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Author: Samuel Richardson
Publisher: BoD – Books on Demand
ISBN: 3732669092
Category : Fiction
Languages : en
Pages : 298
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Book Description
Reproduction of the original: Clarissa Harlowe by Samuel Richardson
Author: Samuel Richardson
Publisher: BoD – Books on Demand
ISBN: 373266886X
Category : Fiction
Languages : en
Pages : 282
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Book Description
Reproduction of the original: Clarissa Harlowe by Samuel Richardson
Author: Samuel Richardson
Publisher: Library of Alexandria
ISBN: 146552875X
Category : Fiction
Languages : en
Pages : 3922
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Book Description
Author: Samuel Richardson
Publisher:
ISBN:
Category : Conflict of generations
Languages : en
Pages : 362
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Book Description
Author: Samuel Samuel Richardson
Publisher:
ISBN:
Category :
Languages : en
Pages : 309
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Book Description
Excerpt Miss Clarissa Harlowe, to Miss Howe Wednesday Afternoon, April 26 At length, my dearest Miss Howe, I am in London, and in my new lodgings. They are neatly furnished, and the situation, for the town, is pleasant. But I think you must not ask me how I like the old gentlewoman. Yet she seems courteous and obliging.--Her kinswomen just appeared to welcome me at my alighting. They seemed to be genteel young women. But more of their aunt and them, as I shall see more. Miss Sorlings has an uncle at Barnet, whom she found so very ill, that her uneasiness, on that account, (having large expectations from him,) made me comply with her desire to stay with him. Yet I wished, as her uncle did not expect her, that she would see me settled in London; and Mr. Lovelace was still more earnest that she would, offering to send her back again in a day or two, and urging that her uncle's malady threatened not a sudden change. But leaving the matter to her choice, after she knew what would have been mine, she made me not the expected compliment. Mr. Lovelace, however, made her a handsome present at parting. His genteel spirit, on all occasions, makes me often wish him more consistent. As soon as he arrived, I took possession of my apartment. I shall make good use of the light closet in it, if I stay here any time. One of his attendants returns in the morning to The Lawn; and I made writing to you by him an excuse for my retiring. And now give me leave to chide you, my dearest friend, for your rash, and I hope revocable resolution not to make Mr. Hickman the happiest man in the world, while my happiness is in suspense. Suppose I were to be unhappy, what, my dear, would this resolution of yours avail me? Marriage is the highest state of friendship: if happy, it lessens our cares, by dividing them, at the same time that it doubles our pleasures by a mutual participation. Why, my dear, if you love me, will you not rather give another friend to one who has not two she is sure of? Had you married on your mother's last birth-day, as she would have had you, I should not, I dare say, have wanted a refuge; that would have saved me many mortifications, and much disgrace. Here I was broke in upon by Mr. Lovelace; introducing the widow leading in a kinswoman of her's to attend me, if I approved of her, till my Hannah should come, or till I had provided myself with some other servant. The widow gave her many good qualities; but said, that she had one great defect; which was, that she could not write, nor read writing; that part of her education having been neglected when she was young; but for discretion, fidelity, obligingness, she was not to be out-done by any body. So commented her likewise for her skill at the needle. As for her defect, I can easily forgive that. She is very likely and genteel--too genteel indeed, I think, for a servant. But what I like least of all in her, she has a strange sly eye. I never saw such an eye; half-confident, I think. But indeed Mrs. Sinclair herself, (for that is the widow's name,) has an odd winking eye; and her respectfulness seems too much studied, methinks, for the London ease and freedom. But people can't help their looks, you know; and after all she is extremely civil and obliging,--and as for the young woman, (Dorcas is her name,) she will not be long with me. I accepted her: How could I do otherwise, (if I had had a mind to make objections, which, in my present situation, I had not,) her aunt present, and the young woman also present; and Mr. Lovelace officious in his introducing them, to oblige me? But, upon their leaving me, I told him, (who seemed inclinable to begin a conversation with me,) that I desired that this apartment might be considered as my retirement: that when I saw him it might be in the dining-room, (which is up a few stairs; for this back-house, being once two, the rooms do not all of them very conveniently communicate with each ...
Author: Samuel Richardson
Publisher: Independently Published
ISBN: 9781072821878
Category :
Languages : en
Pages : 308
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Book Description
This is Volume 3 of Samuel Richardson's classic novel; Clarissa. Pressured by her unscrupulous family to marry a wealthy man she detests, the young Clarissa Harlowe is tricked into fleeing with the witty and debonair Robert Lovelace and places herself under his protection. Lovelace, however, proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome and increasingly brutal sexual advances. And yet, Clarissa finds his charm alluring, her scrupulous sense of virtue tinged with unconfessed desire. Told through a complex series of interweaving letters, Clarissa is a richly ambiguous study of a fatally attracted couple and a work of astonishing power and immediacy. A huge success when it first appeared in 1747, it remains one of the greatest of all novels.
Author: Сэмюэл Ричардсон
Publisher: Litres
ISBN: 5041238650
Category : Fiction
Languages : en
Pages :
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Author: Samuel Richardson
Publisher:
ISBN:
Category :
Languages : en
Pages : 306
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Book Description
This is Volume 2 of Samuel Richardson's classic novel; Clarissa. Pressured by her unscrupulous family to marry a wealthy man she detests, the young Clarissa Harlowe is tricked into fleeing with the witty and debonair Robert Lovelace and places herself under his protection. Lovelace, however, proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome and increasingly brutal sexual advances. And yet, Clarissa finds his charm alluring, her scrupulous sense of virtue tinged with unconfessed desire. Told through a complex series of interweaving letters, Clarissa is a richly ambiguous study of a fatally attracted couple and a work of astonishing power and immediacy. A huge success when it first appeared in 1747, it remains one of the greatest of all novels.
Author: Samuel Richardson
Publisher:
ISBN: 9780404641009
Category :
Languages : en
Pages :
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Book Description
Author: Samuel Richardson
Publisher: BoD – Books on Demand
ISBN: 3375006233
Category : Fiction
Languages : en
Pages : 506
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Book Description
Reprint of the original, first published in 1863.
Author: Deidre Shauna Lynch
Publisher: University of Chicago Press
ISBN: 022618384X
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
