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Author: Satish Alekar
Publisher: Oxford University Press, USA
ISBN: 9780198069881
Category : Drama
Languages : en
Pages : 422
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Book Description
Satish Alekar has written, acted in, directed, and produced some of the most influential and progressive plays of post-Independence India, and is part of the trinity, with 'Vijay Tendulkar' and 'Mahesh Elkunchwar', that has shaped modern Marathi theatre. Alekar is widely recognized for his ability to portray the many deceptions and fallacies of Indian society, and his plays depict with wit and sensitivity, a world unable to come to terms with modernity and stifled by tradition. The six plays-'The Dread Departure' (Mahanirvan), 'Deluge' (Mahapoor), 'The Terrorist' (Atirekee), 'Dynasts' (Pidhijat), 'Begum Barve', and 'Mickey and the Memsahib' (Mickey ani Memsahib) -are divided thematically into two sections and both sections include introductions by noted theatre critic, Samik Bandyopadhyay. The book also includes an insightful interview of Alekar by Bandyopadhyay, notes on the production histories of the included plays, and a special section containing photographs of the performances of these plays.
Author: Satish Alekar
Publisher: Oxford University Press, USA
ISBN: 9780198069881
Category : Drama
Languages : en
Pages : 422
Get Book Here
Book Description
Satish Alekar has written, acted in, directed, and produced some of the most influential and progressive plays of post-Independence India, and is part of the trinity, with 'Vijay Tendulkar' and 'Mahesh Elkunchwar', that has shaped modern Marathi theatre. Alekar is widely recognized for his ability to portray the many deceptions and fallacies of Indian society, and his plays depict with wit and sensitivity, a world unable to come to terms with modernity and stifled by tradition. The six plays-'The Dread Departure' (Mahanirvan), 'Deluge' (Mahapoor), 'The Terrorist' (Atirekee), 'Dynasts' (Pidhijat), 'Begum Barve', and 'Mickey and the Memsahib' (Mickey ani Memsahib) -are divided thematically into two sections and both sections include introductions by noted theatre critic, Samik Bandyopadhyay. The book also includes an insightful interview of Alekar by Bandyopadhyay, notes on the production histories of the included plays, and a special section containing photographs of the performances of these plays.
Author: Satīśa Āḷekara
Publisher: Oxford University Press, USA
ISBN:
Category : Drama
Languages : en
Pages : 456
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Book Description
Satish Alekar has written, acted in, directed, and produced some of the most influential and progressive plays of post-Independence India, and is part of the trinity, with 'Vijay Tendulkar' and 'Mahesh Elkunchwar', that has shaped modern Marathi theatre. Alekar is widely recognized for his ability to portray the many deceptions and fallacies of Indian society, and his plays depict with wit and sensitivity, a world unable to come to terms with modernity and stifled by tradition. The six plays-'The Dread Departure' (Mahanirvan), 'Deluge' (Mahapoor), 'The Terrorist' (Atirekee), 'Dynasts' (Pidhijat), 'Begum Barve', and 'Mickey and the Memsahib' (Mickey ani Memsahib) -are divided thematically into two sections and both sections include introductions by noted theatre critic, Samik Bandyopadhyay. The book also includes an insightful interview of Alekar by Bandyopadhyay, notes on the production histories of the included plays, and a special section containing photographs of the performances of these plays.
Author: Maheśa Elakuñcavāra
Publisher: Oxford University Press, USA
ISBN: 9780198070856
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
Collected Plays of Mahesh Elkunchwar, Volume II brings together eight critically acclaimed plays--Holi, Flower of Blood, God Son, As One Discardeth Old Clothes, Autobiography, Party, Pond, and Apocalypse--by the noted Marathi playwright. 'Holi', the first play in the collection, is about a group of restless, directionless, and disillusioned youngsters on the campus, who finally vent their frustrations on a gullible victim, ending in a gruesome tragedy. 'Flower of Blood' is about the trauma of an aging woman and her daughter's discovery of her sexuality. 'God Son' is a study of emotional and physical abuse inflicted in the name of 'scientific' upbringing. 'As One Discardeth Old Clothes' delves into the mind of a man who is waiting to discard his mortal shackles and join the Supreme One. 'Autobiography' is about an old writer trying to write his autobiography and coming to terms with a lifetime of lies and deceit. 'Party' is a vignette of city sophisticates and urban artists and their vacuous, masked lives. 'Pond' and 'Apocalypse' are part of the Wada trilogy. While 'Pond' tries to portray the changing values of Dharangaonkar Deshpandes, the younger generation taking over and succumbing to the materialistic lifestyle that spells doom for them as well as others, 'Apocalypse' is indicative of a futuristic picture of India, her villages denuded of everything and turning them into a vast desert: environmental, economic, cultural, social, and spiritual. Translated by Shanta Gokhale, Supantha Bhattacharya, Irawati Karnik, and Ashish Rajadhyaksha, this volume includes a Foreword by Vijaya Mehta and an introduction by Ananda Lal. The volume also includes detailed notes on production of each of the eight plays and photographs of the staging of the plays.
Author: Satīśa Āḷekara
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 104
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Book Description
Author: Girish Karnad
Publisher: Oxford University Press
ISBN: 0199093237
Category : Literary Collections
Languages : en
Pages : 313
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Book Description
The tale of a mythic king’s aggression against his offspring, and his desperation to escape the curse of old age laid upon him in the prime of life. The anxieties that torment a middle-class family as their daughter awaits the arrival of the ‘suitable boy’ from abroad whom she has never met. The morphing of the city of Bangalore, whose founding myth celebrates its human ambience, into India’s ‘Silicon Valley’ where strangers are thrown together, get entangled, and are violently pulled apart. In the plays of Girish Karnad, one of our fi nest playwrights, time, family, love, and sexual aggression resound from the mythic past into the contemporary megalopolis. The three plays collected in this volume not only span Karnad’s creative graph from his first play, Yayati, to his most recent, Boiled Beans on Toast, but also chart out the themes that have disturbed and shaped Indian drama since Independence. The volume includes an extensive introduction by theatre scholar Aparna Bhargava Dharwadker, which analyses Karnad’s work in the context of modern Indian drama.
Author: Girish Karnad
Publisher: Oxford University Press
ISBN: 0190993421
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
The tale of a mythic king’s aggression against his offspring, and his desperation to escape the curse of old age laid upon him in the prime of life. The anxieties that torment a middle-class family as their daughter awaits the arrival of the ‘suitable boy’ from abroad whom she has never met. The morphing of the city of Bangalore, whose founding myth celebrates its human ambience, into India’s ‘Silicon Valley’ where strangers are thrown together, get entangled, and are violently pulled apart. This volume contains the very first play as well as two later ones by Girish Karnad, one of India’s pre-eminent playwrights. The three-volume set of Karnad’s Collected Plays brings together English versions of his important works. Each volume contains an extensive introduction by theatre scholar Aparna Bhargava Dharwadker, Professor of English and Interdisciplinary Theatre Studies, University of Wisconsin–Madison. The introductions trace the literary and theatrical evolution of Karnad’s work over six decades and position it in the larger context of modern Indian drama. In addition, they comment on Karnad’s place as author and translator in a multilingual performance culture and the relation of his playwriting to his work in the popular media. Each of these volumes serves as a collector’s item, making Karnad’s works accessible to theatre lovers worldwide.
Author: Makarand Sathe
Publisher: Oxford University Press, USA
ISBN: 9780199450381
Category : Marathi drama
Languages : en
Pages : 0
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Book Description
Exploring the major trends in Marathi theatre, this three-volume set presents a detailed history of the development of modern Marathi theatre. The work is written in the form of a dialogue between a writer and a clown, where the clown goes on to educate the writer, by narrating to him the history of Marathi theatre, taking him through its inception in 1842 to 1985. Originally written in Marathi, this encyclopaedic work would narrate a social history of Maharashtra and of India as seen through the window of theatre. The narration proceeds through thirty nights, loosely following the structure of Arabian Nights, woven around the question, 'Who am I?' The methodology that Sathe follows is complex but systematic and logical as it is predicated on a sound understanding of both history and culture. He views theatre as a cultural construct shaped by the dialectical interaction between the playwright and the cultural political ethos around. The three volumes present the various stages of the historical development of modern Marathi theatre. The conversations between the writer and the clown take place at night; each night is progressively devoted to the discussion of certain historical stages.
Author: Satīśa Āḷekara
Publisher: Seagull Books Pvt Ltd
ISBN: 9788170462088
Category : Marathi drama
Languages : en
Pages : 114
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Book Description
In this unusual Marathi play the playwright weaves a complex narrative with just four characters Begum Barve, a small-time female impersonator who has spent his life playing bit roles in the professional Marathi theatre of the early twentieth century, his exploitative employer Shyamrao, and two clerks, Jawdekar and Bawdekar. Trapped between sensuous longings and the sordid reality of their humdrum existence, they seek redemption in make-believe. Layers of space and time interweave and overlap in this powerfully haunting play as dreams take shape only to turn into nightmares. Begum Barve in the original Marathi was directed by the playwright himself; it has also been performed in Hindi and Gujarati adaptations.This new edition supplements the text with a critical essay and a note on the songs by Urmila Bhirdikar, translator, critic, musicologist, vocalist and Reader, Department of English, Pune University; an interview with the playwright by Dr Shubhada Shelke, scholar and commentator on Marathi theatre, and a note by Amal Allana wo directed the play in Hindi. Satish Alekar is Professor and Head, Lalit Kala Kendra, Pune University, and Vice-Chairman, National School of Drama, Nw Delhi. Shanta Gokhale, the translator is also a critic, playwright and author of Playwright at the Centre: Marathi Drama from 1843 to the Present (Seagull Books, Calcutta, 2000).
Author: Mahesh Dattani
Publisher: Penguin UK
ISBN: 9351182169
Category : Literary Criticism
Languages : en
Pages : 99
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Book Description
‘A playwright of world stature’—Mario Relich, Wasafiri On a Muggy Night in Mumbai is the first contemporary Indian play to openly tackle gay themes of love, partnership, trust and betrayal. Kamlesh—young, gay and clinically depressed—invites his friends home ostensibly for an evening of camaraderie. However, with the arrival of his sister and her fiancé, a series of dramatic confrontations is set into motion, leading to startling revelations and unexpected catharsis. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
Author: Ananda Lal
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 592
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Book Description
This Encyclopedic Volume Is The First Of Its Kind In Any Language Covering All Of Indian Theatre. Lavishly Illustrated, With Some Rare Photographs From Archival Collections.
