Classics of the Foreign Film PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Classics of the Foreign Film PDF full book. Access full book title Classics of the Foreign Film by Parker Tyler. Download full books in PDF and EPUB format.
Author: Parker Tyler
Publisher: New York : Citadel Press
ISBN:
Category : Foreign films
Languages : en
Pages : 264
Get Book Here
Book Description
About a selection of European and Asian films made from 1919 to 1961.
Author: Parker Tyler
Publisher: New York : Citadel Press
ISBN:
Category : Foreign films
Languages : en
Pages : 264
Get Book Here
Book Description
About a selection of European and Asian films made from 1919 to 1961.
Author: Parker Tyler
Publisher:
ISBN:
Category : Foreign films
Languages : en
Pages : 268
Get Book Here
Book Description
Author: Ronald Gottesman
Publisher: Ardent Media
ISBN: 9780030852923
Category : Performing Arts
Languages : en
Pages : 244
Get Book Here
Book Description
Author: American Film Institute
Publisher: Univ of California Press
ISBN: 9780520079083
Category : Performing Arts
Languages : en
Pages : 1198
Get Book Here
Book Description
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
Author: Thomas Waugh
Publisher: Columbia University Press
ISBN: 9780231099981
Category : Education
Languages : en
Pages : 504
Get Book Here
Book Description
Waugh identifies four primary aspects of homoerotic photography and film - the artistic, the commercial, the illicit, and the politico-scientific - tracing their development against a background of advances in visual technology. This comprehensive work explores a vast, eclectic tradition in its totality, analyzing the visual imagery in addition to its production, circulation, and consumption.
Author: Tino Balio
Publisher: Univ of Wisconsin Press
ISBN: 0299247937
Category : Performing Arts
Languages : en
Pages : 382
Get Book Here
Book Description
Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L’Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad. Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the renaissance was kick-started by independent distributors working out of New York; by the 1960s, however, the market had been subsumed by Hollywood. From Roberto Rossellini’s Open City in 1946 to Bernardo Bertolucci’s Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as François Truffaut, Jean-Luc Godard, Federico Fellini, Michelangelo Antonioni, Tony Richardson, Ingmar Bergman, Akira Kurosawa, Luis Buñuel, Satyajit Ray, and Milos Forman. Their releases paled in comparison to Hollywood fare at the box office, but their impact on American film culture was enormous. The reception accorded to art house cinema attacked motion picture censorship, promoted the director as auteur, and celebrated film as an international art. Championing the cause was the new “cinephile” generation, which was mostly made up of college students under thirty. The fashion for foreign films depended in part on their frankness about sex. When Hollywood abolished the Production Code in the late 1960s, American-made films began to treat adult themes with maturity and candor. In this new environment, foreign films lost their cachet and the art film market went into decline.
Author:
Publisher: BRILL
ISBN: 9004529845
Category : Education
Languages : en
Pages : 370
Get Book Here
Book Description
Visual Pedagogies: Concepts, Cases and Practices takes readers on a journey through practico-theoretical experiments in thought, research and practice. Across disciplines, these authors navigate visuality to enhance pedagogical sensibility to how we observe, analyze, criticize and reflect on through visual processes.
Author: William Hawes
Publisher: McFarland
ISBN: 9780786411320
Category : Performing Arts
Languages : en
Pages : 308
Get Book Here
Book Description
This work examines the change from live to filmed television dramas during the period 1952-1958 and the characteristics and programs that are most associated with filmed television drama. Along with many technical changes that had to be made in the industry in order to convert live television to filmed television came an interesting social one. The American society in general was developing a growing interest in the lives of ordinary people, and television moved with them, offering more programs that concentrated on the middle and lower classes. Because of the inherent qualities of filming, television began to feature more documentary-like realism, began to broaden its interpretation of traditional romantic escapism to include more outer space and supernatural science fiction, began to better fulfill materialistic desires through well-designed, enjoyable commercials, and began to offer the best dramas and most popular personalities, often leading viewers to greater self-appreciation and richer lives. This work focuses on the important anthology programs and specials that were on the air from 1952 to 1958 such as Kraft Television Theatre, Philco Television Playhouse, and The Hallmark Hall of Fame, filmed serials like Colgate Theatre, Amos 'n' Andy, and I Love Lucy, and the challenges of converting from live to filmed television drama.
Author: Kenneth Turan
Publisher: PublicAffairs
ISBN: 1610393678
Category : Performing Arts
Languages : en
Pages : 369
Get Book Here
Book Description
The images and memories that matter most are those that are unshakeable, unforgettable. Kenneth Turan's fifty-four favorite films embrace a century of the world's most satisfying romances and funniest comedies, the most heart-stopping dramas and chilling thrillers. Turan discovered film as a child left undisturbed to watch Million Dollar Movie on WOR-TV Channel 9 in New York, a daily showcase for older Hollywood features. It was then that he developed a love of cinema that never left him and honed his eye for the most acute details and the grandest of scenes. Not to be Missed blends cultural criticism, historical anecdote, and inside-Hollywood controversy. Turan's selection of favorites ranges across all genres. From All About Eve to Seven Samurai to Sherlock Jr., these are all timeless films -- classic and contemporary, familiar and obscure, with big budgets and small -- each underscoring the truth of director Ingmar Bergman's observation that "no form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul."
Author: Carl J. Mora
Publisher: McFarland
ISBN: 0786491876
Category : Performing Arts
Languages : en
Pages : 337
Get Book Here
Book Description
Mexican filmmaking is traced from its early beginnings in 1896 to the present in this book. Of particular interest are the great changes from 1990 to 2004: the confluence of talented and dedicated filmmakers, important changes in Mexican cinematic infrastructure and significant social and cultural transformations. From Nicolas Echevarria's Cabeza de Vaca (1991), to the 1992 releases of Hellboy director Guillermo del Toro's Cronos and Alfonso Arau's Como agua para chocolate, to Alfonso Cuaron's Y tu mama tambien (2001), this work provides a close look at Mexican films that received international commercial success and critical acclaim and put Mexico on the cinematic world map. Arranged chronologically, this edition (originally published in 2005) covers the entire scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic contexts of the times.
