Clear Words to Understand the World: 喻世明言 Yu Shi Ming Yan PDF Download
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Author: Feng Menglong
Publisher: DeepLogic
ISBN:
Category :
Languages : en
Pages :
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Book Description
Clear Words to Understand the World (喻世明言, Yushi Mingyan), is a collection of short stories written by Feng Menglong during the Ming dynasty. It was published in Suzhou in 1620. It is considered to be pivotal in the development of Chinese vernacular fiction. Feng Menglong collected and slightly modified works from the Song, Yuan and Ming dynasties, such as changing characters’ names and locations to make stories more contemporary. The writing style of the series of stories is written vernacular, or baihua, the everyday language of people at that time. The 40 stories are divided into 3 sections, one section collects Song and Yuan dynasty tales, one collects Ming dynasty stories, and the last is the stories created by Feng Menglong himself. The success of Yushi Mingyan (Clear Words to Understand the World) led Feng to edit and publish Jingshi Tongyan(Warnings of the World) in 1624, and Xingshi Hengyan (Constant Words to Awaken the World) in 1627. Each collection contained forty stories. The title of each collection ended with the word "yan" (word), so they are often referred to as a group: Sanyan. The stories in these three books are in a format called Huaben (话本), a novella or short novel.
Author: Feng Menglong
Publisher: DeepLogic
ISBN:
Category :
Languages : en
Pages :
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Book Description
Clear Words to Understand the World (喻世明言, Yushi Mingyan), is a collection of short stories written by Feng Menglong during the Ming dynasty. It was published in Suzhou in 1620. It is considered to be pivotal in the development of Chinese vernacular fiction. Feng Menglong collected and slightly modified works from the Song, Yuan and Ming dynasties, such as changing characters’ names and locations to make stories more contemporary. The writing style of the series of stories is written vernacular, or baihua, the everyday language of people at that time. The 40 stories are divided into 3 sections, one section collects Song and Yuan dynasty tales, one collects Ming dynasty stories, and the last is the stories created by Feng Menglong himself. The success of Yushi Mingyan (Clear Words to Understand the World) led Feng to edit and publish Jingshi Tongyan(Warnings of the World) in 1624, and Xingshi Hengyan (Constant Words to Awaken the World) in 1627. Each collection contained forty stories. The title of each collection ended with the word "yan" (word), so they are often referred to as a group: Sanyan. The stories in these three books are in a format called Huaben (话本), a novella or short novel.
Author: Peter Burke
Publisher: Taylor & Francis US
ISBN: 9780415093095
Category : Education
Languages : en
Pages : 712
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Book Description
The fifth volume of the this series examines historical events and cultural, social and political structures which were introduced between the 16th and 18th centuries.
Author: Guobin Xu
Publisher: Springer
ISBN: 981108162X
Category : History
Languages : en
Pages : 262
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Book Description
Promoting cultural understanding in a globalized world, this text is a key tool for students interested in further developing their understanding of Chinese society and culture. Written by a team of experts in their fields, this book provides a survey of Chinese culture, delving deeper into areas such as Chinese philosophy, religion, politics and education. It offers the reader a wide range of essential facts to better understand contemporary China through its history and cultural background, touching on key areas such as the development of science and technology in China, as well as the country’s economy and trade history, and is a key read for scholars and students in Chinese Culture, Sociology and Politics.
Author: Feng Menglong
Publisher: DeepLogic
ISBN:
Category :
Languages : en
Pages :
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Book Description
“Constant Words Awakening the World (醒世恒言 Xing Shi Heng Yan) is the third of a trilogy of widely celebrated Ming dynasty (1368–1644) vernacular story collections, compiled and edited by Feng Menglong. The first compilation, called Gujin Xiaoshuo (古今小説) (Stories Old and New), which is sometimes also referred to as Yushi Mingyan (喻世明言) (Clear Words to Understand the World) was published in Suzhou in 1620. The second publication was called Jingshi Tongyan (警世通言) (Warnings of the World). These three collections, often referred to as Sanyan (三言, "Three Words") because of the character yan (言) found at the end of each title, each contain 40 stories. Xingshi Hengyan is considered to be a huaben (话本), that is, short novel or novella. The huaben genre has been around since the Song dynasty (960-1279). The huaben genre includes collections of short stories, historical stories, and even stories from Confucian classics.
Author: Sigfried J. de Laet
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages : 600
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Book Description
The fifth volume of the this series examines historical events and cultural, social and political structures which were introduced between the 16th and 18th centuries.
Author: Martin W. Huang
Publisher: BRILL
ISBN: 1684173574
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
"In this new study of desire in Late Imperial China, Martin Huang argues that the development of traditional Chinese fiction as a narrative genre was closely related to changes in conceptions of the fundamental nature of desire. He further suggests that the rise of vernacular fiction during the late Ming dynasty should be studied in the context of contemporary debates on desire, along with the new and complex views that emerged from those debates.Desire and Fictional Narrative in Late Imperial China shows that the obsession of authors with individual desire is an essential quality that defines traditional Chinese fiction as a narrative genre. Thus the maturation of the genre can best be appreciated in terms of its increasingly sophisticated exploration of the phenomenon of desire."
Author: Zhenbin Sun
Publisher: Springer
ISBN: 3642548652
Category : Philosophy
Languages : en
Pages : 176
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Book Description
This book investigates Chinese comprehension and treatment of the relationship between language and reality. The work examines ancient Chinese philosophy through the pair of concepts known as ming-shi. By analyzing the pre-Qin thinkers’ discourse on ming and shi, the work explores how Chinese philosophers dealt with issues not only in language but also in ontology, epistemology, ethics, axiology, and logic. Through this discourse analysis, readers are invited to rethink the relationship of language to thought and behavior. The author criticizes and corrects vital misunderstandings of Chinese culture and highlights the anti-dualism and pragmatic character of Chinese thoughts. The rich meaning of the ming-shi pair is displayed by revealing its connection to other philosophical issues. The chapters show how discourse on language and reality shapes a central characteristic of Chinese culture, the practical zhi. They illuminate the interplay of Chinese theories of language and Dao as Chinese wisdom and worldview. Readers who are familiar with pragmatics and postmodernism will recognize the common points in ancient Chinese philosophy and contemporary Western philosophy, as they emerge through these chapters. The work will particularly appeal to scholars of philosophy, philosophy of language, communication studies and linguistics.
Author: Ling Mengchu
Publisher: DeepLogic
ISBN:
Category :
Languages : en
Pages :
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Book Description
After compilation of “The First Shot of Surprises" (初刻拍案惊奇), “The Second Shot of Surprises" （二刻拍案惊奇, Erke Paian Jingqi） is a collection of short stories in the Ming Dynasty of China . It was written by Ling Xiaochu at the end of the Ming Dynasty . It is a collection of short stories written under the direct influence of "Sanyan, or three words", and later called "Three Words" and " Two shots (with another “The First Shot of Surprises" with same style published before) collectively. "Three Words" refers to "Yu Shi Ming Yan, Clear Words to Understand the World", "Jing Shi Tong Yan, Warnings of the World", "Xing Shi Heng Yan, Constant Words Awakening the World", three collection of short stories in ancient China.
Author: Ling Mengchu
Publisher: DeepLogic
ISBN:
Category :
Languages : en
Pages :
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Book Description
" The First Shot of Surprises" 初刻拍案惊奇 or Chuke Paian Jingqi is a collection of short stories in the Ming Dynasty of China . It was written by Ling Xiaochu at the end of the Ming Dynasty . It is a collection of short stories written under the direct influence of "Sanyan, or three words", and later called "Three Words" and " Two shots (with another “The Second Shot of Surprises" with same style published later) collectively. "Three Words" refers to "Yu Shi Ming Yan, Clear Words to Understand the World", "Jing Shi Tong Yan, Warnings of the World", "Xing Shi Heng Yan, Constant Words Awakening the World", three collection of short stories in ancient China. " The First Shot of Surprises " finalized in the Ming Tianqi seven years (1627), the following year ( Chongzhen first year) print and publish the Shang Youtang Bookstore, a total of forty volumes for forty separate story. . " The First Shot of Surprises" book in the forty volumes of the nine chapters of the Tang Dynasty , Song seven, Yuan six, Ming 13 articles, five uncertain times. The content of the story is mainly based on " Tai Ping Guang Ji ", " Yi Jian Zhi ", "Scissor New Words", "Scissors of Lights" and other books. It is a portrayal of the Ming Dynasty society. Ling Xiaochu was deeply influenced by Feng Menglong.
Author: Shuhui Yang
Publisher: University of Michigan Press
ISBN: 0472901516
Category : Language Arts & Disciplines
Languages : en
Pages : 197
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Book Description
Feng Menglong (1574–1646) was recognized as the most knowledgeable connoisseur of popular literature of his time. He is known today for compiling three famous collections of vernacular short stories, each containing forty stories, collectively known as Sanyan. Appropriation and Representation adapts concepts of ventriloquism and dialogism from Bakhtin and Holquist to explore Feng’s methods of selecting source materials. Shuhui Yang develops a model of development in which Feng’s approach to selecting and working with his source materials becomes clear. More broadly, Appropriation and Representation locates Feng Menglong’s Sanyan in the cultural milieu of the late Ming, including the archaist movement in literature, literati marginality and anxieties, the subversive use of folk works, and the meiren xiangcao tradition—appropriating a female identity to express male frustration. Against this background, a rationale emerges for Feng’s choice to elevate and promote the vernacular story while stepping back form an overt authorial role.
