitted from one region to another and passed on from one generation to the next, in the form of drawings. This kind of handmade reproduction, 'exemplum' in Latin, was used to record the form and content of works of art. Some of those drawings have survived in 'model books'. The author presents a fascinating account of many and various aspects of these drawings with special emphasis on how they contribute to our understanding of the genesis of medieval works of art. Exemplum will be a standard work of reference for many years to come
