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Author: Paul Oskar Kristeller
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 100
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Book Description
Author: Paul Oskar Kristeller
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 100
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Book Description
Author: Sean Gallagher
Publisher: Routledge
ISBN: 1351537121
Category : Music
Languages : en
Pages : 488
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Book Description
Taking up questions and issues in early chant studies, this volume of essays addresses some of the topics raised in James McKinnon's The Advent Project: The Later Seventh-Century Creation of the Roman Mass, the last book before his untimely death in February 1999. A distinguished group of chant scholars examine the formation of the liturgy, issues of theory and notation, and Carolingian and post-Carolingian chant. Special studies include the origins of musical notations, nuances of early chant performance (with accompanying CD), musical style and liturgical structure in the early Divine Office, and new sources for Old-Roman chant. Western Plainchant in the First Millenium offers new information and new insights about a period of crucial importance in the growth of the liturgy and music of the Western Church.
Author: Joanna Story
Publisher: Oxford University Press
ISBN: 0192575058
Category : Social Science
Languages : en
Pages : 428
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Book Description
Charlemagne and Rome is a wide-ranging exploration of cultural politics in the age of Charlemagne. It focuses on a remarkable inscription commemorating Pope Hadrian I who died in Rome at Christmas 795. Commissioned by Charlemagne, composed by Alcuin of York, and cut from black stone quarried close to the king's new capital at Aachen in the heart of the Frankish kingdom, it was carried to Rome and set over the tomb of the pope in the south transept of St Peter's basilica not long before Charlemagne's imperial coronation in the basilica on Christmas Day 800. A masterpiece of Carolingian art, Hadrian's epitaph was also a manifesto of empire demanding perpetual commemoration for the king amid St Peter's cult. In script, stone, and verse, it proclaimed Frankish mastery of the art and power of the written word, and claimed the cultural inheritance of imperial and papal Rome, recast for a contemporary, early medieval audience. Pope Hadrian's epitaph was treasured through time and was one of only a few decorative objects translated from the late antique basilica of St Peter's into the new structure, the construction of which dominated and defined the early modern Renaissance. Understood then as precious evidence of the antiquity of imperial affection for the papacy, Charlemagne's epitaph for Pope Hadrian I was preserved as the old basilica was destroyed and carefully redisplayed in the portico of the new church, where it can be seen today. Using a very wide range of sources and methods, from art history, epigraphy, palaeography, geology, archaeology, and architectural history, as well as close reading of contemporary texts in prose and verse, this book presents a detailed 'object biography', contextualising Hadrian's epitaph in its historical and physical setting at St Peter's over eight hundred years, from its creation in the late eighth century during the Carolingian Renaissance through to the early modern Renaissance of Bramante, Michelangelo, and Maderno.
Author: Michael Lapidge
Publisher: Cambridge University Press
ISBN: 9780521813440
Category : History
Languages : en
Pages : 436
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Book Description
Throughout the centuries of its existence, Anglo-Saxon society was highly, if not widely, literate: it was a society the functioning of which depended very largely on the written word. All the essays in this volume throw light on the literacy of Anglo-Saxon England, from the writs which were used as the instruments of government from the eleventh century onwards, to the normative texts which regulated the lives of Benedictine monks and nuns, to the runes stamped on an Anglo-Saxon coin, to the pseudorunes which deliver the coded message of a man to his lover in a well-known Old English poem, to the mysterious writing on an amulet which was apparently worn by a religious for a personal protection from the devil. The usual comprehensive bibliography of the previous year's publications in all branches of Anglo-Saxon studies rounds off the book.
Author: Tatjana Silec
Publisher: Springer
ISBN: 0230118801
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
Witnesses to the disappearance of a text, palimpsest manuscripts bear the marks of their own genesis, with their original inscription rubbed out and written over on the same parchment. This collection explores analogies of erasure and rewriting observed in editorial and literary practices underlying the production of texts from medieval England.
Author: Susan Rankin
Publisher: Cambridge University Press
ISBN: 1108381782
Category : Music
Languages : en
Pages : 429
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Book Description
Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.
Author: Clemens Gantner
Publisher: Cambridge University Press
ISBN: 1316241017
Category : History
Languages : en
Pages : 371
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Book Description
This volume analyses the importance of history, the textual resources of the past and the integration of Christian and imperial Rome into the cultural memory of early medieval Europe within the wider question of identity formation. The case studies in this book shed new light on the process of codification and modification of cultural heritage in the light of the transmission of texts and the extant manuscript evidence from the early Middle Ages. The authors demonstrate how particular texts and their early medieval manuscript representatives in Italy, Francia, Saxony and Bavaria not only reflect ethnic, social and cultural identities but themselves contributed to the creation of identities, gave meaning to social practice, and were often intended to inspire, guide, change, or prevent action, directly or indirectly. These texts are shown to be part of a cultural effort to shape the present by restructuring the past.
Author: Charles M. Atkinson
Publisher: Oxford University Press
ISBN: 0195148886
Category : Language Arts & Disciplines
Languages : en
Pages : 321
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Book Description
The Critical Nexus is the first book to trace the development of the notational matrix of Western music from Antiquity to the fourteenth century. It shows how principles of ancient Greek theory were grafted onto medieval practice, leading to a theory of both tone-system and mode, and a concomitant system of musical notation, that is uniquely Western.
Author: Library of Congress
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 1032
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Book Description
Beginning with 1953, entries for Motion pictures and filmstrips, Music and phonorecords form separate parts of the Library of Congress catalogue. Entries for Maps and atlases were issued separately 1953-1955.
Author: Leonard E. Boyle
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 204
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Book Description
A collection of articles by Leonard Boyle focusing on the central theme of medieval historical writing and how to study it. Boyle looks at the different approaches taken by British, French and German ascholars, and the many ways in which scholars identify authors and their works and analyse compositions, viewing medieval books as an archaeological artefact. Text in French and English.
