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Author: Gian Napoleone Giordano Orsini
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
This book aims at providing the answer to one question: what did Coleridge derive from Kant and the post-Kantians in his most productive intellectual period, i.e., from approximately the eighteen-twenties? The question has already been investigated by a number of scholars-Shawcross, Muirhead, Wellek, Winkelmann, Schrickx and Chinol, in chronological order. Upon their work my book is founded. -Book's Preface
Author: Gian Napoleone Giordano Orsini
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
This book aims at providing the answer to one question: what did Coleridge derive from Kant and the post-Kantians in his most productive intellectual period, i.e., from approximately the eighteen-twenties? The question has already been investigated by a number of scholars-Shawcross, Muirhead, Wellek, Winkelmann, Schrickx and Chinol, in chronological order. Upon their work my book is founded. -Book's Preface
Author: G.N.G. Orsini
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Claud Howard
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 122
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Book Description
Author: Gerald McNeice
Publisher: Springer
ISBN: 1349218235
Category : Philosophy
Languages : en
Pages : 237
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Book Description
Author: Gian N. Orsini
Publisher:
ISBN: 9780809303632
Category :
Languages : en
Pages : 320
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Book Description
Professor Orsini’s book enters the controversy that has marked the changing response to Coleridge’s work during the past forty years, stimulated recently by the accessibility of Coleridge manuscripts and by the publication of hitherto unpublished works. Professor Orsini himself contributes to our new knowledge by publishing here for the first time texts from the notebooks. His book is of importance and interest because it examines problems which are rooted in world-wide intellectual developments of recent times. Counterposing his argument against the theory that Coleridge had anticipated Kant and Schelling, Professor Orsini marshalls impressive evidence that shows that Coleridge was familiar with the works of the German idealists and that they greatly influenced his thinking, to the extent that he was for a time an expounder of transcendental idealism, and should be credited with bringing it to England. Professor Orsini’s new findings will lead inevitably to reassessment of Coleridge’s status as a philosopher, though he insists that his report is an interim one, that a final estimate must wait until all Coleridge’s writings have been published and assessed.
Author: Monika Class
Publisher: A&C Black
ISBN: 1441104968
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Author of Biographia Literaria (1817) and The Friend (1809-10, 1812 and 1818), Samuel Taylor Coleridge was the central figure in the British transmission of German idealism in the 19th century. The advent of Immanuel Kant in Coleridge's thought is traditionally seen as the start of the poet's turn towards an internalized Romanticism. Demonstrating that Coleridge's discovery of Kant came at an earlier point than has been previously recognized, this book examines the historical roots of Coleridge's life-long preoccupation with Kant over a period of 20 years from the first extant Kant entry until the publication of his autobiography. Drawing on previously unpublished contemporary reviews of Kant and seeking socio-political meaning outside the literary canon in the English radical circles of the 1790s, Monika Class here establishes conceptual affinities between Coleridge's writings and that of Kant's earliest English mediators and in doing so revises Coleridge's allegedly non-political and solitary response to Kant.
Author: Douglas Hedley
Publisher: Cambridge University Press
ISBN: 1139428187
Category : Religion
Languages : en
Pages : 346
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Book Description
Coleridge's relation to his German contemporaries constitutes the toughest problem in assessing his standing as a thinker. For the last half-century this relationship has been described, ultimately, as parasitic. As a result, Coleridge's contribution to religious thought has been seen primarily in terms of his poetic genius. This book revives and deepens the evaluation of Coleridge as a philosophical theologian in his own right. Coleridge had a critical and creative relation to, and kinship with, German Idealism. Moreover, the principal impulse behind his engagement with that philosophy is traced to the more immediate context of English Unitarian-Trinitarian controversy of the eighteenth and nineteenth centuries. The book re-establishes Coleridge as a philosopher of religion and as a vital source for contemporary theological reflection.
Author: Karl Ameriks
Publisher: Cambridge University Press
ISBN: 1107147840
Category : History
Languages : en
Pages : 433
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Book Description
Comprehensive and incisive, with three new chapters, this updated edition sees world-renowned scholars explore a rich and complex philosophical movement.
Author: Paul Hamilton
Publisher: A&C Black
ISBN: 1441164987
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
Samuel Taylor Coleridge frequently bridged the gap between British and European Romantic thought. This study sets Coleridge's mode of thinking within a German Romantic philosophical context as the place where his ideas can naturally extend themselves, stretch and find speculations of comparable ambition. It argues that Coleridge found his philosophical adventures in the dominant idiom of his times exciting and as imaginatively engaging as poetry. Paul Hamilton situates major themes in Coleridge's prose and poetic writings in relation to his passion for German philosophy. He argues that Coleridge's infectious attachment to German (post-Kantian) philosophy was due to its symmetries with the structure of his Christian belief. Coleridge is read as an excited and winning expositor of this philosophy's power to articulate an absolute grounding of reality. Its comprehensiveness, however, rendered redundant further theological description, undermining the faith it had seemed to support. Thus arose Coleridge's anxious disguising of his German plagiarisms, aspersions cast on German originality, and his claims to have already experienced their insights within his own religious sensibility or in the writings of Anglican divines and neo-Platonists. This book recovers the extent to which his ideas call to be expanded within German philosophical debate.
Author: Sanja Sostaric
Publisher: Universal-Publishers
ISBN: 1581121997
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
This work elaborates R. W. Emerson s modification of S. T. Coleridge s central philosophical-aesthetic notions, such as imagination, reason, genius and symbol. Although Kant s and Schelling s idealistic philosophy, various pantheistic theories and Neoplatonism are identified as Coleridge s and Emerson s congenial intellectual and spiritual background, the author draws yet more attention to subtle differences between the English Romantic Coleridge and the American transcendentalist Emerson, which allow us to recognize that we deal with two distinct philosophical and poetic theories. The first part concentrates on Coleridge s intellectual development from the eager empiricist disciple to a philosopher dedicated to the impossible enterprise of formulating the unified theory of life, which would incorporate Kant s transcendental philosophy, pantheism and Christianity. Coleridge s letters, diary entries and notebook citations reveal a thinker unwilling to sacrifice neither the fervor of his Christian belief nor the poetic potential of pantheistic doctrines to the cool intellectuality of any single philosophic system. The outcome of Coleridge s synthesizing effort was thus the Romantic aesthetics which was not a substitute for religion, but religion artistically redefined. Within this context, particular attention has been given to Coleridge s radical adjustment of Kant s differentiation between reason and understanding on the one hand, and of the neoclassicist differentiation between imagination and fancy on the other hand, to his own needs. Coleridge s tendency to use Christian arguments as the cohesive force that would secure the unity of his theory made Coleridge over-emphasize the spiritual dimension at the cost of the intellectual and thus fascilitate a significant shift in thinking, which was responsible for the creative misinterpretation of his theories by the next generation of thinkers in the United States. As it is shown, James Marsh's publication of Coleridge's Aids to Reflection!, in which Coleridge elaborates his concept of the spiritual religion and of the notion of reason which approximates the inner light theories and nearly erases the Christian balance between the Creator and the Creation, plays an exceptionally important role in this process. In the second part, the author delineates Emerson's transformation from the Unitarian to the transcendentalist and explores in detail to what extent Emerson's formulation of his transcendentalist philosophy derived from his inclination to read Coleridge as a mystic, that is, to regard Coleridge's Christian bias as a whim which does not essentially affect the core of Coleridge's theory. It is shown that Emerson, neglecting flatly Coleridge's careful distinctions aimed at preserving the balance between dualism and monism, resolves Coleridge's theoretical ambiguity by exclusively concentrating on the part of Coleridge's system which favors the irrational and the unconscious dimension. As a consequence, Emerson's philosophy and aesthetics, with their emphasis on reason and imagination understood as inspiration, that is, the inflow of the divine into the mind of the artist, represent a radicalized version of Coleridge's neatly supressed monistic tendencies. In Emerson's interpretation, Coleridgean imagination becomes equated with Plotinian soul, that is, Coleridgean reason becomes a synonym for the utter mystical depersonalization. Finally, the delicate and easily overlooked Emersonian shifts with regard to Coleridge's theory point at the significance of Emerson's theoretical solutions in the transition from romanticim to modernism, a transition to which, ironically enough, Coleridge himself unintentionally and indirectly gave valuable contribution.
