Clarinet Concertos Nos. 1 and 2 in Full Score

Clarinet Concertos Nos. 1 and 2 in Full Score PDF Author: Carl Maria von Weber
Publisher: Courier Corporation
ISBN: 048644628X
Category : Music
Languages : en
Pages : 178

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Book Description
These popular clarinet concertos, both written in 1811, follow in the classical tradition of Mozart while showcasing the instrument's new technical possibilities. They arose from the fortunate introduction of composer Carl Maria von Weber to one of the era's greatest clarinetists, Heinrich Joseph Baermann. Excited by the performer's virtuosity, von Weber created these two works, which have since become cornerstones of the clarinet repertoire. In the Concerto No. 1 in F Minor, Op. 73, the solo clarinetist has the opportunity to range over the instrument's entire compass, with brilliant runs, leaps, and passagework. The Concerto No. 2 in E-flat Major, Op. 74, features a long first movement with considerable development, a spellbinding "Barcarolle" second movement, and a sparkling final "Polacca". These two works appear here in full score and for the first time in a single volume, offering insightful delights for performers and listeners alike.

Clarinet Concertos Nos. 1 and 2 in Full Score

Clarinet Concertos Nos. 1 and 2 in Full Score PDF Author: Carl Maria von Weber
Publisher: Courier Corporation
ISBN: 048644628X
Category : Music
Languages : en
Pages : 178

Get Book Here

Book Description
These popular clarinet concertos, both written in 1811, follow in the classical tradition of Mozart while showcasing the instrument's new technical possibilities. They arose from the fortunate introduction of composer Carl Maria von Weber to one of the era's greatest clarinetists, Heinrich Joseph Baermann. Excited by the performer's virtuosity, von Weber created these two works, which have since become cornerstones of the clarinet repertoire. In the Concerto No. 1 in F Minor, Op. 73, the solo clarinetist has the opportunity to range over the instrument's entire compass, with brilliant runs, leaps, and passagework. The Concerto No. 2 in E-flat Major, Op. 74, features a long first movement with considerable development, a spellbinding "Barcarolle" second movement, and a sparkling final "Polacca". These two works appear here in full score and for the first time in a single volume, offering insightful delights for performers and listeners alike.

Clarinet concertos nos. 1 and 2

Clarinet concertos nos. 1 and 2 PDF Author: Carl Maria von Weber
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


Clarinet Concertos Nos. 1 and 2

Clarinet Concertos Nos. 1 and 2 PDF Author: Carl Maria von Weber
Publisher:
ISBN:
Category : Concertos (Clarinet)
Languages : en
Pages :

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Clarinet Concerto No. 1; Clarinet Concerto No. 2; Scherzetto

Clarinet Concerto No. 1; Clarinet Concerto No. 2; Scherzetto PDF Author: Malcolm Arnold
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


Daniels' Orchestral Music

Daniels' Orchestral Music PDF Author: David Daniels
Publisher: Rowman & Littlefield
ISBN: 1442275219
Category : Music
Languages : en
Pages : 1464

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Book Description
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.

Clarinet concerto no. 1

Clarinet concerto no. 1 PDF Author: Graham Whettam
Publisher:
ISBN:
Category : Concertos (Clarinet)
Languages : en
Pages : 134

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Book Description


Clarinet concerto no. 1 in C minor, op. 26

Clarinet concerto no. 1 in C minor, op. 26 PDF Author: Louis Spohr
Publisher:
ISBN:
Category : Clarinet music
Languages : en
Pages :

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Book Description


The Concerto

The Concerto PDF Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666

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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.

Clarinet concertos 1 & 2

Clarinet concertos 1 & 2 PDF Author: Ignaz Pleyel
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


The Concerto

The Concerto PDF Author: Michael Steinberg
Publisher: Oxford University Press
ISBN: 019802634X
Category : Music
Languages : en
Pages : 523

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Book Description
Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.