Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
Book Description
Cloches de Corneville
Author: Robert Planquette
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 72
Book Description
Les Cloches de Corneville
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
Book Description
His Master's Voice/La Voix de Son Maitre
Author: Alan Kelly
Publisher: Bloomsbury Publishing USA
ISBN: 0313387745
Category : Music
Languages : en
Pages : 734
Book Description
This is a companion volume to the Italian catalogue, La Voce del Padrone, already published by Greenwood Press. This new volume provides a complete catalogue of French gramophone recordings made by the Gramophone Company Ltd. between 1898 and 1929. During this period the Compagnie Francaise du Gramophone was the continental European, African, and Asian end of a powerful partnership between the Victor Talking Machine Company and the Gramophone Company Ltd. The volume includes details of Victor recordings issued outside the Americas and hence is a useful adjunct to the series The Encyclopedic Discography of Victor Recordings, also published by Greenwood Press. The first three sections conform to the previously established pattern of listing Gramophone black and celebrity labels followed by the Zonophone green labels and the Gramophone green labels. In 1920, it was decided to issue records specifically for the Belgian/Flemish market; these are detailed in the fourth section. The contents of each section are listed in numerical order following the pattern of the early printed catalogues, that is, bands followed by orchestras followed by talking, etc. A list of the series actually used precedes each section and acts as a table of contents for the section. Each catalogue entry comprises as much as possible of the following information: the original numerical catalogue number; the matrix (serial) number; the date of the recording; the name of the artist(s) involved; the title of the piece; alternative issue numbers; and occasional notes. The introduction provides an overview of the company's recording practices and cataloging systems. This volume provides much-needed guidance for the serious collector and will be a valuable resource for the music historian.
Publisher: Bloomsbury Publishing USA
ISBN: 0313387745
Category : Music
Languages : en
Pages : 734
Book Description
This is a companion volume to the Italian catalogue, La Voce del Padrone, already published by Greenwood Press. This new volume provides a complete catalogue of French gramophone recordings made by the Gramophone Company Ltd. between 1898 and 1929. During this period the Compagnie Francaise du Gramophone was the continental European, African, and Asian end of a powerful partnership between the Victor Talking Machine Company and the Gramophone Company Ltd. The volume includes details of Victor recordings issued outside the Americas and hence is a useful adjunct to the series The Encyclopedic Discography of Victor Recordings, also published by Greenwood Press. The first three sections conform to the previously established pattern of listing Gramophone black and celebrity labels followed by the Zonophone green labels and the Gramophone green labels. In 1920, it was decided to issue records specifically for the Belgian/Flemish market; these are detailed in the fourth section. The contents of each section are listed in numerical order following the pattern of the early printed catalogues, that is, bands followed by orchestras followed by talking, etc. A list of the series actually used precedes each section and acts as a table of contents for the section. Each catalogue entry comprises as much as possible of the following information: the original numerical catalogue number; the matrix (serial) number; the date of the recording; the name of the artist(s) involved; the title of the piece; alternative issue numbers; and occasional notes. The introduction provides an overview of the company's recording practices and cataloging systems. This volume provides much-needed guidance for the serious collector and will be a valuable resource for the music historian.
The Extraordinary Operatic Adventures of Blanche Arral
Author: Blanche Arral
Publisher: Hal Leonard Corporation
ISBN: 9781574670776
Category : Music
Languages : en
Pages : 364
Book Description
Wherever Blanche Arral went, excitement and intrigue followed."--BOOK JACKET.
Publisher: Hal Leonard Corporation
ISBN: 9781574670776
Category : Music
Languages : en
Pages : 364
Book Description
Wherever Blanche Arral went, excitement and intrigue followed."--BOOK JACKET.
The Playgoer
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 518
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 518
Book Description
Music and Cosmopolitanism
Author: Cristina Magaldi
Publisher: Oxford University Press
ISBN: 0199744777
Category : Music
Languages : en
Pages : 425
Book Description
In Music and Cosmopolitanism, Cristina Magaldi examines music making in a past globalized world. This volume focuses on one city, Rio de Janeiro, and how it became part of a larger world through music and performance. Magaldi describes a process of creating connections beyond national borders, one that is familiar to contemporary city residents, but which was already dominant at the turn of the 20th century, as new technological developments led to alternative ways of making and experiencing music.
Publisher: Oxford University Press
ISBN: 0199744777
Category : Music
Languages : en
Pages : 425
Book Description
In Music and Cosmopolitanism, Cristina Magaldi examines music making in a past globalized world. This volume focuses on one city, Rio de Janeiro, and how it became part of a larger world through music and performance. Magaldi describes a process of creating connections beyond national borders, one that is familiar to contemporary city residents, but which was already dominant at the turn of the 20th century, as new technological developments led to alternative ways of making and experiencing music.
150 Years of Popular Musical Theatre
Author: Andrew Lamb
Publisher: Yale University Press
ISBN: 9780300075380
Category : Music
Languages : en
Pages : 400
Book Description
Covers the development of musicals, from the earliest European operetta styles of France and Germany to the modern musical of the United States and Britain.
Publisher: Yale University Press
ISBN: 9780300075380
Category : Music
Languages : en
Pages : 400
Book Description
Covers the development of musicals, from the earliest European operetta styles of France and Germany to the modern musical of the United States and Britain.
Truth
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 784
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 784
Book Description
D'un Montmartre l'autre
Author: Dominique Chauvat
Publisher: D'un Montmartre l'autre
ISBN: 2952770506
Category : Montmartre (Paris, France)
Languages : en
Pages : 12
Book Description
Publisher: D'un Montmartre l'autre
ISBN: 2952770506
Category : Montmartre (Paris, France)
Languages : en
Pages : 12
Book Description
Operetta
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443884251
Category : Music
Languages : en
Pages : 710
Book Description
Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The first volume provides an introduction, a representative chronology of the genre from 1840 to 2013, and a survey of the national schools of France and Austria-Hungary. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary.
Publisher: Cambridge Scholars Publishing
ISBN: 1443884251
Category : Music
Languages : en
Pages : 710
Book Description
Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The first volume provides an introduction, a representative chronology of the genre from 1840 to 2013, and a survey of the national schools of France and Austria-Hungary. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary.