Clement Marot: Poet of the French Renaissance PDF Download
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Author: Pauline M. Smith
Publisher: London : Athlone P
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
Author: Pauline M. Smith
Publisher: London : Athlone P
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
Author: Michael Andrew Screech
Publisher: BRILL
ISBN: 9004476261
Category : History
Languages : en
Pages : 192
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Book Description
Clément Marot (1496-1544), a poet of distinction, is a unique witness to the effect of the Bible on French-speaking courts. He was admired by Francis I, protected by Margaret of Navarre, and by Renée, the French Duchess of Ferrara. His translations of the psalms came to dominate Huguenot worship, inspiring many imitators, not least in English. His commitment to Lutheran theology shines through his personal poetry—once his Scriptural allusions are recognised and interpreted. Clément Marot: A Renaissance Poet Discovers the Gospel is a fundamental expansion and recasting for an English-reading public of Marot Évangélique, Michael Screech's study which brings out the appeal to this court poet of Lutheranism and martyrdom. Chapters also examine aspects of Marot's cult of the Virgin and a possible shift from Lutheranism to Calvinism.
Author: Robert Griffin
Publisher: Univ of California Press
ISBN: 0520322096
Category :
Languages : en
Pages : 416
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Book Description
Author: Sarah Alyn Stacey
Publisher: Peter Lang
ISBN: 9783039105595
Category : History
Languages : en
Pages : 276
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Book Description
This collection of essays by thirteen renowned specialists in the fields of French Renaissance literature and history is a fitting tribute to the scholarship of Pauline Smith, Emeritus Professor in French at the University of Hull and Research Associate of the Centre for Medieval and Renaissance Studies, Trinity College, Dublin. The essays, which focus on areas of research to which Professor Smith has herself given - and continues to give - particular attention, are organised into two frequently converging strands: court and humour. The contributors engage with political and cultural issues at the heart of the construction and aesthetic expression of the French Renaissance, whilst also offering insights into the broader European context. The collection as a whole challenges and revises a number of established views and identifies paths for future research.
Author: Scott Francis
Publisher: University of Virginia Press
ISBN: 1644530082
Category : History
Languages : en
Pages : 343
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Book Description
Advertising the Self in Renaissance France explores how authors and readers are represented in printed editions of three major literary figures: Jean Lemaire de Belges, Clément Marot, and François Rabelais. Print culture is marked by an anxiety of reception that became much more pronounced with increasingly anonymous and unpredictable readerships in the sixteenth century. To allay this anxiety, authors, as well as editors and printers, turned to self-fashioning in order to sell not only their books but also particular ways of reading. They advertised correct modes of reading as transformative experiences offered by selfless authors that would help the actual reader attain the image of the ideal reader held up by the text and paratext. Thus, authorial personae were constructed around the self-fashioning offered to readers, creating an interdependent relationship that anticipated modern advertising. Distributed for the University of Delaware Press
Author: Arthur Augustus Tilley
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 252
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Book Description
Author: Dick Wursten
Publisher: BRILL
ISBN: 9004193529
Category : Religion
Languages : en
Pages : 449
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Book Description
Famous mainly for his chansons and epigrams, the French poet Clément Marot (1496-1544) also supplied the texts for the Huguenot Psalter. Did he only paraphrase the Psalms to do Marguerite de Navarre, the leading lady of reform-oriented France, a favour, or was there more to it? This book offers a new approach to this question, which has got stuck in a yes-no discussion. A breakthrough is forced by the author’s focussing on the Psalm paraphrases themselves, which until now have never actually been included in Marot research. Analysed from a multidisciplinary perspective the successive versions of these paraphrases reveal that Marot was interested in reaching a consistent, literary, and historically reliable versification of the Psalms, thus implicitly questioning the traditional christological exegesis. The author’s perusal of Jewish exegetical insights (Kimhi, Ibn Ezra) in Martin Bucer’s Commentary shows where Marot acquired a satisfactory hermeneutical framework.
Author: H. P. Clive
Publisher: DS Brewer
ISBN: 9780729301473
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Author: Phillip John Usher
Publisher: DS Brewer
ISBN: 184384317X
Category : History
Languages : en
Pages : 280
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Book Description
"Virgil's works, principally the Bucolics, the Georgics, and above all the Aeneid, were frequently read, translated and rewritten by authors of the French Renaissance. The contributors to this volume show how readers and writers entered into a dialogue with the texts, using them to grapple with such difficult questions as authorial, political and communitarian identities. It is demonstrated how Virgil's works are more than Ancient models to be imitated. They reveal themselves, instead, to be part of a vibrant moment of exchange central to the definition of literature at the time."--Back cover.
Author: Anne-Pascale Pouey-Mounou
Publisher: BRILL
ISBN: 9004438564
Category : Literary Criticism
Languages : en
Pages : 391
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Book Description
The sixteenth-century French poets Pierre de Ronsard and Guillaume Du Bartas enjoyed a wide, immediate and long-lasting, but varied and mixed reception throughout early modern Europe. Ronsard and Du Bartas in Early Modern Europe is the first book-length volume to explore the transnational reception histories of both poets in conjunction with each other. It takes into account the great variety of their readerships, including translators, imitating poets, poetical theorists, illustrators and painters, both male and female (Marie de Gournay, Anne Bradstreet), some of them illustrious (Tasso, King James VI and I of Scotland and England, Opitz...), others less known, even obscure, but worth to be saved from oblivion (such as the French Marc-Antoine Chalon, the English Mary Roper, and the Dutch poet Philibert van Borsselen). This volume offers a fascinating insight into the different reception modes in Europe and their underlying political, religious and literary identities. Contributors include: Peter Auger, Denis Bjaï, Karel Bostoen †, Philippe Chométy, Paola Cosentino, Violaine Giacomotto-Charra, Alisa van de Haar, Pádraic Lamb, Anne-Pascale Pouey-Mounou, Elisabeth Rothmund, Paul J. Smith, and Caroline Trotot.
