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Author: William Lawes
Publisher: A-R Editions, Inc.
ISBN: 0895795205
Category : Music
Languages : en
Pages : 112
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Book Description
xxxi + 78 pp., plus 3 facsimile pages
Author: William Lawes
Publisher: A-R Editions, Inc.
ISBN: 0895795205
Category : Music
Languages : en
Pages : 112
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Book Description
xxxi + 78 pp., plus 3 facsimile pages
Author: William Lawes
Publisher: A-R Editions, Inc.
ISBN: 0895795183
Category : Music
Languages : en
Pages : 290
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Book Description
xxxiv + 240 pp.
Author: William Lawes
Publisher: A-R Editions, Inc.
ISBN: 0895795132
Category : Music
Languages : en
Pages : 130
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Book Description
xxxvi + 91 pp.
Author: William Lawes
Publisher: A-R Editions, Inc.
ISBN: 0895795140
Category : Choruses, Sacred (Mixed voices) with continuo
Languages : en
Pages : 242
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Book Description
Author: John Patrick Cunningham
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378
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Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.
Author: John Eccles
Publisher: A-R Editions, Inc.
ISBN: 9780895797230
Category : Music
Languages : en
Pages : 148
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Book Description
Author: Johann Georg Albrechtsberger
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 704
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Book Description
Author: Ellen T. Harris
Publisher: Oxford University Press
ISBN: 0190861444
Category : Music
Languages : en
Pages : 271
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Book Description
Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England, and yet, despite its global renown, it remains cloaked in mystery. The date and place of its first performance cannot be fixed with precision, and the absolute accuracy of the surviving scores, which date from almost 100 years after the work was written, cannot be assumed. In this thirtieth-anniversary new edition of her book, Ellen Harris closely examines the many theories that have been proposed for the opera's origin and chronology, considering the opera both as political allegory and as a positive exemplar for young women. Her study explores the work's historical position in the Restoration theater, revealing its roots in seventeenth-century English theatrical and musical traditions, and carefully evaluates the surviving sources for the various readings they offer-of line designations in the text (who sings what), the vocal ranges of the soloists, the use of dance and chorus, and overall layout. It goes on to provide substantive analysis of Purcell's musical declamation and use of ground bass. In tracing the performance history of Dido and Aeneas, Harris presents an in-depth examination of the adaptations made by the Academy of Ancient Music at the end of the eighteenth century based on the surviving manuscripts. She then follows the growing interest in the creation of an “authentic” version in the nineteenth and early twentieth centuries through published editions and performance reviews, and considers the opera as an important factor in the so-called English Musical Renaissance. To a significant degree, the continuing fascination with Purcell's Dido and Aeneas rests on its apparent mutability, and Harris shows this has been inherent in the opera effectively from its origin.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Book Description
