Classical Acting PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Classical Acting PDF full book. Access full book title Classical Acting by Malcolm Morrison. Download full books in PDF and EPUB format.
Author: Malcolm Morrison
Publisher: Heinemann Drama
ISBN: 9780435070199
Category : Acting
Languages : en
Pages : 0
Get Book Here
Book Description
Acting in classical drama demands very different skills from acting in modern plays. Malcolm Morrison shows the actor how to approach the reading and speaking of classical texts.
Author: Malcolm Morrison
Publisher: Heinemann Drama
ISBN: 9780435070199
Category : Acting
Languages : en
Pages : 0
Get Book Here
Book Description
Acting in classical drama demands very different skills from acting in modern plays. Malcolm Morrison shows the actor how to approach the reading and speaking of classical texts.
Author: Elly Konijn
Publisher: Amsterdam University Press
ISBN: 9789053564448
Category : Performing Arts
Languages : en
Pages : 216
Get Book Here
Book Description
Actors and actresses play characters such as the embittered Medea, or the lovelorn Romeo, or the grieving and tearful Hecabe. The theatre audience holds its breath, and then sparks begin to fly. But what about the actor? Has he been affected by the emotions of the character he is playing? What'sgoing on inside his mind? The styling of emotions in the theatre has been the subject of heated debate for centuries. In fact, Diderot in his Paradoxe sur le comedien, insisted that most brilliant actors do not feel anything onstage. This greatly resembles the detached acting style associated with Bertolt Brecht, which, in turn, stands in direct opposition to the notion of the empathy-oriented "emotional reality" of the actor which is most famously associated with the American actingstyle known as method acting. The book's survey of the various dominant acting styles is followed by an analysis of the current state of affairs regarding the psychology of emotions. By uniting the psychology of emotions with contemporary acting theories, the author is able to come to the conclusion that traditional acting theories are no longer valid for today's actor. Acting Emotions throws new light on the age-old issue of double consciousness, the paradox of the actor who must nightly express emotions while creating the illusion of spontaneity. In addition, the book bridges the gap between theory and practice by virtue of the author's large-scale field study of the emotions of professional actors. In Acting Emotions, the responses of Dutch and Flemish actors is further supplemented by the responses of a good number of American actors. The book offers a unique view of how actors act out emotions and how this acting out is intimately linked to the development of contemporary theatre.
Author: A.C. Scott
Publisher: Routledge
ISBN: 113657588X
Category : Drama
Languages : en
Pages : 266
Get Book Here
Book Description
First published in 1957. Besides tracing the history and development of the Peking Theatre, this volume explains acting techniques, stage costume and symbolism, musical forms and the various types of plays.
Author: Paul Kuritz
Publisher: Hal Leonard Corporation
ISBN: 9781557833044
Category : Performing Arts
Languages : en
Pages : 188
Get Book Here
Book Description
(Applause Books). Aimed at the beginning acting student, this book takes a commonsense approach to the craft, building on basic techniques in the first part and then going on to cover two distinct types of theater; comedy and Shakespearean verse. Kuritz introduces basic acting techniques through a series of simple exercises. the section on verse analyzes accent and rhythm with examples of dialog, while the comedy chapter lists 15 examples of comic situations, along with definitions and examples of comic figures of speech. Warm-up exercises, comic dialect guidelines, and a general stage terminology contribute to the usefulness of the book. Recommended for theater arts collections in public, high school and college libraries.
Author: John L. Gronbeck-Tedesco
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN:
Category : Performing Arts
Languages : en
Pages : 324
Get Book Here
Book Description
Author: Yoshi Oida
Publisher: Bloomsbury Publishing
ISBN: 1350148288
Category : Drama
Languages : en
Pages : 123
Get Book Here
Book Description
The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.
Author: Malcolm Morrison
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 128
Get Book Here
Book Description
Acting classical drama demands very different skills from acting in modern plays. Classical plays use heightened language and may well be written in verse. Malcolm Morrison shows the actor how to approach the reading and speaking of these texts. He looks at the whole acting process, including developing character, research, movement and voice. Practical exercises are given throughout the text which can be used in the classroom or by individuals for private study.
Author: Shearer West
Publisher: Palgrave Macmillan
ISBN: 9780312057381
Category : Performing Arts
Languages : en
Pages : 214
Get Book Here
Book Description
The mistake of interpreting 18th-century theatrical portraits too literally has been made since the 19th-century when a different set of artistic codes prevailed. The image of the 18th-century actor which we can obtain from prints, paintings and pamphlets of the time, is not a collection of visual truths, but a construction based on critical canons, aesthetic prejudices, and commercial motivations prevalent during the period. Through an analysis of the importance of theatre among all the pleasures and pastimes enjoyed by 18th-century Londoners the author presents a detailed picture of the cultural climate inhabited by the actor and his audience. The overwhelming fascination they had with the actor provides the background to an analysis of the function of the theatrical portrait, the burgeoning economy of the engraver, and the illustrator. Concepts of classicism and realism are explored in terms of how Garrick and Kemble will have been viewed in their work. The author also draws an interesting analogy between the aesthetics of action and sculptural representation through the work of Siddons, and goes on to consider the representation of the comic actor and how it was informed by art and art theory.
Author: Chris Jones
Publisher: A&C Black
ISBN: 9780826479884
Category : Performing Arts
Languages : en
Pages : 808
Get Book Here
Book Description
This third edition of the UK's best-selling filmmaker's bible, builds upon the most successful features of the previous books. Including illustrations, diagrams, and box-outs, this book comes with a DVD, packed with further interviews with filmmakers, as well as theatrical trailers.
Author: Jean Benedetti
Publisher: Routledge
ISBN: 1136556192
Category : Performing Arts
Languages : en
Pages : 258
Get Book Here
Book Description
How did acting begin? What is its history, and what have the great thinkers on acting said about the art and craft of performance? In this single-volume survey of the history of acting, Jean Benedetti traces the evolution of the theories of the actor's craft drawing extensively on extracts from key texts, many of which are unavailable for the student today. Beginning with the classical conceptions of acting as rhetoric and oratory, as exemplified in the writing of Aristotle, Cicero and others, The Art of the Actor progresses to examine ideas of acting in Shakespeare's time right through to the present day. Along the way, Benedetti considers the contribution and theories of key figures such as Diderot, Stanislavski, Meyerhold, Brecht, Artaud and Grotowski, providing a clear and concise explanation of their work illustrated by extracts and summaries of their writings. Some source materials appear in the volume for the first time in English. The Art of the Actor will be the essential history of acting for all students and actors interested in the great tradition of performance, both as craft and as art.
