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Author: Catherine Burroughs
Publisher: Routledge
ISBN: 135160693X
Category : Drama
Languages : en
Pages : 280
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Book Description
Closet Drama: History, Theory, Form introduces the emerging field of Closet Drama Studies by featuring twelve original essays from distinguished scholars who offer fresh and illuminating perspectives on closet drama as a genre. Examining an unusual mix of historical narratives, performances, and texts from the Renaissance to the present, this collection unleashes a provocative array of theoretical concerns about the phenomenon of the closet play—a dramatic text written for reading rather than acting.
Author: Catherine Burroughs
Publisher: Routledge
ISBN: 135160693X
Category : Drama
Languages : en
Pages : 280
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Book Description
Closet Drama: History, Theory, Form introduces the emerging field of Closet Drama Studies by featuring twelve original essays from distinguished scholars who offer fresh and illuminating perspectives on closet drama as a genre. Examining an unusual mix of historical narratives, performances, and texts from the Renaissance to the present, this collection unleashes a provocative array of theoretical concerns about the phenomenon of the closet play—a dramatic text written for reading rather than acting.
Author: Nick Salvato
Publisher: Yale University Press
ISBN: 0300160178
Category : Performing Arts
Languages : en
Pages : 319
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Book Description
In this work modernism is illuminated through little-known but striking works by Ezra Pound, Gertrude Stein and others who revived the closet drama, plays written largely for private reading as a means of exploring forbidden sexualities.
Author: Marta Straznicky
Publisher: Cambridge University Press
ISBN: 9780521841245
Category : Drama
Languages : en
Pages : 214
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Book Description
Marta Straznicky offers a detailed historical analysis of early modern women's closet plays: plays explicitly written for reading, rather than public performance. She reveals that such works were part of an alternative dramatic tradition, an elite and private literary culture, which was understood as intellectually superior to and politically more radical than commercial drama. Elizabeth Cary, Jane Lumley, Anne Finch and Margaret Cavendish wrote their plays in this conjunction of the public and the private at a time when male playwrights dominated the theatres. In her astute readings of the texts, their contexts and their physical appearance in print or manuscript, Straznicky has produced many fresh insights into the place of women's closet plays both in the history of women's writing and in the history of English drama.
Author: Karen Raber
Publisher: University of Delaware Press
ISBN: 9780874137576
Category : Drama
Languages : en
Pages : 356
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Book Description
"Dramatic Difference offers an important contribution to the study of early modern women writers, and at the same time invites scholars and critics of the theater to reassess the place of closet drama - and the presence of women dramatists - in the early modern dramatic tradition."--BOOK JACKET.
Author: Brendan Prawdzik
Publisher: Edinburgh University Press
ISBN: 1474421024
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Theatrical Milton brings coherence to the presence of theatre in John Milton through the concept of theatricality. In this book, 'theatricality' identifies a discursive field entailing the rhetorical strategies and effects of framing a given human action, including speech and writing, as an act of theatre. Political and theological cultures in seventeenth-century England developed a treasury of representational resources in order to stage-to satirize and, above all, to de-legitimate-rhetors of politics, religion, and print. At the core of Milton's works is a contradictory relation to theatre that has neither been explained nor properly explored. This book changes the terms of scholarly discussion and discovers how the social structures of theatre afforded Milton resources for poetic and polemical representation and uncovers the precise contours of Milton's interest in theatre and drama.
Author: Jacqueline Mulhallen
Publisher: Open Book Publishers
ISBN: 1906924309
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Based on the author's thesis (Ph.D., Anglia Ruskin University).
Author: Martin Puchner
Publisher: JHU Press
ISBN: 0801877768
Category : Performing Arts
Languages : en
Pages : 247
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Book Description
Grounded equally in discussions of theater history, literary genre, and theory, Martin Puchner's Stage Fright: Modernism, Anti-Theatricality, and Drama explores the conflict between avant-garde theater and modernism. While the avant-garde celebrated all things theatrical, a dominant strain of modernism tended to define itself against the theater, valuing lyric poetry and the novel instead. Defenders of the theater dismiss modernism's aversion to the stage and its mimicking actors as one more form of the old "anti-theatrical" prejudice. But Puchner shows that modernism's ambivalence about the theater was shared even by playwrights and directors and thus was a productive force responsible for some of the greatest achievements in dramatic literature and theater. A reaction to the aggressive theatricality of Wagner and his followers, the modernist backlash against the theater led to the peculiar genre of the closet drama—a theatrical piece intended to be read rather than staged—whose long-overlooked significance Puchner traces from the theatrical texts of Mallarmé and Stein to the dramatic "Circe" chapter of Joyce's Ulysses. At times, then, the anti-theatrical impulse leads to a withdrawal from the theater. At other times, however, it returns to the stage, when Yeats blends lyric poetry with Japanese Nôh dancers, when Brecht controls the stage with novelistic techniques, and when Beckett buries his actors in barrels and behind obsessive stage directions. The modernist theater thus owes much to the closet drama whose literary strategies it blends with a new mise en scène. While offering an alternative history of modernist theater and literature, Puchner also provides a new account of the contradictory forces within modernism.
Author: LeeAnne M. Richardson
Publisher: Springer Nature
ISBN: 3030861260
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field’s cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field’s continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority.
Author: R. Bansal
Publisher: SBPD Publishing House
ISBN: 9392208103
Category : Juvenile Nonfiction
Languages : en
Pages : 257
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Book Description
Contents: 1. Drama : Elements and Types 2. Literary Terms (Drama) 3. Othello (By William Shakespeare) 4. Macbeth (By William Shakespeare) 5. Arms And The Man (By George Bernard Shaw) 6. She Stoops To Conquer (By Oliver Goldsmith) 7. Look Back In Anger (By John Osborne) 8. Murder In The Cathedral (By T. S. Eliot) 9. A Street Car Named Desire (By Tennessee Williams) 10. The Glass Menagerie (By Tennessee Williams) 11. All My Sons (By Arthur Miller). Additional Information: The author of this book is R. Bansal.
Author: Alison Findlay
Publisher: Cambridge University Press
ISBN: 0521839564
Category : Drama
Languages : en
Pages : 210
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Book Description
This study examines the playing spaces for early modern women's drama.
