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Author: Thomas Parnell
Publisher: University of Delaware Press
ISBN: 9780874131543
Category : Poetry
Languages : en
Pages : 730
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Book Description
This edition is the first to establish a reliable text of the poems of Thomas Parnell (1679-1718). Based on a study of all the available manuscripts, including an extensive collection in the poet's family, and authoritative edition, it more than doubles the number of poems known to be Parnell's and represents the first publication of some of his works.
Author: Thomas Parnell
Publisher: University of Delaware Press
ISBN: 9780874131543
Category : Poetry
Languages : en
Pages : 730
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Book Description
This edition is the first to establish a reliable text of the poems of Thomas Parnell (1679-1718). Based on a study of all the available manuscripts, including an extensive collection in the poet's family, and authoritative edition, it more than doubles the number of poems known to be Parnell's and represents the first publication of some of his works.
Author: Emma Clery
Publisher: Manchester University Press
ISBN: 9780719040276
Category : Fiction
Languages : en
Pages : 322
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Book Description
In the 1790s, while across the Channel a political revolution raged, Britain was struck by a reading revolution, a taste for terror fiction that seemed to know no bounds. Ann Radcliffe and "Monk" Lewis were only the most celebrated of a host of writers purveying a new brand of "Gothic" literature. How is it that the age of Enlightenment gave rise to the genre of the literary ghost story? This is a landmark in the study of Gothic writing: nowhere else is the historical location of Gothic more richly or vividly illustrated.
Author: Lisa L. Moore
Publisher: Routledge
ISBN: 1317283066
Category : Literary Collections
Languages : en
Pages : 312
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Book Description
This critical edition of the poems of Anna Seward (1742-1809) re-establishes one of the most popular and prolific poets of the early Romantic period. Her work influenced Charllotte Smith and Mary Robinson and later both Wordsworth and Coleridge. Her reputation was so high that Sir Walter Scott edited the posthumous edition of her poems in 1810. Unlike Scott's, this edition reproduces the poems as they were first published in periodicals and collections during Seward's lifetime, allowing scholars to experience them as eighteenth century readers did. It also includes mire than 200 poems that were excluded from the Scott edition.
Author: Lisa L. Moore
Publisher: Routledge
ISBN: 1317283120
Category : Literary Collections
Languages : en
Pages : 690
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Book Description
This critical edition of the poems of Anna Seward (1742-1809) re-establishes one of the most popular and prolific poets of the early Romantic period. Her work influenced Charllotte Smith and Mary Robinson and later both Wordsworth and Coleridge. Her reputation was so high that Sir Walter Scott edited the posthumous edition of her poems in 1810. Unlike Scott's, this edition reproduces the poems as they were first published in periodicals and collections during Seward's lifetime, allowing scholars to experience them as eighteenth century readers did. It also includes mire than 200 poems that were excluded from the Scott edition.
Author: Robert Blair
Publisher:
ISBN: 9781941147863
Category : Death in literature
Languages : en
Pages : 0
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Book Description
The poetry of the Graveyard School - gloomy meditations on mortality, often composed in churchyards - was immensely popular in 18th-century England and was an important forerunner of the Romantic period and a major influence on the development of the Gothic novel. Yet, despite the unquestioned significance of the Graveyard Poets, critical attention has been scant, and until now there has been no critical anthology of their works. The Graveyard School: An Anthology features works by thirty-three authors and provides a broad and comprehensive examination of the phenomenon of Graveyard poetry. Included are seminal works, such as Robert Blair's "The Grave", Thomas Parnell's "A Night Piece on Death", and excerpts from Edward Young's Night Thoughts, as well as once-popular but now little-remembered poems by authors like Mark Akenside, James Beattie, and James Hervey. Of particular interest in this collection is its inclusion and discussion of authors not normally associated with the Graveyard School, such as Alexander Pope and Washington Irving, as well as a number of female poets, among them Susanna Blamire and Charlotte Smith. Edited by Prof. Jack G. Voller, who provides an introduction and extensive annotations throughout, this volume of melancholy and macabre verse is certain to be welcomed by scholars and students of 18th-century and Gothic literature, as well as those readers interested in the darker side of literature.
Author: Barbara M. Benedict
Publisher: Princeton University Press
ISBN: 0691656436
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Inquiring into the formation of a literary canon during the Restoration and the eighteenth century, Barbara Benedict poses the question, "Do anthologies reflect or shape contemporary literary taste?" She finds that there was a cultural dialectic at work: miscellanies and anthologies transmitted particular tastes while in turn being influenced by the larger culture they helped to create. Benedict reveals how anthologies of the time often created a consensus of literary and aesthetic values by providing a bridge between the tastes of authors, editors, printers, booksellers, and readers. Making the Modern Reader, the first full treatment of the early modern anthology, is in part a history of the London printing trade as well as of the professionalization of criticism. Benedict thoroughly documents the historical redefinition of the reader: once a member of a communal literary culture, the reader became private and introspective, morally and culturally shaped by choices in reading. She argues that eighteenth-century collections promised the reader that culture could be acquired through the absorption of literary values. This process of cultural education appealed to a middle class seeking to become discriminating consumers of art. By addressing this neglected genre, Benedict contributes a new perspective on the tension between popular and high culture, between the common reader and the elite. This book will interest scholars working in cultural studies and those studying noncanonical texts as well as eighteenth-century literature in general. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Book Builders LLC.
Publisher: Infobase Publishing
ISBN: 1438108699
Category : Authors, English
Languages : en
Pages : 817
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Book Description
Presents a two-volume A to Z reference on English authors from the sixteenth, seventeenth and eighteenth centuries, providing information about major figures, key schools and genres, biographical information, author publications and some critical analyses.
Author: Paul Baines
Publisher: John Wiley & Sons
ISBN: 1444390082
Category : Literary Criticism
Languages : en
Pages : 689
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Book Description
The Wiley-Blackwell Encyclopedia of Eighteenth-Century Writers and Writing1660-1789 features coverage of the lives and works of almost 500 notable writers based in the British Isles from the return of the British monarchy in 1660 until the French Revolution of 1789. Broad coverage of writers and texts presents a new picture of 18th-century British authorship Takes advantage of newly expanded eighteenth-century canon to include significantly more women writers and labouring-class writers than have traditionally been studied Draws on the latest scholarship to more accurately reflect the literary achievements of the long eighteenth century
Author:
Publisher: A&C Black
ISBN: 072012283X
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
This volume, the third in the series, discusses the works of 11 British 18th-century writers, providing information on the nature of the MS, date, variant title(s), state of completion, provenance and location, date and first form of publication, any scholarly use of the MS, and the existence of any published facsimiles. Information is drawn from material in libraries, record offices and private collections throughout the world. The listing of each author's manuscripts is preceded by an introduction. The book records many hitherto unrecorded manuscripts.
Author: Philip Smallwood
Publisher: Bucknell University Press
ISBN: 1611486157
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Ridiculous Critics is an anthology of eighteenth-century writings on the figure of the literary critic, and on the critic’s mixed and complex role. The collection assembles critical texts and satirical images chronologically to suggest a vision of the history of eighteenth-century literary criticism. Including comic, vicious, heartfelt and absurd passages from critics, poets, novelists and literary commentators celebrated and obscure, the writings range through poetry, fiction, drama, and periodical writing. The anthology also includes two original essays discussing and illustrating the irrepressible spirit of critical ridicule in the period, and commending its value and effect. The first offers an evaluation of the merciless and sometimes shockingly venomous satirical attacks on critical habits and personalities of the eighteenth century. The editors argue that such attacks are reflexive, in the sense that criticism becomes increasingly supple and able to observe and examine its own irresponsible ingenuities from within. The volume’s concluding essay supplies an analysis of modern modes of criticism and critical history, and suggests applications across time. We propose that humor’s vital force was once an important part of living criticism. The eighteenth-century mockery of critics casts light on a neglected common thread in the history of criticism and its recent manifestations; it prompts questions about the relative absence of comedy from the stories we presently tell about critics dead or alive. The passages invite laughter, both with the critics and at their expense, and suggest the place that ridicule might have had since the eighteenth century in the making of judgments, and in the pricking of critical pretension. For this reason, they indicate the role that laughter may still have in criticism today and provide an encouraging precedent for its future.
